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ART WIKI

Waar u kunst ziet en wanneer het museum open is.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Cooper–Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Yale University Art Gallery, Yale-centrum voor Britse kunst, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (44 musea), Paris Musées (12 musea), Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea) en the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus

Catalogus

Ets

114.143 werken uit 146 musea133 nu te zienAlles wissen

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Techniek
  • Alle
  • Ets114.143
  • Lithografie84.657
  • Gravure55.555
  • Houtsnede49.710
  • Droge naald9.100
  • Zeefdruk8.458
  • Aquatint7.310
  • Fotomechanische druk6.899
  • Zwartekunst6.372
  • Linoleumsnede2.652
Canto IV, Verse 294, William Blake after Mary Ann Flaxman, 1803William BlakeCanto IV, Verse 2941803National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy", William Blake, 1793William BlakeRestrike from fragment of cancelled plate for "A Prophecy"1793National Gallery of Art
'The vale of death! that hush'd cimmerian vale' (Page 54), William Blake, 1797William Blake'The vale of death! that hush'd cimmerian vale' (Page 54)1797Yale-centrum voor Britse kunst
"In happy copulation; if in evening mild, wearied with work..." (Plate 10), William Blake, 1793William Blake"In happy copulation; if in evening mild, wearied with work..." (Plate 10)1793Yale-centrum voor Britse kunst
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61), William Blake, 1804 to 1820William Blake"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)1804 to 1820Yale-centrum voor Britse kunst
A Little Boy Lost (Plate 43), William Blake, 1794William BlakeA Little Boy Lost (Plate 43)1794Yale-centrum voor Britse kunst
The Hermit's Dog, William Blake, 1805William BlakeThe Hermit's Dog1805Yale-centrum voor Britse kunst
"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26), William Blake, 1804 to 1820William Blake"Such visions have appeared to me..."; Chapter 2 Frontispiece (Plate 26)1804 to 1820Yale-centrum voor Britse kunst
"The secret coverts of Albion & the hidden places of America..." (Plate 49), William Blake, 1804 to 1820William Blake"The secret coverts of Albion & the hidden places of America..." (Plate 49)1804 to 1820Yale-centrum voor Britse kunst
A Little Girl Lost (Plate 44), William Blake, 1794William BlakeA Little Girl Lost (Plate 44)1794Yale-centrum voor Britse kunst
'Teaching, we learn; and giving, we retain' (Page 35), William Blake, ca. 1797William Blake'Teaching, we learn; and giving, we retain' (Page 35)ca. 1797Yale-centrum voor Britse kunst
'Till death, that mighty hunter, earths them all' (Page 70), William Blake, 1797William Blake'Till death, that mighty hunter, earths them all' (Page 70)1797Yale-centrum voor Britse kunst
The Chaining of Orc, William Blake, 1812William BlakeThe Chaining of Orc1812National Gallery of Art
Family of Negro Slaves from Loango, William Blake after John Gabriel Stedman, 1793William BlakeFamily of Negro Slaves from Loango1793National Gallery of Art
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47), William Blake, 1804 to 1820William Blake"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)1804 to 1820Yale-centrum voor Britse kunst
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4), William Blake, 1793William BlakeVisions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)1793Yale-centrum voor Britse kunst
The Ecchoing Green (Plate 8), William Blake, 1789William BlakeThe Ecchoing Green (Plate 8)1789Yale-centrum voor Britse kunst
The First Book of Urizen, Title Page (Plate 1), William Blake, 1794William BlakeThe First Book of Urizen, Title Page (Plate 1)1794Yale-centrum voor Britse kunst
"The Four Zoa's clouded rage..." (Plate 74), William Blake, 1804 to 1820William Blake"The Four Zoa's clouded rage..." (Plate 74)1804 to 1820Yale-centrum voor Britse kunst
"Then the Divine Vision like a silent Sun..." (Plate 29), William Blake, 1804 to 1820William Blake"Then the Divine Vision like a silent Sun..." (Plate 29)1804 to 1820Yale-centrum voor Britse kunst
Jerusalem, Tailpiece (Plate 100), William Blake, 1804 to 1820William BlakeJerusalem, Tailpiece (Plate 100)1804 to 1820Yale-centrum voor Britse kunst
