ART WIKI37.723 te zien
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ART WIKI

Waar u kunst ziet en wanneer het museum open is.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Cooper–Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Yale University Art Gallery, Yale-centrum voor Britse kunst, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (44 musea), Paris Musées (12 musea), Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea) en the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus

Catalogus

Ets

114.143 werken uit 146 musea133 nu te zienAlles wissen

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Techniek
  • Alle
  • Ets114.143
  • Lithografie84.657
  • Gravure55.555
  • Houtsnede49.710
  • Droge naald9.100
  • Zeefdruk8.458
  • Aquatint7.310
  • Fotomechanische druk6.899
  • Zwartekunst6.372
  • Linoleumsnede2.652
Love Songs, Class III. Tailpiece, William Blake, 1783William BlakeLove Songs, Class III. Tailpiece1783Yale-centrum voor Britse kunst
Landscape with the Cannon, Albrecht Dürer, 1518Albrecht DürerLandscape with the Cannon1518Cleveland Museum of Art
"To The Accuser who is The God of This World..." (Plate 19), William Blake, 1826William Blake"To The Accuser who is The God of This World..." (Plate 19)1826Yale-centrum voor Britse kunst
Venus Counsels Cupid, William Blake, 1794William BlakeVenus Counsels Cupid1794Yale-centrum voor Britse kunst
'When faith is virtue, reason makes it so' (Page 92), William Blake, 1797William Blake'When faith is virtue, reason makes it so' (Page 92)1797Yale-centrum voor Britse kunst
Canto V. Verse 43, William Blake, 1803William BlakeCanto V. Verse 431803Yale-centrum voor Britse kunst
London (Plate 39), William Blake, 1794William BlakeLondon (Plate 39)1794Yale-centrum voor Britse kunst
Christ on the Cross Between Saint John and Mary, Wenceslaus Hollar after Albrecht Dürer, 1642Albrecht DürerChrist on the Cross Between Saint John and Mary1642National Gallery of Art
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73), William Blake, ca. 1797William Blake'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)ca. 1797Yale-centrum voor Britse kunst
Self-Portrait, Style of Lucas van Leyden after Albrecht Dürer, 1525Albrecht DürerSelf-Portrait1525National Gallery of Art
Introduction (Plate 3), William Blake, 1789William BlakeIntroduction (Plate 3)1789Yale-centrum voor Britse kunst
Albrecht Durer's Father, Wenceslaus Hollar after Albrecht Dürer, 1644Albrecht DürerAlbrecht Durer's Father1644National Gallery of Art
Untitled, Jackson Pollock, 1944–45, printed 1967Jackson PollockUntitled1944–45, printed 1967Yale University Art Gallery
'Its favours here are trials, not rewards' (Page 12), William Blake, 1797William Blake'Its favours here are trials, not rewards' (Page 12)1797Yale-centrum voor Britse kunst
Portrait of Guillaumin with a Hanging Man, Paul Cézanne, 1873Paul CézannePortrait of Guillaumin with a Hanging Man1873Museum of Modern Art
The Prodigal Son Driven from the Tavern, Theodoor van Thulden after Sir Peter Paul RubensPeter Paul RubensThe Prodigal Son Driven from the TavernNational Gallery of Art
'The thunder, if in that the Almighty dwells' (Page 80), William Blake, 1797William Blake'The thunder, if in that the Almighty dwells' (Page 80)1797Yale-centrum voor Britse kunst
Night the First. On Life, Death, and Immortality; Title Page, William Blake, ca. 1797William BlakeNight the First. On Life, Death, and Immortality; Title Pageca. 1797Yale-centrum voor Britse kunst
Landscape at Auvers, Paul Cézanne, 1873Paul CézanneLandscape at Auvers1873Yale University Art Gallery
The Painter Guilaumin, Paul Cézanne, 1873Paul CézanneThe Painter Guilaumin1873Yale University Art Gallery
Head of a Young Girl, Paul Cézanne, 1873Paul CézanneHead of a Young Girl1873Yale University Art Gallery
