ART WIKI
Samuel Ryan Curtis, Charles DeForest Fredricks, c. 1862
Charles DeForest FredricksStany Zjednoczone

Samuel Ryan Curtis

c. 1862 · Photograph

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Gdzie jest teraz „Samuel Ryan Curtis”? Kolekcja: National Portrait Gallery, Waszyngton. Nie wiadomo, czy jest dziś na wystawie.

National Portrait Gallery

Waszyngton, Stany Zjednoczone

Wiemy, do kogo należy, ale nie wiemy, czy jest dziś na wystawie.

Ten status od
Źródło
Muzeum
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Umieść na stronie

Szczegóły

Numer inwentarzowy
S/NPG.83.284.18

Co przedstawia

American Civil War (1861-1865)CostumeMilitary and IntelligenceManDress accessoriesPortrait

W katalogu

FotografieOdbitka albuminowaRealizmImpresjonizmXIX wiek

Źródła

Inne prace: Charles DeForest Fredricks

Wszystkie dzieła
[Parade of New York Firefighters Traveling to Washington, D. C. for the Inauguration of President James Buchanan], Charles DeForest Fredricks, March 1, 1857

[Parade of New York Firefighters Traveling to Washington, D. C. for the Inauguration of President James Buchanan]

1857 · Poza wystawą · Metropolitan Museum of Art

[Mdewakanton and Wahpekuteto (Lower Sioux) Delegation of Chiefs], Charles DeForest Fredricks, 1858

[Mdewakanton and Wahpekuteto (Lower Sioux) Delegation of Chiefs]

1858 · Poza wystawą · Metropolitan Museum of Art

[Baptiste Lassalleur, Ho-Chunk (Winnebago) Chief], Charles DeForest Fredricks, 1859

[Baptiste Lassalleur, Ho-Chunk (Winnebago) Chief]

1859 · Poza wystawą · Metropolitan Museum of Art

[Double Portrait of Man Facing Self from Both Sides of a Desk], Charles DeForest Fredricks, 1860s

[Double Portrait of Man Facing Self from Both Sides of a Desk]

1860s · Poza wystawą · Metropolitan Museum of Art

[Unidentified Man], Charles DeForest Fredricks, 1860s

[Unidentified Man]

1860s · Poza wystawą · Metropolitan Museum of Art

[Double Portrait of Man Seated and Standing at a Desk], Charles DeForest Fredricks, 1860s

[Double Portrait of Man Seated and Standing at a Desk]

1860s · Poza wystawą · Metropolitan Museum of Art

[Clown], Charles DeForest Fredricks, ca. 1860

[Clown]

ca. 1860 · Poza wystawą · Metropolitan Museum of Art

General George McClellan, Charles DeForest Fredricks, 1862 (?)

General George McClellan

1862 (?) · Poza wystawą · Metropolitan Museum of Art

Na wystawie: National Portrait Gallery

Strona muzeum
Robert F. Kennedy, Gardner Cox, 1968

Gardner Cox

Robert F. Kennedy, 1968

Babe Ruth, Paolo Garretto, 1929

Paolo Garretto

Babe Ruth, 1929

Alice Dunbar Nelson, Laura Wheeler Waring, 1927

Laura Wheeler Waring

Alice Dunbar Nelson, 1927

Pauline Morton Sabin, Philip Alexius de László, 1926

Philip Alexius de László

Pauline Morton Sabin, 1926

Adolph Ochs, Philip Alexius de László, 1926

Philip Alexius de László

Adolph Ochs, 1926

Samuel Gompers, Moses Wainer Dykaar, 1924

Moses Wainer Dykaar

Samuel Gompers, 1924

Alexander Graham Bell, Moses Wainer Dykaar, 1922

Moses Wainer Dykaar

Alexander Graham Bell, 1922

Lillian D. Wald, William Valentine Schevill, 1919

William Valentine Schevill

Lillian D. Wald, 1919

Ten sam temat · American Civil War (1861-1865)

Wszystkie dzieła o tej tematyce
Lee Surrendering to Grant at Appomattox, Alonzo Chappel, ca. 1870

Alonzo Chappel

Lee Surrendering to Grant at Appomattox, ca. 1870

Smithsonian American Art Museum and the Renwick Gallery

Private Adolph Zirsse, Successful Intermediate Excision of the Head and two and a half inches of the Shaft of the Right Humerus, from the Photographic Catalogue of the Surgical Section, William Bell, 1865

William Bell

Private Adolph Zirsse, Successful Intermediate Excision of the Head and two and a half inches of the Shaft of the Right Humerus, from the Photographic Catalogue of the Surgical Section, 1865

Smithsonian American Art Museum and the Renwick Gallery

Reclining Civil War Soldier, Hines Portrait Company, ca. 1863

Hines Portrait Company

Reclining Civil War Soldier, ca. 1863

Smithsonian American Art Museum and the Renwick Gallery

The Approach of the British Pirate "Alabama", from Harper's Weekly, April 25, 1863, Winslow Homer, 1863

Winslow Homer

The Approach of the British Pirate "Alabama", from Harper's Weekly, April 25, 1863, 1863

Smithsonian American Art Museum and the Renwick Gallery

News from the War, from Harper's Weekly, June 14, 1862, Winslow Homer, 1862

Winslow Homer

News from the War, from Harper's Weekly, June 14, 1862, 1862

Smithsonian American Art Museum and the Renwick Gallery

Rebels Outside Their Works at Yorktown Reconnoitring (sic) with Dark Lanterns, from Harper's Weekly, May 17, 1862, Winslow Homer, 1862

Winslow Homer

Rebels Outside Their Works at Yorktown Reconnoitring (sic) with Dark Lanterns, from Harper's Weekly, May 17, 1862, 1862

Smithsonian American Art Museum and the Renwick Gallery

Winter-quarters in Camp--The inside of a Hut, from Harper's Weekly, January 24, 1863, Winslow Homer, 1863

Winslow Homer

Winter-quarters in Camp--The inside of a Hut, from Harper's Weekly, January 24, 1863, 1863

Smithsonian American Art Museum and the Renwick Gallery

Battle of Antietam--Burnside's Division, Left Wing--Brilliant and Decisive Bayonet Charge of Hawkins's Zouaves, Colonel Kimball on the Rebel Battery on the Hill, Right Bank of the Antietam Creek near Sharpsburg, on the Afternoon of September 17--Utter Rout of the Rebels. From a Sketch by Our Special Artist, Mr. Edwin Forbes., Edwin Forbes, 1862

Edwin Forbes

Battle of Antietam--Burnside's Division, Left Wing--Brilliant and Decisive Bayonet Charge of Hawkins's Zouaves, Colonel Kimball on the Rebel Battery on the Hill, Right Bank of the Antietam Creek near Sharpsburg, on the Afternoon of September 17--Utter Rout of the Rebels. From a Sketch by Our Special Artist, Mr. Edwin Forbes., 1862

Smithsonian American Art Museum and the Renwick Gallery