ART WIKI37.723 te zien
KaartCollectieKunstenaarsMuseaTentoonstellingenJournal
Inloggen

ART WIKI

Waar u kunst ziet en wanneer het museum open is.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Cooper–Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Yale University Art Gallery, Yale-centrum voor Britse kunst, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (44 musea), Paris Musées (12 musea), Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea) en the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

Rubrieken

  • Kaart
  • Zoeken
  • Collectie
  • Meesterwerken
  • Gestolen en verloren
  • Werkstatus insluiten
  • Nu te zien
  • Kunstenaars

Meer

  • Musea & galerieën
  • Tentoonstellingen
  • Journal
  • Waar de gegevens vandaan komen
  • Privacy & cookies
  • Over ons
  • Gebruiksvoorwaarden
StartpaginaKaartCatalogus

Catalogus

Ets

114.143 werken uit 146 musea133 nu te zienAlles wissen

/
Techniek
  • Alle
  • Ets114.143
  • Lithografie84.657
  • Gravure55.555
  • Houtsnede49.710
  • Droge naald9.100
  • Zeefdruk8.458
  • Aquatint7.310
  • Fotomechanische druk6.899
  • Zwartekunst6.372
  • Linoleumsnede2.652
Fable VI. The Miser and Plutus, William Blake, 1793William BlakeFable VI. The Miser and Plutus1793Yale-centrum voor Britse kunst
"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56), William Blake, 1804 to 1820William Blake"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)1804 to 1820Yale-centrum voor Britse kunst
"To the Christians..." (Plate 77), William Blake, 1804 to 1820William Blake"To the Christians..." (Plate 77)1804 to 1820Yale-centrum voor Britse kunst
'Disease invades the chastest temperence' (Page 10), William Blake, 1797William Blake'Disease invades the chastest temperence' (Page 10)1797Yale-centrum voor Britse kunst
'Death! great proprietor of all! 'tis thine' (Page 8), William Blake, 1797William Blake'Death! great proprietor of all! 'tis thine' (Page 8)1797Yale-centrum voor Britse kunst
Water (Plate 4), William Blake, 1793William BlakeWater (Plate 4)1793Yale-centrum voor Britse kunst
"To decide Two Worlds with a great decision..." (Plate 65), William Blake, 1804 to 1820William Blake"To decide Two Worlds with a great decision..." (Plate 65)1804 to 1820Yale-centrum voor Britse kunst
'One radiant mark, – the death-bed of the just' (Page 41), William Blake, 1797William Blake'One radiant mark, – the death-bed of the just' (Page 41)1797Yale-centrum voor Britse kunst
Songs of Innocence, Title Page (Plate 2), William Blake, 1789William BlakeSongs of Innocence, Title Page (Plate 2)1789Yale-centrum voor Britse kunst
Night (Plate 30), William Blake, 1789William BlakeNight (Plate 30)1789Yale-centrum voor Britse kunst
Venus Counsels Cupid, William Blake, 1794William BlakeVenus Counsels Cupid1794Yale-centrum voor Britse kunst
Infant Joy (Plate 28), William Blake, 1789William BlakeInfant Joy (Plate 28)1789Yale-centrum voor Britse kunst
Love Songs, Class IV. Tailpiece, William Blake, 1783William BlakeLove Songs, Class IV. Tailpiece1783Yale-centrum voor Britse kunst
Urizen (Plate 8), William Blake, 1794William BlakeUrizen (Plate 8)1794Yale-centrum voor Britse kunst
"And the Two that escaped..." (Plate 30), William Blake, 1804 to 1820William Blake"And the Two that escaped..." (Plate 30)1804 to 1820Yale-centrum voor Britse kunst
"To the Jews..." (Plate 27), William Blake, 1804 to 1820William Blake"To the Jews..." (Plate 27)1804 to 1820Yale-centrum voor Britse kunst
'Till at Death's toll, whose restless iron tongue' (Page 7), William Blake, ca. 1797William Blake'Till at Death's toll, whose restless iron tongue' (Page 7)ca. 1797Yale-centrum voor Britse kunst
"Fear & hope are -- Vision" (Plate 15), William Blake, 1826William Blake"Fear & hope are -- Vision" (Plate 15)1826Yale-centrum voor Britse kunst
The Shepherd (Plate 4), William Blake, 1789William BlakeThe Shepherd (Plate 4)1789Yale-centrum voor Britse kunst
"They call'd her Pity, and fled..." (Plate 17), William Blake, 1794William Blake"They call'd her Pity, and fled..." (Plate 17)1794Yale-centrum voor Britse kunst
'Behold him, when past by; what then is seen' (Page 25), William Blake, ca. 1797William Blake'Behold him, when past by; what then is seen' (Page 25)ca. 1797Yale-centrum voor Britse kunst
"Bath who is Legions..." (Plate 41), William Blake, 1804 to 1820William Blake"Bath who is Legions..." (Plate 41)1804 to 1820Yale-centrum voor Britse kunst
