ART WIKI37.788 te zien
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ART WIKI

Waar u kunst ziet en wanneer het museum open is.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Cooper–Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Yale University Art Gallery, Yale-centrum voor Britse kunst, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (44 musea), Paris Musées (12 musea), Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea) en the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus

Catalogus

Ets

130.252 werken uit 146 musea133 nu te zienAlles wissen

/
Techniek
  • Alle
  • Ets130.252
  • Lithografie89.179
  • Gravure63.364
  • Houtsnede56.703
  • Droge naald9.308
  • Zeefdruk8.459
  • Aquatint7.452
  • Fotomechanische druk6.933
  • Zwartekunst6.751
  • Linoleumsnede2.658
Plate 4 from "Los Caprichos": Nanny's boy (El de la rollona), Goya, 1799Francisco de GoyaPlate 4 from "Los Caprichos": Nanny's boy (El de la rollona)1799Metropolitan Museum of Art
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos), Goya, 1799 (published 1908–12)Francisco de GoyaPlate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)1799 (published 1908–12)Metropolitan Museum of Art
General Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaGeneral Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 58 from "Los Caprichos": Swallow it, dog (Tragala perro), Goya, 1799Francisco de GoyaPlate 58 from "Los Caprichos": Swallow it, dog (Tragala perro)1799Metropolitan Museum of Art
Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)1811–12 (published 1863)Metropolitan Museum of Art
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring, Goya, 1816Francisco de GoyaPlate 8 from "La Tauromaquia": A Moor caught by the bull in the ring1816Metropolitan Museum of Art
Plate 51 from "Los Caprichos": They spruce themselves up (Se repulen), Goya, 1799Francisco de GoyaPlate 51 from "Los Caprichos": They spruce themselves up (Se repulen)1799Metropolitan Museum of Art
'Dancing Giant' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (private printing ca.1854)Francisco de Goya'Dancing Giant' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (private printing ca.1854)Metropolitan Museum of Art
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull, Goya, 1816Francisco de GoyaPlate 11 from "La Tauromaquia": The Cid campeador spearing another bull1816Metropolitan Museum of Art
Plate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 19 from "The Disasters of War" (Los Desastres de la Guerra): There isn't time now (Ya no hay tiempo)ca. 1810 (published 1863)Metropolitan Museum of Art
Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): 'Cruel tale of woe!' (Cruel Lástima!), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 48 from "The Disasters of War" (Los Desastres de la Guerra): 'Cruel tale of woe!' (Cruel Lástima!)1811–12 (published 1863)Metropolitan Museum of Art
Plate18 from "The Disasters of War" (Los Desastres de la Guerra): Bury them and keep quiet (Enterrar y callar), Goya, 1810–20, published 1863Francisco de GoyaPlate18 from "The Disasters of War" (Los Desastres de la Guerra): Bury them and keep quiet (Enterrar y callar)1810–20, published 1863Metropolitan Museum of Art
Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer), Goya, ca. 1815 (published 1863)Francisco de GoyaPlate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer)ca. 1815 (published 1863)Metropolitan Museum of Art
Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!)ca. 1810 (published 1863)Metropolitan Museum of Art
Plate 19 of "La Tauromaquia": Another madness of his in the same ring, Goya, 1816Francisco de GoyaPlate 19 of "La Tauromaquia": Another madness of his in the same ring1816Metropolitan Museum of Art
Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra), Goya, 1810 (published 1863)Francisco de GoyaPlate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)1810 (published 1863)Metropolitan Museum of Art
Plate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!)1814–15 (published 1863)Metropolitan Museum of Art
Plate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento), Goya, 1799Francisco de GoyaPlate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento)1799Metropolitan Museum of Art
Plate 38 from "The Disasters of War" (Los Desastres de La Guerra): 'Barbarians!' (Bárbaros!), Goya, 1810 (published 1863)Francisco de GoyaPlate 38 from "The Disasters of War" (Los Desastres de La Guerra): 'Barbarians!' (Bárbaros!)1810 (published 1863)Metropolitan Museum of Art
Plate 13 from "Los Caprichos": They are hot (Estan calientes), Goya, 1799Francisco de GoyaPlate 13 from "Los Caprichos": They are hot (Estan calientes)1799Metropolitan Museum of Art
Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco), Goya, 1810 (published 1863)Francisco de GoyaPlate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco)1810 (published 1863)Metropolitan Museum of Art
Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body, Goya, 1816Francisco de GoyaPlate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body1816Metropolitan Museum of Art
