Man RayStany Zjednoczone, 1890–1976Untitled
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Gdzie jest teraz „Untitled”? Kolekcja: Art Institute of Chicago, Chicago. Obecnie poza wystawą. Sprawdzono 2 listopada 2026.
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Man Ray arranged a carpenter’s rule and a glass negative with an image of La Grande Roue (France’s first Ferris wheel) to make this combination of a photogram and contact print. “Rayographs,” as the artist called his photograms, are cameraless images made by light that is blocked by or passed through objects placed on photographic paper. For Man Ray, the surface of the photographic paper became a sketch pad where unrelated objects, drawn by light, merged to create abstract compositions evocative of dreams and imaginary scenes. The artist exhibited his experimental photograms alongside paintings and sculptural objects within months of his move to Paris from New York. Through such exhibitions, he advanced an artistic identity that included photography among a variety of media experiments.
Art Institute of ChicagoCC BY 4.0
Szczegóły
- Numer inwentarzowy
- 1979.97
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Źródła
- Art Institute of Chicago
- Zdjęcie: Art Institute of Chicago — © the artist or rights holder
Z życia: Man Ray
Cały życiorys1920s
A photography studio: portraits of Paris bohemia
Convinced that he cannot make a living from his art alone, Ray buys a camera and opens a studio; he creates a series of famous photographic portraits of Erik Satie, James Joyce, Gertrude Stein and Jean Cocteau.
1921
His first Paris exhibition at the Galerie Six
Ray's first solo exhibition in Paris is held at the Galerie Six, organised by Philippe Soupault; for it he creates his first Dadaist work in France, The Gift (Le Cadeau).
c. 1921
Rayographs: photograms without a camera
His accidental rediscovery of the cameraless photogram, which he calls 'rayographs', produces images hailed by Tristan Tzara as 'pure Dada creations'.
c. 1921
Meeting Kiki de Montparnasse
Shortly after arriving in Paris Ray meets and falls in love with Alice Prin, known as Kiki de Montparnasse, an artists' model and celebrated figure of Paris bohemian circles. She remains his companion for most of the 1920s, the subject of some of his most famous photographs, and stars in his films Le Retour à la raison and L'Étoile de mer.
1921
Moving to Paris, Montparnasse
In July 1921 Ray goes to live and work in Paris, settling in the Montparnasse quarter favoured by many artists.
1925
The first Surrealist exhibition at the Galerie Pierre
Ray is represented in the first Surrealist exhibition at the Galerie Pierre in Paris, alongside Jean Arp, Giorgio de Chirico, Max Ernst, Georges Malkine, André Masson, Joan Miró and Pablo Picasso.
