Henri MatisseFrancja, 1869–1954The Serf
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Henri Matisse often turned to sculpture early in his career in an attempt "to put order into my feelings and find a style to suit me." More than half of his total output of sculpture dates to between 1900 and 1909, and these works reveal a deep interest in the human figure, as well as ancient and early modern works of art. The Serf, one of Matisse’s earliest sculptures, consumed him: he was reported to have spent up to 500 sessions with his model, Bevilaqua, who also posed for Auguste Rodin. The Art Institute’s work is an early cast (1908) of a total edition of 10 and was once owned by Matisse’s most enthusiastic early supporters, Michael and Sarah Stein.
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Szczegóły
- Numer inwentarzowy
- 1949.202
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- Art Institute of Chicago
- Zdjęcie: Art Institute of Chicago — CC0
Z życia: Henri Matisse
Cały życiorys8 stycznia 1898
Married: Amélie Parayre
summer 1905
Collioure: The Birth of Fauvism
Matisse spent the summer of 1905 with André Derain and Maurice de Vlaminck in the fishing village of Collioure on the Mediterranean. Together with Derain he created a new style that entered art history as Fauvism.
1905
Scandal at the Salon d'Automne
Matisse showed "The Open Window" and "Woman with a Hat"; Louis Vauxcelles's review of 17 October 1905 gave the group the nickname "fauves" ("wild beasts"). "Woman with a Hat" was bought by Leo Stein for 500 francs, which raised the market value of the artist's work.
1906
Meeting Pablo Picasso
The first meeting between Matisse and Picasso took place at the Steins' salon on the Rue de Fleurus in Paris. Their creative friendship was full of rivalry and mutual respect.
20 March 1906
"Le Bonheur de Vivre" at the Salon des Indépendants
Matisse presented "Le Bonheur de Vivre" (The Joy of Life), a painting combining pastoral and bacchanal motifs. Critics and academic circles reacted with extreme irritation, but Leo Stein purchased this painting as well.
1908
Shchukin's Commission for "Dance" and "Music"
The Russian collector Sergei Shchukin commissioned three decorative panels from Matisse for his Moscow house: "Dance," "Music," and "Bathing" (which remained at the sketch stage). The money of Russian collectors allowed the artist to finally overcome his financial difficulties.
