ART WIKI37.865 te zien
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ART WIKI

Waar u kunst ziet en wanneer het museum open is.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Cooper–Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Yale University Art Gallery, Yale-centrum voor Britse kunst, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (44 musea), Paris Musées (12 musea), Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea) en the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus

Catalogus

Kunstcollecties

2.344.049 werken uit 779 musea37.865 nu te zien

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Charles IV of Spain as Huntsman, Workshop of Francisco Goya, c. 1799/1800Francisco de GoyaCharles IV of Spain as Huntsmanc. 1799/1800National Gallery of Art
Que valor! (What Courage!), Francisco Goya, published 1863Francisco de GoyaQue valor! (What Courage!)published 1863National Gallery of Art
Al Conde Palatino (To the Count Palatine), Francisco Goya, in or before 1799Francisco de GoyaAl Conde Palatino (To the Count Palatine)in or before 1799National Gallery of Art
Felipe IV, Francisco Goya after Diego Velázquez, 1778Francisco de GoyaFelipe IV1778National Gallery of Art
La filiacion (The Filiation), Francisco Goya, in or before 1799Francisco de GoyaLa filiacion (The Filiation)in or before 1799National Gallery of Art
Margarita de Austria, Francisco Goya after Diego Velázquez, 1778Francisco de GoyaMargarita de Austria1778National Gallery of Art
Y son fieras (And They Are Like Wild Beasts), Francisco Goya, published 1863Francisco de GoyaY son fieras (And They Are Like Wild Beasts)published 1863National Gallery of Art
Nada (Nothing), Francisco Goya, 1810/1820Francisco de GoyaNada (Nothing)1810/1820National Gallery of Art
El sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters), Francisco Goya, published 1799Francisco de GoyaEl sueño de la razon produce monstruos (The Sleep of Reason Produces Monsters)published 1799National Gallery of Art
Modo de volar (A Way of Flying), Francisco Goya, published 1864Francisco de GoyaModo de volar (A Way of Flying)published 1864National Gallery of Art
Disparate conocido (Well-Known Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate conocido (Well-Known Folly)in or after 1816National Gallery of Art
Disparate allegre (Merry Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate allegre (Merry Folly)in or after 1816National Gallery of Art
Disparate femenino (Feminine Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate femenino (Feminine Folly)in or after 1816National Gallery of Art
Y aun no se van! (And Still They Don't Go!), Francisco Goya, 1799Francisco de GoyaY aun no se van! (And Still They Don't Go!)1799National Gallery of Art
Fuerte cosa es! (That's Tough!), Francisco Goya, 1810 / 1820Francisco de GoyaFuerte cosa es! (That's Tough!)1810 / 1820National Gallery of Art
Disparate puntual (Sure Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate puntual (Sure Folly)in or after 1816National Gallery of Art
Ya van desplumados (There They Go Plucked), Francisco Goya, in or before 1799Francisco de GoyaYa van desplumados (There They Go Plucked)in or before 1799National Gallery of Art
Linda maestra! (Pretty Teacher!), Francisco Goya, published 1799Francisco de GoyaLinda maestra! (Pretty Teacher!)published 1799National Gallery of Art
Dos grupos de picadores arrollados  de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull), Francisco Goya, in or before 1816Francisco de GoyaDos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull)in or before 1816National Gallery of Art
Y no hai remedio (And There's No Help for It), Francisco Goya, published 1863Francisco de GoyaY no hai remedio (And There's No Help for It)published 1863National Gallery of Art
El Cid Campeador lanceando otro toro  (The Cid Campeador Spearing Another Bull), Francisco Goya, in or before 1816Francisco de GoyaEl Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull)in or before 1816National Gallery of Art
Por que fue sensible (Because She Was Susceptible), Francisco Goya, published 1799Francisco de GoyaPor que fue sensible (Because She Was Susceptible)published 1799National Gallery of Art
Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull), Francisco Goya, in or before 1816Francisco de GoyaCaida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls under the Bull)in or before 1816National Gallery of Art
Fiero monstruo! (Fierce Monster!), Francisco Goya, 1810/1820Francisco de GoyaFiero monstruo! (Fierce Monster!)1810/1820National Gallery of Art
El famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos), Francisco Goya, 1825Francisco de GoyaEl famoso Americano, Mariano Ceballos (The Famous American, Mariano Ceballos)1825National Gallery of Art
No se puede saber por que (One Can't Tell Why), Francisco Goya, published 1863Francisco de GoyaNo se puede saber por que (One Can't Tell Why)published 1863National Gallery of Art
No Hay Quien Los Socorra (Nobody Can Help Them), Francisco Goya, 1810/1820, printed laterFrancisco de GoyaNo Hay Quien Los Socorra (Nobody Can Help Them)1810/1820, printed laterNational Gallery of Art
Esto es lo verdadero (This Is the Truth), Francisco Goya, 1810/1820Francisco de GoyaEsto es lo verdadero (This Is the Truth)1810/1820National Gallery of Art
La seguridad de un reo no exige tormento  (The Custody of a Criminal Does Not Call for Torture, Francisco Goya, c. 1810Francisco de GoyaLa seguridad de un reo no exige tormento (The Custody of a Criminal Does Not Call for Torturec. 1810National Gallery of Art
Disparate conocido (Well-Known Folly), Francisco Goya, 1816Francisco de GoyaDisparate conocido (Well-Known Folly)1816National Gallery of Art
No se convienen (They Do Not Agree), Francisco Goya, published 1863Francisco de GoyaNo se convienen (They Do Not Agree)published 1863National Gallery of Art
Disparate furioso (Furious Folly), Francisco Goya, in or after 1816Francisco de GoyaDisparate furioso (Furious Folly)in or after 1816National Gallery of Art
Subir y bajar (To Rise and To Fall), Francisco Goya, 1799Francisco de GoyaSubir y bajar (To Rise and To Fall)1799National Gallery of Art
No se puede mirar (One Can't Look), Francisco Goya, published 1863Francisco de GoyaNo se puede mirar (One Can't Look)published 1863National Gallery of Art
Si quebro el cantaro (Yes He Broke the Pot), Francisco Goya, 1799Francisco de GoyaSi quebro el cantaro (Yes He Broke the Pot)1799National Gallery of Art
Old Woman on a Swing, Francisco Goya, 1824/1828Francisco de GoyaOld Woman on a Swing1824/1828National Gallery of Art
Bull Attacked by Dogs, Francisco Goya, c. 1825Francisco de GoyaBull Attacked by Dogsc. 1825National Gallery of Art
Echan perros al toro (They Loose Dogs on the Bull), Francisco Goya, in or before 1816Francisco de GoyaEchan perros al toro (They Loose Dogs on the Bull)in or before 1816National Gallery of Art
Esto es lo verdadero (This Is the Truth), Francisco Goya, 1810/1820Francisco de GoyaEsto es lo verdadero (This Is the Truth)1810/1820National Gallery of Art
Bullfight in a Divided Ring, Francisco Goya, 1825Francisco de GoyaBullfight in a Divided Ring1825National Gallery of Art
Los moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean un toro en el campo  (The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open), Francisco Goya, in or before 1816Francisco de GoyaLos moros establecidos en Espana, prescindiendo de las supersticiones de su Alcoran, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors Settled in Spain, Giving up the Superstitions of the Koran, Adopted This Art of Hunting, and Spear a Bull in the Open)in or before 1816National Gallery of Art
Caritas (Charity), Francisco Goya, c. 1780, probably printed c. 1920-1930Francisco de GoyaCaritas (Charity)c. 1780, probably printed c. 1920-1930National Gallery of Art
La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Francisco Goya, in or before 1816Francisco de GoyaLa desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)in or before 1816National Gallery of Art
Thérèse Louise de Sureda, Francisco Goya, c. 1803/1804Francisco de GoyaThérèse Louise de Suredac. 1803/1804Zaal 52 · Westgebouw, hoofdverdiepingNational Gallery of Art
La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Francisco Goya, in or before 1816Francisco de GoyaLa desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid)in or before 1816National Gallery of Art
Don Antonio Noriega, Francisco Goya, 1801Francisco de GoyaDon Antonio Noriega1801Zaal 52 · Westgebouw, hoofdverdiepingNational Gallery of Art
Ni mas ni menos (Neither More nor Less), Francisco Goya, published 1799Francisco de GoyaNi mas ni menos (Neither More nor Less)published 1799National Gallery of Art
Cogida de un moro estando en la plaza  (A Moor Caught by the Bull in the Ring), Francisco Goya, in or before 1816Francisco de GoyaCogida de un moro estando en la plaza (A Moor Caught by the Bull in the Ring)in or before 1816National Gallery of Art
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