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ART WIKI

Waar u kunst ziet en wanneer het museum open is.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Cooper–Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Yale University Art Gallery, Yale-centrum voor Britse kunst, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (44 musea), Paris Musées (12 musea), Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea) en the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus

Catalogus

Naoorlogse kunst, 1945–1975

223.220 werken uit 458 musea1.980 nu te zienWissen

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In-text plate (page 9) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978Robert RauschenbergIn-text plate (page 9) from Traces Suspectes en Surface1972–78, published 1978Museum of Modern Art
In-text plate (page 12) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978Robert RauschenbergIn-text plate (page 12) from Traces Suspectes en Surface1972–78, published 1978Museum of Modern Art
Canto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60Robert RauschenbergCanto XXV: Circle Eight, Bolgia 7, The Thieves, from the series Thirty-Four Illustrations for Dante's Inferno1959-60Museum of Modern Art
Features from Currents, Robert Rauschenberg, 1970Robert RauschenbergFeatures from Currents1970Museum of Modern Art
Target I [state proof of 5th state], Jasper Johns, 1967Jasper JohnsTarget I [state proof of 5th state]1967National Gallery of Art
Tracks from Stoned Moon Series, Robert Rauschenberg, 1970Robert RauschenbergTracks from Stoned Moon Series1970Museum of Modern Art
Test Stone #7 (Torso) from Booster and 7 Studies, Robert Rauschenberg, 1967Robert RauschenbergTest Stone #7 (Torso) from Booster and 7 Studies1967Museum of Modern Art
Cup 2 Picasso [working proof], Jasper Johns, 1973Jasper JohnsCup 2 Picasso [working proof]1973National Gallery of Art
Canto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno, Robert Rauschenberg, 1959-60Robert RauschenbergCanto XVII: Circle Seven, Round 3, The Violent Against Art, The Usurers, Geryon from the series Thirty-Four Illustrations from Dante's Inferno1959-60Museum of Modern Art
Interior 2, Robert Rauschenberg, 1958Robert RauschenbergInterior 219583rd floor, Modern and Contemporary Art and DesignYale University Art Gallery
Targets [working proof], Jasper Johns, 1967-1968Jasper JohnsTargets [working proof]1967-1968National Gallery of Art
Spore, from the Stoned Moon Series, Robert Rauschenberg, 1969Robert RauschenbergSpore, from the Stoned Moon Series1969Yale University Art Gallery
Canto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60Robert RauschenbergCanto XXXIII: Circle Nine, Cocytus, Compound Fraud: Round 2, Antenora, Treacherous to Country; Round 3, Ptolomea, Treacherous to Guests and Hosts from the series Thirty-Four Illustrations for Dante's Inferno1959-60Museum of Modern Art
In-text plate (page II) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978Robert RauschenbergIn-text plate (page II) from Traces Suspectes en Surface1972–78, published 1978Museum of Modern Art
Canto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60Robert RauschenbergCanto XXXI: The Central Pit of Malebolge, The Giants from the series Thirty- Four Illustrations for Dante's Inferno1959-60Museum of Modern Art
Canto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60Robert RauschenbergCanto XXIX: Circle Eight, Bolgia 10, The Falsifiers: Class 1, The Alchemists from the series Thirty-Four Illustrations for Dante's Inferno1959-60Museum of Modern Art
Shades, Robert Rauschenberg, 1964Robert RauschenbergShades1964Museum of Modern Art
Test Stone #6 (Blue Cloud) from Booster and 7 Studies, Robert Rauschenberg, 1967Robert RauschenbergTest Stone #6 (Blue Cloud) from Booster and 7 Studies1967Museum of Modern Art
Cardbird Door from Cardbird Series, Robert Rauschenberg, 1971Robert RauschenbergCardbird Door from Cardbird Series1971Museum of Modern Art
Well Nell, Robert Rauschenberg, 1959Robert RauschenbergWell Nell1959Yale University Art Gallery
9 from 0-9 (Black) [trial proof], Jasper Johns, 1963Jasper Johns9 from 0-9 (Black) [trial proof]1963National Gallery of Art
