ART WIKI
Easter Greetings, Thomas Handforth, n.d.
Thomas S. Handforth, portretThomas S. HandforthStany Zjednoczone, 1897–1948

Easter Greetings

n.d. · Graphic Arts-Print · 11.7 × 6.2 cm

Czy można zobaczyć?

Nie wiadomo

Gdzie jest teraz „Easter Greetings”? Kolekcja: Smithsonian American Art Museum and the Renwick Gallery, Waszyngton. Nie wiadomo, czy jest dziś na wystawie.

Smithsonian American Art Museum and the Renwick Gallery

Waszyngton, Stany Zjednoczone

Wiemy, do kogo należy, ale nie wiemy, czy jest dziś na wystawie.

Ten status od
Źródło
Muzeum
Na mapieStrona muzeum
Umieść na stronie

Szczegóły

Numer inwentarzowy
1970.132

Co przedstawia

SoldiersOuter spaceOccupationsFigure groupReligionNudeState of beingChrist

W katalogu

GrafikiAkwaforta

Źródła

Inne prace: Thomas S. Handforth

Wszystkie dzieła
Market in Algiers, Thomas Schofield Handforth

Market in Algiers

Poza wystawą · National Gallery of Art

Fish Scow, Thomas Handforth, n.d.

Fish Scow

n.d. · Yale University Art Gallery

Votive Incense, Thomas Handforth, n.d.

Votive Incense

n.d. · Yale University Art Gallery

Untitled (Farm Scene), Thomas Handforth, n.d.

Untitled (Farm Scene)

n.d. · Yale University Art Gallery

Merry-Go-Round, Thomas Schofield Handforth, 1923

Merry-Go-Round

1923 · Poza wystawą · National Gallery of Art

Sawdust Burner, Thomas Schofield Handforth, 1927

Sawdust Burner

1927 · Poza wystawą · National Gallery of Art

Old Town Mill, Thomas Handforth, 1927

Old Town Mill

1927 · Yale University Art Gallery

Promenade No. 2, Thomas Handforth, 1928

Promenade No. 2

1928 · Yale University Art Gallery

Na wystawie: Smithsonian American Art Museum and the Renwick Gallery

Strona muzeum
Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

Ten sam temat · Soldiers

Wszystkie dzieła o tej tematyce
Washington Crossing the Delaware, Emanuel Leutze, 1851

Emanuel Gottlieb Leutze

Washington Crossing the Delaware, 1851

Metropolitan Museum of Art

The Denial of Saint Peter, Caravaggio, 1610

Caravaggio

The Denial of Saint Peter, 1610

Metropolitan Museum of Art

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Herzog Anton Ulrich-Museum

Christ before Pilate: Large Plate, Rembrandt van Rijn, 1636

Rembrandt van Rijn

Christ before Pilate: Large Plate, 1636

Poza wystawą · National Gallery of Art

[Das Reitergefecht; The Cavalry Fight; Sujet de bataille], Rembrandt, 1629

Rembrandt van Rijn

[Das Reitergefecht; The Cavalry Fight; Sujet de bataille], 1629

Herzog Anton Ulrich-Museum

[Die drei Kreuze; Christus am Kreuz zwischen den Schächern; Christ Crucified Between the Two Thieves (The 'Three Crosses'); Les trois Croix], Rembrandt, 1653

Rembrandt van Rijn

[Die drei Kreuze; Christus am Kreuz zwischen den Schächern; Christ Crucified Between the Two Thieves (The 'Three Crosses'); Les trois Croix], 1653

Herzog Anton Ulrich-Museum

Disparate de miedo (Folly of Fear), Francisco Goya, in or after 1816

Francisco de Goya

Disparate de miedo (Folly of Fear), in or after 1816

Poza wystawą · National Gallery of Art

Sketch of a Swordsman Standing Over His Defeated Opponent [recto], William Blake, c. 1780/1785

William Blake

Sketch of a Swordsman Standing Over His Defeated Opponent [recto], c. 1780/1785

Poza wystawą · National Gallery of Art