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Reaper (e), Richard Hamilton, 1949
Richard Hamilton, portretRichard HamiltonAnglia, 1922–2011

Reaper (e)

1949 · Print

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Obecnie poza wystawą

Gdzie jest teraz „Reaper (e)”? Kolekcja: National Gallery of Art, Waszyngton. Obecnie poza wystawą. Sprawdzono 9 listopada 2026.

National Gallery of Art

Waszyngton, Stany Zjednoczone

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Numer inwentarzowy
1980.45.789

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Źródła

Z życia: Richard Hamilton

Cały życiorys

  1. 1947

    National Service and the idea of illustrating “Ulysses”

    During his National Service in 1947 the idea occurs to him of illustrating James Joyce’s complex, experimental novel “Ulysses.” He makes his first preliminary sketches at the Slade School of Art, where he then spends two years, and goes on refining and reworking the images for some fifty years.

  2. 1950s–1966

    Teaches in Newcastle at Pasmore’s invitation

    Through Penrose he meets Victor Pasmore, who gives him a teaching post in the Fine Art Department of Durham University at Newcastle upon Tyne, which lasts until 1966 (from 1952 to 1966 he also teaches at the Central School of Art and Design). Among his students are Rita Donagh, Mark Lancaster, Tim Head, Roxy Music founder Bryan Ferry and Ferry’s visual collaborator Nicholas de Ville; Hamilton described Ferry as “his greatest creation.”

  3. 1950–2010 · Miejsce pracy

    Solingen

  4. 1951

    The exhibition “Growth and Form” at the ICA

    At the Institute of Contemporary Arts in London he stages the exhibition “Growth and Form,” a pioneering form of installation art in which scientific models, diagrams and photographs are presented as a unified artwork. It grew out of D’Arcy Wentworth Thompson’s 1917 book “On Growth and Form”; at the ICA Hamilton also designed and installed other exhibitions, including one on James Joyce and “The Wonder and the Horror of the Human Head,” curated by Roland Penrose.

Inne prace: Richard Hamilton

Wszystkie dzieła
The Critic Laughs, Richard Hamilton, 1971–72/2014

The Critic Laughs

1971–72/2014 · Poza wystawą · Museum of Modern Art

Eine kleine schone scheise fur dieter, Richard Hamilton, sec. XX

Eine kleine schone scheise fur dieter

sec. XX · Pinacoteca Nazionale di Bologna

Reaper (j), Richard Hamilton, 1949

Reaper (j)

1949 · Poza wystawą · National Gallery of Art

Reaper (b), Richard Hamilton, 1949

Reaper (b)

1949 · Poza wystawą · National Gallery of Art

Reaper (m), Richard Hamilton, 1949

Reaper (m)

1949 · Poza wystawą · National Gallery of Art

Pin-up, Richard Hamilton, 1961

Pin-up

1961 · Poza wystawą · Museum of Modern Art

Glorious Techniculture, Richard Hamilton, 1961-64

Glorious Techniculture

1961-64 · Poza wystawą · Museum of Modern Art

Adonis in Y Fronts, Richard Hamilton, 1963

Adonis in Y Fronts

1963 · Poza wystawą · Museum of Modern Art

Na wystawie: National Gallery of Art

Strona muzeum
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Ten sam temat · Automobile

Wszystkie dzieła o tej tematyce
Jed Johnson and Roland Waden, Andy Warhol, July 22, 1980

Andy Warhol

Jed Johnson and Roland Waden, 1980

Poza wystawą · National Gallery of Art

Automobilist, Marc Chagall, 1922

Marc Chagall

Automobilist, 1922

Poza wystawą · National Gallery of Art

Erasmus of Rotterdam, Albrecht Dürer, 1526

Albrecht Dürer

Erasmus of Rotterdam, 1526

Poza wystawą · National Gallery of Art

The Motorist (L'automobiliste), Henri de Toulouse-Lautrec, 1896

Henri de Toulouse-Lautrec

The Motorist (L'automobiliste), 1896

Poza wystawą · National Gallery of Art

All dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II _Howl_, _Supermarket in California_, & _Sunflower Sutra_, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956., Allen Ginsberg, 1956, printed later

Allen Ginsberg

All dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II _Howl_, _Supermarket in California_, & _Sunflower Sutra_, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956., 1956, printed later

Poza wystawą · National Gallery of Art

Karen Minzer & Babe, Dallas. This is the good one. The eyes strong, Allen Ginsberg, 1985

Allen Ginsberg

Karen Minzer & Babe, Dallas. This is the good one. The eyes strong, 1985

Poza wystawą · National Gallery of Art

Peter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley, Allen Ginsberg, 1956, printed later

Allen Ginsberg

Peter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley, 1956, printed later

Poza wystawą · National Gallery of Art

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., Allen Ginsberg, 1984

Allen Ginsberg

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., 1984

Poza wystawą · National Gallery of Art