Cunningham Relief (From Merce Cunningham and ...), Robert Rauschenberg, 1974Robert RauschenbergCunningham Relief (From Merce Cunningham and ...)1974Yale University Art Gallery
Visual Autobiography, Robert Rauschenberg, 1968Robert RauschenbergVisual Autobiography1968Yale University Art Gallery
Homage to Picasso from Homage to Picasso (Hommage à Picasso), Robert Rauschenberg, 1973Robert RauschenbergHomage to Picasso from Homage to Picasso (Hommage à Picasso)1973Museum of Modern Art
In-text plate (page 28) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978Robert RauschenbergIn-text plate (page 28) from Traces Suspectes en Surface1972–78, published 1978Museum of Modern Art
Surface Series from Currents, Robert Rauschenberg, 1970Robert RauschenbergSurface Series from Currents1970Museum of Modern Art
In-text plate (page IV) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978Robert RauschenbergIn-text plate (page IV) from Traces Suspectes en Surface1972–78, published 1978Museum of Modern Art
Canto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60Robert RauschenbergCanto IX: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno1959-60Museum of Modern Art
Untitled from The New York Collection for Stockholm, Robert Rauschenberg, 1973Robert RauschenbergUntitled from The New York Collection for Stockholm1973Museum of Modern Art
Canto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1959-60Robert RauschenbergCanto XI: Circle Six, The Heretics from the series Thirty-Four Illustrations for Dante's Inferno1959-60Museum of Modern Art
In-text plate (page 20) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978Robert RauschenbergIn-text plate (page 20) from Traces Suspectes en Surface1972–78, published 1978Museum of Modern Art
Canto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno, Robert Rauschenberg, 1958Robert RauschenbergCanto II: The Descent from the series Thirty-Four Illustrations for Dante's Inferno1958Museum of Modern Art
Front Roll, Robert Rauschenberg, 1964Robert RauschenbergFront Roll1964Yale University Art Gallery
Loop, from the Stoned Moon Series, Robert Rauschenberg, 1969Robert RauschenbergLoop, from the Stoned Moon Series1969Yale University Art Gallery
Untitled, from the portfolio The New York Collection for Stockholm, Robert Rauschenberg, 1973Robert RauschenbergUntitled, from the portfolio The New York Collection for Stockholm1973Yale University Art Gallery
Prize, Robert Rauschenberg, 1964Robert RauschenbergPrize1964Yale University Art Gallery
Pinion [working proof], Jasper Johns, 1963-1966Jasper JohnsPinion [working proof]1963-1966National Gallery of Art
Pinion [working proof], Jasper Johns, 1963-1966Jasper JohnsPinion [working proof]1963-1966National Gallery of Art
Savarin from 1st Etchings [trial proof], Jasper Johns, 1968Jasper JohnsSavarin from 1st Etchings [trial proof]1968National Gallery of Art
Page 6 (in-text plate, folio 14) from TRACES SUSPECTES EN SURFACE, Robert Rauschenberg, 1972–78Robert RauschenbergPage 6 (in-text plate, folio 14) from TRACES SUSPECTES EN SURFACE1972–78Museum of Modern Art
Flags [working proof], Jasper Johns, 1967-1968Jasper JohnsFlags [working proof]1967-1968National Gallery of Art
Cup 2 Picasso [recto] [trial proof], Jasper Johns, 1973Jasper JohnsCup 2 Picasso [recto] [trial proof]1973National Gallery of Art
Plate (page 15) from Traces Suspectes en Surface, Robert Rauschenberg, 1972–78, published 1978Robert RauschenbergPlate (page 15) from Traces Suspectes en Surface1972–78, published 1978Museum of Modern Art
Watchman, Jasper Johns, 1967Jasper JohnsWatchman1967National Gallery of Art
Coconut, from the suite Crops, Robert Rauschenberg, 1973Robert RauschenbergCoconut, from the suite Crops1973Yale University Art Gallery
Treaty, Robert Rauschenberg, 1974Robert RauschenbergTreaty1974Yale University Art Gallery
Thirty-Four Illustrations for Dante’s Inferno, Robert Rauschenberg, 1964Robert RauschenbergThirty-Four Illustrations for Dante’s Inferno1964Yale University Art Gallery
Tampa 3, Robert Rauschenberg, 1972Robert RauschenbergTampa 31972Yale University Art Gallery
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