ART WIKI
Fragonard and Bergeret with Their Wives Visiting a Tomb in Pompeii, Claude-Mathieu Fessard after Jean-Honoré Fragonard, 1781
Jean-Honoré Fragonard, portretJean-Honoré FragonardFrancja, 1732–1806

Fragonard and Bergeret with Their Wives Visiting a Tomb in Pompeii

1781 · Print

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Gdzie jest teraz „Fragonard and Bergeret with Their Wives Visiting a Tomb in Pompeii”? Kolekcja: National Gallery of Art, Waszyngton. Obecnie poza wystawą. Sprawdzono 2 listopada 2026.

National Gallery of Art

Waszyngton, Stany Zjednoczone

Należy do kolekcji, ale obecnie nie jest wystawione.

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Źródło
Muzeum
Na mapieStrona muzeum
Umieść na stronie

Szczegóły

Numer inwentarzowy
1999.141.1

Co przedstawia

ItalyGroupMemorialArchaeologyPompeiiTravel

W katalogu

GrafikiAkwafortaKlasycyzmXVIII wiekFrench

Źródła

Inne prace: Jean-Honoré Fragonard

Wszystkie dzieła
Marie Emilie Coignet de Courson (1716–1806) with a Dog, Jean Honoré Fragonard, ca. 1769

Marie Emilie Coignet de Courson (1716–1806) with a Dog

ca. 1769 · Metropolitan Museum of Art

The Captured Kiss, Jean-Honoré Fragonard, 1750s

The Captured Kiss

1750s · Ermitaż

L'Étude, dit aussi parfois Le Chant., Fragonard, Jean-Honoré, 3e quart du XVIIIe siècle (1750 - 1775)

L'Étude, dit aussi parfois Le Chant.

3e quart du XVIIIe siècle (1750 - 1775) · Luwr

Cascatelles de Tivoli., Fragonard, Jean-Honoré, 3e quart du XVIIIe siècle (1750 - 1775)

Cascatelles de Tivoli.

3e quart du XVIIIe siècle (1750 - 1775) · Luwr

Diana and Endymion, Jean Honoré Fragonard, c. 1753/1756

Diana and Endymion

c. 1753/1756 · National Gallery of Art

Psyche showing her Sisters her Gifts from Cupid, Jean-Honoré Fragonard, 1753

Psyche showing her Sisters her Gifts from Cupid

1753 · National Gallery w Londynie

L'orage, dit aussi La Charrette embourbée., Fragonard, Jean-Honoré, 3e quart du XVIIIe siècle (vers 1759)

L'orage, dit aussi La Charrette embourbée.

3e quart du XVIIIe siècle (vers 1759) · Luwr

Farmer's Children, Jean-Honoré Fragonard, 1760s

Farmer's Children

1760s · Ermitaż

Na wystawie: National Gallery of Art

Strona muzeum
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Ten sam temat · Italy

Wszystkie dzieła o tej tematyce
Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

National Gallery of Art

Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

Peter Paul Rubens

Landscape with Large Roman Ruins, c. 1638

Poza wystawą · National Gallery of Art

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Poza wystawą · National Gallery of Art

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

Venice: The Dogana and San Giorgio Maggiore, 1834

National Gallery of Art

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

Joseph Mallord William Turner

The Dogana and Santa Maria della Salute, Venice, 1843

Poza wystawą · National Gallery of Art

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

National Gallery of Art

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

The Villa Imperiale, 1530s

Poza wystawą · National Gallery of Art

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

Poza wystawą · National Gallery of Art