I. "Man cannot naturally Percieve..."(Plate 3), William Blake, ca. 1788William BlakeI. "Man cannot naturally Percieve..."(Plate 3)ca. 1788Yale-centrum voor Britse kunst
The Clod & the Pebble (Plate 36), William Blake, 1794William BlakeThe Clod & the Pebble (Plate 36)1794Yale-centrum voor Britse kunst
William Cowper, Author of "The Task", William Blake, 1802William BlakeWilliam Cowper, Author of "The Task"1802Yale-centrum voor Britse kunst
Canto IV. Verse 328, William Blake, 1803William BlakeCanto IV. Verse 3281803Yale-centrum voor Britse kunst
Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2), William Blake, 1804 to 1820William BlakeJerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)1804 to 1820Yale-centrum voor Britse kunst
"The Ox in the slaughter house moans..." (Plate 23), William Blake, 1794William Blake"The Ox in the slaughter house moans..." (Plate 23)1794Yale-centrum voor Britse kunst
'As if the sun could envy, check'd his beam' (Page 49), William Blake, ca. 1797William Blake'As if the sun could envy, check'd his beam' (Page 49)ca. 1797Yale-centrum voor Britse kunst
Mrs Cowper Mother of the Poet, William Blake, 1803-1804William BlakeMrs Cowper Mother of the Poet1803-1804Yale-centrum voor Britse kunst
'Tis greatly wise to talk with our past hours' (Page 31), William Blake, ca. 1797William Blake'Tis greatly wise to talk with our past hours' (Page 31)ca. 1797Yale-centrum voor Britse kunst
"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16), William Blake, 1804 to 1820William Blake"Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)1804 to 1820Yale-centrum voor Britse kunst
Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13), William Blake, 1794William BlakeChapter V, "Thus the Eternal Prophet was divided..." (Plate 13)1794Yale-centrum voor Britse kunst
"In Great Eternity every particular Form..." (Plate 54), William Blake, 1804 to 1820William Blake"In Great Eternity every particular Form..." (Plate 54)1804 to 1820Yale-centrum voor Britse kunst
Cupid & Psyche, William Blake, 1794William BlakeCupid & Psyche1794Yale-centrum voor Britse kunst
"And One stood forth from the Divine Family..." (Plate 37), William Blake, 1804 to 1820William Blake"And One stood forth from the Divine Family..." (Plate 37)1804 to 1820Yale-centrum voor Britse kunst
The Horse, William Blake, 1805William BlakeThe Horse1805Yale-centrum voor Britse kunst
"Bath, healing City!..." (Plate 45), William Blake, 1804 to 1820William Blake"Bath, healing City!..." (Plate 45)1804 to 1820Yale-centrum voor Britse kunst
Visions of the Daughters of Albion; Title Page (Plate 2), William Blake, 1793William BlakeVisions of the Daughters of Albion; Title Page (Plate 2)1793Yale-centrum voor Britse kunst
"And Hand & Hyle rooted into Jerusalem..." (Plate 15), William Blake, 1804 to 1820William Blake"And Hand & Hyle rooted into Jerusalem..." (Plate 15)1804 to 1820Yale-centrum voor Britse kunst
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25), William Blake, 1804 to 1820William Blake"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)1804 to 1820Yale-centrum voor Britse kunst
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96), William Blake, 1804 to 1820William Blake"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)1804 to 1820Yale-centrum voor Britse kunst
"Albion cold lays on his Rock..." (Plate 94), William Blake, 1804 to 1820William Blake"Albion cold lays on his Rock..." (Plate 94)1804 to 1820Yale-centrum voor Britse kunst
Chapter IV, "From the caverns of his jointed spine..." (Plate 10), William Blake, 1794William BlakeChapter IV, "From the caverns of his jointed spine..." (Plate 10)1794Yale-centrum voor Britse kunst
'Time, in advance, behind him hides his wings' (Page 24), William Blake, 1797William Blake'Time, in advance, behind him hides his wings' (Page 24)1797Yale-centrum voor Britse kunst
"The Feminine separates from the Masculine..." (Plate 90), William Blake, 1804 to 1820William Blake"The Feminine separates from the Masculine..." (Plate 90)1804 to 1820Yale-centrum voor Britse kunst
'What, though my soul fantastick measures trod' (Page 4), William Blake, 1797William Blake'What, though my soul fantastick measures trod' (Page 4)1797Yale-centrum voor Britse kunst
"Of the Mundane Shell which froze..." (Plate 64), William Blake, 1804 to 1820William Blake"Of the Mundane Shell which froze..." (Plate 64)1804 to 1820Yale-centrum voor Britse kunst
45