Chapter V, "Two Nostrils bent down to the deep..." (Plate 11), William Blake, 1794William BlakeChapter V, "Two Nostrils bent down to the deep..." (Plate 11)1794Yale-centrum voor Britse kunst
Holy Thursday (Plate 38), William Blake, 1794William BlakeHoly Thursday (Plate 38)1794Yale-centrum voor Britse kunst
"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88), William Blake, 1804 to 1820William Blake"Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)1804 to 1820Yale-centrum voor Britse kunst
Joseph of Arimathea Preaching to the Britons, William Blake, c. 1794/1796William BlakeJoseph of Arimathea Preaching to the Britonsc. 1794/1796National Gallery of Art
Beggar's Opera, Act III, William Blake after William Hogarth, 1788/1790William BlakeBeggar's Opera, Act III1788/1790National Gallery of Art
"What do I see! The Briton Saxon Roman Norman..." (Plate 92), William Blake, 1804 to 1820William Blake"What do I see! The Briton Saxon Roman Norman..." (Plate 92)1804 to 1820Yale-centrum voor Britse kunst
The Human Abstract (Plate 46), William Blake, 1794William BlakeThe Human Abstract (Plate 46)1794Yale-centrum voor Britse kunst
"Thus Albion sat, studious of others..." (Plate 42), William Blake, 1804 to 1820William Blake"Thus Albion sat, studious of others..." (Plate 42)1804 to 1820Yale-centrum voor Britse kunst
Chapter 3 Frontispiece (Plate 51), William Blake, 1804 to 1820William BlakeChapter 3 Frontispiece (Plate 51)1804 to 1820Yale-centrum voor Britse kunst
"And none but Bromian can hear my lamentations..." (Plate 6), William Blake, 1793William Blake"And none but Bromian can hear my lamentations..." (Plate 6)1793Yale-centrum voor Britse kunst
"Then each an Arrow flaming from his Quiver..." (Plate 98), William Blake, 1804 to 1820William Blake"Then each an Arrow flaming from his Quiver..." (Plate 98)1804 to 1820Yale-centrum voor Britse kunst
"The Traveller hasteth in the Evening" (Plate 16), William Blake, 1826William Blake"The Traveller hasteth in the Evening" (Plate 16)1826Yale-centrum voor Britse kunst
Nurses Song (Plate 37), William Blake, 1794William BlakeNurses Song (Plate 37)1794Yale-centrum voor Britse kunst
Spring (Plate 26), William Blake, 1789William BlakeSpring (Plate 26)1789Yale-centrum voor Britse kunst
The Divine Image (Plate 12), William Blake, 1789William BlakeThe Divine Image (Plate 12)1789Yale-centrum voor Britse kunst
The Soul Hovering Over the Body [from Marriage of Heaven and Hell," plate 14], William Blake, c. 1796William BlakeThe Soul Hovering Over the Body [from Marriage of Heaven and Hell," plate 14]c. 1796National Gallery of Art
Dream of Thiralatha [from "America," cancelled plate d], William Blake, c. 1794/1796William BlakeDream of Thiralatha [from "America," cancelled plate d]c. 1794/1796National Gallery of Art
Illustration for Canto II, Charles Heath after Thomas Stothard, 1788William BlakeIllustration for Canto II1788National Gallery of Art
The Christian Triumph; Title Page, William Blake, ca. 1797William BlakeThe Christian Triumph; Title Pageca. 1797Yale-centrum voor Britse kunst
'Love, and love only, is the loan for love' (Page 37), William Blake, 1797William Blake'Love, and love only, is the loan for love' (Page 37)1797Yale-centrum voor Britse kunst
'This King of Terrors is the Prince of Peace' (Page 63), William Blake, ca. 1797William Blake'This King of Terrors is the Prince of Peace' (Page 63)ca. 1797Yale-centrum voor Britse kunst
"Leaning against the pillars..." (Plate 32), William Blake, 1804 to 1820William Blake"Leaning against the pillars..." (Plate 32)1804 to 1820Yale-centrum voor Britse kunst
The First Book of Urizen, William Blake, 1794William BlakeThe First Book of Urizen1794Yale-centrum voor Britse kunst
'Swift on his downy pinion flies from woe' (Page 1), William Blake, 1797William Blake'Swift on his downy pinion flies from woe' (Page 1)1797Yale-centrum voor Britse kunst
A Cradle Song (Plate 18), William Blake, 1789William BlakeA Cradle Song (Plate 18)1789Yale-centrum voor Britse kunst
'The longest night though longer far, would fail' (Page 15), William Blake, 1797William Blake'The longest night though longer far, would fail' (Page 15)1797Yale-centrum voor Britse kunst
'That touch, with charm celestial heals the soul' (Page 90), William Blake, ca. 1797William Blake'That touch, with charm celestial heals the soul' (Page 90)ca. 1797Yale-centrum voor Britse kunst
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