Ridiculous Folly, from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaRidiculous Folly, from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): Ravages of war (Estragos de la guerra), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 30 from "The Disasters of War" (Los Desastres de la Guerra): Ravages of war (Estragos de la guerra)ca. 1810 (published 1863)Metropolitan Museum of Art
'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B), Goya, ca. 1815–19 (published before 1877)Francisco de Goya'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B)ca. 1815–19 (published before 1877)Metropolitan Museum of Art
Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of war' (Estragos de la guerra), Goya, 1810 (published 1863)Francisco de GoyaPlate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of war' (Estragos de la guerra)1810 (published 1863)Metropolitan Museum of Art
Plate 5 from "Los Caprichos": Two of a kind (Tal para qual), Goya, 1799Francisco de GoyaPlate 5 from "Los Caprichos": Two of a kind (Tal para qual)1799Metropolitan Museum of Art
Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas), Goya, 1810Francisco de GoyaPlate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)1810Metropolitan Museum of Art
Plate 78  from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.), Goya, 1799Francisco de GoyaPlate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)1799Metropolitan Museum of Art
Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos), Goya, 1810Francisco de GoyaPlate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)1810Metropolitan Museum of Art
Cruel Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaCruel Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): They escape through the flames (Escapan entre las llamas), Goya, 1810 (published 1863)Francisco de GoyaPlate 41 from "The Disasters of War" (Los Desastres de La Guerra): They escape through the flames (Escapan entre las llamas)1810 (published 1863)Metropolitan Museum of Art
Disorderly Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaDisorderly Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 64  from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 64 from "The Disasters of War" (Los Desastres de la Guerra): 'Cartloads to the cemetery' (Carretadas al cementerio)1811–12 (published 1863)Metropolitan Museum of Art
'Loyalty' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Loyalty' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)1811–12 (published 1863)Metropolitan Museum of Art
Margaret of Austria on horseback, after Velázquez, Goya, 1778Francisco de GoyaMargaret of Austria on horseback, after Velázquez1778Metropolitan Museum of Art
Carnival Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaCarnival Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso), Goya, 1799Francisco de GoyaPlate 54 from "Los Caprichos": The shamefaced one (El Vergonzoso)1799Metropolitan Museum of Art
Plate 32 from "The Disasters of War" (Los Desastres de la Guerra): 'Why?' (Por qué?), Goya, 1810 (published 1863)Francisco de GoyaPlate 32 from "The Disasters of War" (Los Desastres de la Guerra): 'Why?' (Por qué?)1810 (published 1863)Metropolitan Museum of Art
Baltasar Carlos on horseback, Goya, 1778Francisco de GoyaBaltasar Carlos on horseback1778Metropolitan Museum of Art
Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull, Goya, 1816Francisco de GoyaPlate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull1816Metropolitan Museum of Art
A bad night (Mala noche), plate 36 from "Los Caprichos", Goya, 1799Francisco de GoyaA bad night (Mala noche), plate 36 from "Los Caprichos"1799Metropolitan Museum of Art
'Funereal Folly' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (private printing ca.1854)Francisco de Goya'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (private printing ca.1854)Metropolitan Museum of Art
Plate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor), Goya, 1810 (published 1863)Francisco de GoyaPlate 4 from "The Disasters of War" (Los Desastres de la Guerra): 'The women give courage' (Las mugeres dan valor)1810 (published 1863)Metropolitan Museum of Art
Plate 43 from "The Disasters of War" (Los Desastres de la Guerra): 'This too' (Tambien esto), Goya, 1810 (published 1863)Francisco de GoyaPlate 43 from "The Disasters of War" (Los Desastres de la Guerra): 'This too' (Tambien esto)1810 (published 1863)Metropolitan Museum of Art
'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito), Goya, ca. 1815 (published after 1867)Francisco de Goya'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)ca. 1815 (published after 1867)Metropolitan Museum of Art
'Barbarous Entertainment', a blind guitarist on the horns of a bull, Goya, 1800–1804 (published 1828–67)Francisco de Goya'Barbarous Entertainment', a blind guitarist on the horns of a bull1800–1804 (published 1828–67)Metropolitan Museum of Art
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