William BlakeWielka Brytania, 1757–1827Ezekiel's Wheels
Czy można zobaczyć?
Nie wiadomo
Gdzie jest teraz „Ezekiel's Wheels”? Kolekcja: Museum of Fine Arts w Bostonie, Boston. Nie wiadomo, czy jest dziś na wystawie.
Boston, Stany Zjednoczone
Wiemy, do kogo należy, ale nie wiemy, czy jest dziś na wystawie.
- Ten status od
- Źródło
- Muzeum
O obrazie
Ezekiel’s Wheels, made by William Blake in the 1800s, is in Boston’s Museum of Fine Arts. The scene depicts Ezekiel and draws on the biblical book bearing his name. Blake combined graphite, ink and watercolor on paper in an upright work measuring 39.4 by 29.5 centimetres.
Szczegóły
- Numer inwentarzowy
- 90.108
W katalogu
Źródła
- Wikidata
- Zdjęcie: Museum of Fine Arts w Bostonie — William Blake · Public domain · Wikimedia Commons
Z życia: William Blake
Cały życiorys1800
Moves to Felpham for his patron Hayley
In 1800 Blake moved to a cottage at Felpham, in Sussex, to take up a job illustrating the works of William Hayley, a minor poet.
1803
A fight with the soldier Schofield and a trial at Chichester
In August 1803 Blake was involved in a physical altercation with a soldier, John Schofield, and was charged not only with assault but with uttering seditious and treasonable expressions against the King; Schofield claimed that Blake had exclaimed “Damn the king. The soldiers are all slaves.” Blake was cleared at the Chichester assizes.
wrzesień 1803 – październik 1803 · Miejsce zamieszkania
Broadwick Street
październik 1803 – 1820 · Miejsce zamieszkania
South Molton Street
1804
Returns to London and begins “Jerusalem”
In 1804 Blake returned to London and began to write and illustrate “Jerusalem: The Emanation of the Giant Albion” (1804–20), his most ambitious work.
1809
An exhibition in his brother's shop: nothing sold
Blake set up an independent exhibition in his brother's haberdashery shop at 27 Broad Street in Soho to market his version of “The Canterbury Pilgrims” along with other works. It was very poorly attended, sold none of the temperas or watercolours, and its only review, in The Examiner, was hostile.