Paysage à Auvers, Paul Cézanne, 1873Paul CézannePaysage à Auvers1873Yale University Art Gallery
"Became a Space & an Allegory..." (Plate 85), William Blake, 1804 to 1820William Blake"Became a Space & an Allegory..." (Plate 85)1804 to 1820Yale-centrum voor Britse kunst
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99), William Blake, 1804 to 1820William Blake"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)1804 to 1820Yale-centrum voor Britse kunst
Head of a Man, Charles-Paul-Jean-Baptiste de Bourgevin Vialart de Saint-Morys, after Sandro Botticelli, 1785Sandro BotticelliHead of a Man1785National Gallery of Art
Saint Catherine in the Clouds, Sir Peter Paul Rubens, c. 1620Peter Paul RubensSaint Catherine in the Cloudsc. 1620National Gallery of Art
Christ on the Mount of Olives, Albrecht Dürer, 1515Albrecht DürerChrist on the Mount of Olives1515Cleveland Museum of Art
Katharine Furlegerin, Wenceslaus Hollar after Albrecht Dürer, 1646Albrecht DürerKatharine Furlegerin1646National Gallery of Art
A Crouching Apostle (Saint Peter), Adam von Bartsch, after a drawing formerly attributed to Albrecht Dürer, 1785Albrecht DürerA Crouching Apostle (Saint Peter)1785National Gallery of Art
Three Lansquenets, Maria Catharina Prestel, after Albrecht Dürer, 1780Albrecht DürerThree Lansquenets1780National Gallery of Art
Albrecht Durer, Wenceslaus Hollar after Albrecht Dürer, 1645Albrecht DürerAlbrecht Durer1645National Gallery of Art
'Love, and love only, is the loan for love' (Page 37), William Blake, ca. 1797William Blake'Love, and love only, is the loan for love' (Page 37)ca. 1797Yale-centrum voor Britse kunst
Self-Portrait, Style of Lucas van Leyden after Albrecht Dürer, 1525Albrecht DürerSelf-Portrait1525National Gallery of Art
Night the Third. Narcissa; Title Page, William Blake, ca. 1797William BlakeNight the Third. Narcissa; Title Pageca. 1797Yale-centrum voor Britse kunst
The Great Cannon, Hieronymus Hopfer after Albrecht DürerAlbrecht DürerThe Great CannonNational Gallery of Art
"I have heard Jerusalems groans..." (Plate 82), William Blake, 1804 to 1820William Blake"I have heard Jerusalems groans..." (Plate 82)1804 to 1820Yale-centrum voor Britse kunst
Bortførelsen på en enhjørning, Albrecht Dürer, 1516Albrecht DürerBortførelsen på en enhjørning1516Cleveland Museum of Art
Bust of a Girl, Paul Cezanne, 1873Paul CézanneBust of a Girl1873National Gallery of Art
The Prodigal Son among the Swine, Theodoor van Thulden after Sir Peter Paul RubensPeter Paul RubensThe Prodigal Son among the SwineNational Gallery of Art
Guillaumin, Paul Cézanne, 1873Paul CézanneGuillaumin1873Yale University Art Gallery
Landscape at Auvers, Paul Cézanne, 1873Paul CézanneLandscape at Auvers1873Yale University Art Gallery
Tete de Femme, Paul Cézanne, 1873Paul CézanneTete de Femme1873Yale University Art Gallery
Chapter IV, "Ages on ages roll'd over him..." (Plate 9), William Blake, 1794William BlakeChapter IV, "Ages on ages roll'd over him..." (Plate 9)1794Yale-centrum voor Britse kunst
'The thunder, if in that the Almighty dwells' (Page 80), William Blake, 1797William Blake'The thunder, if in that the Almighty dwells' (Page 80)1797Yale-centrum voor Britse kunst
Night (Plate 16), William Blake, 1789William BlakeNight (Plate 16)1789Yale-centrum voor Britse kunst
My Pretty Rose Tree (Plate 47), William Blake, 1794William BlakeMy Pretty Rose Tree (Plate 47)1794Yale-centrum voor Britse kunst
Head of a Girl, Paul Cézanne, 1873Paul CézanneHead of a Girl1873Yale University Art Gallery
"In living creations appear'd..." (Plate 6), William Blake, 1794William Blake"In living creations appear'd..." (Plate 6)1794Yale-centrum voor Britse kunst
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