ART WIKI
Den Avond, anonymous, c. 1820 - c. 1850

anonymous

Den Avond

c. 1820 - c. 1850 · Print

Czy można zobaczyć?

Nie wiadomo

Gdzie jest teraz „Den Avond”? Kolekcja: Rijksmuseum, Amsterdam. Nie wiadomo, czy jest dziś na wystawie.

Rijksmuseum

Amsterdam, Holandia

Wiemy, do kogo należy, ale nie wiemy, czy jest dziś na wystawie.

Źródło
Muzeum
Na mapieStrona muzeum
Umieść na stronie

O dziele

Tekst muzeum, język: niderlandzki

Interieur met een gezin met twee kinderen in de avond. De man staande bij het raam, gebaart naar de maan. De vrouw zit aan tafel en helpt haar zoon met tekenles. Links speelt de dochter piano. Op de voorgrond een kat. Links een doorkijkje naar de keuken waar een meid water in de ketel schenkt.

Rijksmuseum

Szczegóły

Numer inwentarzowy
KOG-ZG-1-27-169

Co przedstawia

KitchenCatEveningCommunal roomsDrawing-lessonFamily life at homeKitchen servantsPiano

W katalogu

GrafikiKlasycyzmRomantyzmXIX wiek

Źródła

Na wystawie: Rijksmuseum

Strona muzeum
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

Isaac and Rebecca, Known as ‘The Jewish Bride’, Rembrandt van Rijn, c. 1665 - c. 1669

Rembrandt van Rijn

Isaac and Rebecca, Known as ‘The Jewish Bride’, c. 1665 - c. 1669

Self-portrait as the Apostle Paul, Rembrandt van Rijn, 1661

Rembrandt van Rijn

Self-portrait as the Apostle Paul, 1661

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

De Nachtwacht, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Landscape with a Stone Bridge, c. 1638

Ten sam temat · Kitchen

Wszystkie dzieła o tej tematyce
Peter Orlovsky in his mother's house, Allen Ginsberg, 1964, printed later

Allen Ginsberg

Peter Orlovsky in his mother's house, 1964, printed later

Poza wystawą · National Gallery of Art

Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., Allen Ginsberg, 1984, printed 1994

Allen Ginsberg

Richard Baker Roshi whose teacher was Suzuki Roshi soon after he stepped down as Abbot of San Francisco Zen Center to found Santa Fé, N.M. & Crestone Colorado Zen Meditation Centers, and give transmission to Philip Whalen, Sensei. Here visiting apartment on East 12’th Street after return from East Europe where he’d taught zen sitting groups, we caught up on our samsaric adventures. Baker Roshi had hosted 1965 U.C. Berkeley Poets’ convocation, we’d remained friends, especially thru his kindness to poet Whalen whom he’d invited to S.F. Zen. Center. N.Y. Fall 1984., 1984, printed 1994

Poza wystawą · National Gallery of Art

Father Pierre Riches at kitchen table December 4, 1992, Allen Ginsberg, 1992

Allen Ginsberg

Father Pierre Riches at kitchen table December 4, 1992, 1992

Poza wystawą · National Gallery of Art

Herbert E. Huncke age 69 retired from the street on methadone program, head tilted wise-eyed for wry conversation, about to say something charming, flattering or honest at the kitchen table New York March 1984., Allen Ginsberg, 1984

Allen Ginsberg

Herbert E. Huncke age 69 retired from the street on methadone program, head tilted wise-eyed for wry conversation, about to say something charming, flattering or honest at the kitchen table New York March 1984., 1984

Poza wystawą · National Gallery of Art

Jello Biafra (nee Eric Boucher) head of _Dead Kennedys_ rock band, visiting New York after obscenity trial (won by hung jury) over art illustrations to his "Frankenchrist" album. "Nazi Punks Fuck Off," "Too Drunk to Fuck," and "White Punks on Dope" were early underground hits late 1970's. He was on tour, lecturing on Reagan-era censorship moves, here "rebounding from the want-ads, surprised scrutinized by Candid surveillance camera," his briefcase open in small bedroom, pens clipped to strap, old backstage tour passes posted inside. Recovering from flu, late night tea, October 6, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Jello Biafra (nee Eric Boucher) head of _Dead Kennedys_ rock band, visiting New York after obscenity trial (won by hung jury) over art illustrations to his "Frankenchrist" album. "Nazi Punks Fuck Off," "Too Drunk to Fuck," and "White Punks on Dope" were early underground hits late 1970's. He was on tour, lecturing on Reagan-era censorship moves, here "rebounding from the want-ads, surprised scrutinized by Candid surveillance camera," his briefcase open in small bedroom, pens clipped to strap, old backstage tour passes posted inside. Recovering from flu, late night tea, October 6, 1987., 1987

Poza wystawą · National Gallery of Art

Rene Ricard, outrageous faggot art critic, author _God with Revolver_ poems, visiting my apartment from his across the hall, same building E. 12 Street (his windows opposite my kitchen window here across courtyard). Two years later fire drove him out on the street hallucinating murder basements. July 29, 1986., Allen Ginsberg, 1986, printed 1991

Allen Ginsberg

Rene Ricard, outrageous faggot art critic, author _God with Revolver_ poems, visiting my apartment from his across the hall, same building E. 12 Street (his windows opposite my kitchen window here across courtyard). Two years later fire drove him out on the street hallucinating murder basements. July 29, 1986., 1986, printed 1991

Poza wystawą · National Gallery of Art

Ray Bremser, Jazz-bar sound-poetry genius, syncopating wow-sound word- / walloper, original N.Y. late-1950's Coffeshop bard with Kerouac & LeRoi Jones, his long-ago jail songs were noted by Bob Dylan in _The Times They are a Changin'_; at kitchen table March 15, 1987, he stayed over to read Poetry and teach my "Literary History of Beat Generation" Class Brooklyn College, come down from A.A. halfway house in Utica N.Y., rare trip to the Apple for survivor w/ big fine beard., Allen Ginsberg, 1987

Allen Ginsberg

Ray Bremser, Jazz-bar sound-poetry genius, syncopating wow-sound word- / walloper, original N.Y. late-1950's Coffeshop bard with Kerouac & LeRoi Jones, his long-ago jail songs were noted by Bob Dylan in _The Times They are a Changin'_; at kitchen table March 15, 1987, he stayed over to read Poetry and teach my "Literary History of Beat Generation" Class Brooklyn College, come down from A.A. halfway house in Utica N.Y., rare trip to the Apple for survivor w/ big fine beard., 1987

Poza wystawą · National Gallery of Art

Kitchen window later afternoon January 23, 1987, snow melted on the sill, I never met Bill Rizzo., Allen Ginsberg, 1987

Allen Ginsberg

Kitchen window later afternoon January 23, 1987, snow melted on the sill, I never met Bill Rizzo., 1987

Poza wystawą · National Gallery of Art