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Collecties: Art Institute of Chicago, Cleveland Museum of Art, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (6 musea), Paris Musées (12 musea) en Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus

Catalogus

Tempera

38.812 werken uit 308 musea776 nu te zienAlles wissen

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Techniek
  • Alle
  • Olieverf273.937
  • Tempera38.812
  • Inkt12.897
  • Aquarel12.161
  • Gouache8.423
  • Acryl3.744
  • Pastel1.566
  • Gemengde techniek1.420
  • Fresco792
  • Encaustiek91
Posthumous portrait of Emperor Jahangir under a canopy (recto); Calligraphy (verso), c. 1650Posthumous portrait of Emperor Jahangir under a canopy (recto); Calligraphy (verso)c. 1650Cleveland Museum of Art
A woman asks her lover to leave her house, brandishing his sword and feigning rage in order to deceive her husband who has just arrived, from a Tuti-nama (Tales of a Parrot): Eighth Night, Gujarati, c. 1560GujaratiA woman asks her lover to leave her house, brandishing his sword and feigning rage in order to deceive her husband who has just arrived, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Cleveland Museum of Art
Ritual Bath of Mahavira, Folio 31 (recto), from a Kalpa-sutra, c. 1475–1500Ritual Bath of Mahavira, Folio 31 (recto), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Kalaketu Receiving a Boon from the Goddess Chandi, c. 1890Kalaketu Receiving a Boon from the Goddess Chandic. 1890Cleveland Museum of Art
Text, Folio 42 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 42 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Posthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto), Muhammad Rizavi Hindi, 1764Muhammad Rizavi HindiPosthumous portrait of the Mughal emperor Muhammad Shah (reigned 1719–1748) holding a falcon (recto)1764Cleveland Museum of Art
Krishna Lifts Mount Govardhan, from a Bhagavata Purana, 1686Krishna Lifts Mount Govardhan, from a Bhagavata Purana1686Cleveland Museum of Art
Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events), 1670–80Prince Shreyamsa dreams of the coming of Rishabha, from a Panchakalyanaka (Five Auspicious Events)1670–80Cleveland Museum of Art
Farhad Kills Himself After Hearing the False News of Shirin’s Death, Amar Das Bhatti, c. 1810Amar Das BhattiFarhad Kills Himself After Hearing the False News of Shirin’s Deathc. 1810Cleveland Museum of Art
Top Cover for a Buddhist Manuscript (verso), c. 1700Top Cover for a Buddhist Manuscript (verso)c. 1700Cleveland Museum of Art
Winged Apsara with a Horn (recto); Jagannatha Trio (verso), c. 1890Winged Apsara with a Horn (recto); Jagannatha Trio (verso)c. 1890Cleveland Museum of Art
Text, Folio 152 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 152 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
The Brahman, unable to select from the four gifts of the king of the Ocean seeks the Raja’s advice, from a Tuti-nama (Tales of a Parrot): Eleventh Night, c. 1560The Brahman, unable to select from the four gifts of the king of the Ocean seeks the Raja’s advice, from a Tuti-nama (Tales of a Parrot): Eleventh Nightc. 1560Cleveland Museum of Art
The Raja’s daughter and her lover stoned to death for adultery, from a Tuti-nama (Tales of a Parrot): Forty-Second Night, c. 1560The Raja’s daughter and her lover stoned to death for adultery, from a Tuti-nama (Tales of a Parrot): Forty-Second Nightc. 1560Cleveland Museum of Art
Text, folio 44 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 44 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 11 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 11 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Nagarjuna (c. 150–250 CE) with a Buddhist Master, c. 1300sNagarjuna (c. 150–250 CE) with a Buddhist Masterc. 1300sCleveland Museum of Art
Still Life: Bouquet of Flowers Emerging from the Grass, c. 1750Still Life: Bouquet of Flowers Emerging from the Grassc. 1750Cleveland Museum of Art
Two Women Pluck Flowers on a Terrace: Gunakali Ragini, from a Ragamala, c. 1650Two Women Pluck Flowers on a Terrace: Gunakali Ragini, from a Ragamalac. 1650Cleveland Museum of Art
Goddesses Lakshmi and Sarasvati (verso), from a Kalighat album, c. 1890Goddesses Lakshmi and Sarasvati (verso), from a Kalighat albumc. 1890Cleveland Museum of Art
Text, Folio 50 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 50 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Text, Folio 132 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 132 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
The Parrot Addresses Khujasta at the Beginning of the Twenty-third Night, from a Tuti-nama (Tales of a Parrot), c. 1560The Parrot Addresses Khujasta at the Beginning of the Twenty-third Night, from a Tuti-nama (Tales of a Parrot)c. 1560Cleveland Museum of Art
Bifolia with Scenes from the Life of Christ, 1230–1240Bifolia with Scenes from the Life of Christ1230–1240Cleveland Museum of Art
The Eleven Principal Disciples (Ganadharas) of Mahavira, Folio 57 (verso), from a Kalpa-sutra, c. 1475–1500The Eleven Principal Disciples (Ganadharas) of Mahavira, Folio 57 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, Folio 67 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 67 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 138 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 138 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
The Parrot Addresses Khujasta at the Beginning of the Twelfth Night, from a Tuti-nama (Tales of a Parrot), Tara 1, c. 1560Tara 1The Parrot Addresses Khujasta at the Beginning of the Twelfth Night, from a Tuti-nama (Tales of a Parrot)c. 1560Cleveland Museum of Art
The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Night, c. 1560The Raja’s son vows to sever his head and offer it to the image if he is united with the princess he has seen in the temple, from a Tuti-nama (Tales of a Parrot): Thirty-fourth Nightc. 1560Cleveland Museum of Art
Text, folio 60 (recto), from a Kalpa-sutra, c. 1450Text, folio 60 (recto), from a Kalpa-sutrac. 1450Cleveland Museum of Art
Historiated Initial (G) Excised from a Choir Book: St. Gregory the Great Celebrating Mass, c. 1300Historiated Initial (G) Excised from a Choir Book: St. Gregory the Great Celebrating Massc. 1300Cleveland Museum of Art
Text, Folio 38 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 38 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
A girl worshipping the rising sun (Surya puja), Chokha, c. 1810ChokhaA girl worshipping the rising sun (Surya puja)c. 1810Cleveland Museum of Art
The magic parrot of the merchant talks to the vizier’s son, from a Tuti-nama (Tales of a Parrot): Tenth Night, Lalu, c. 1560LaluThe magic parrot of the merchant talks to the vizier’s son, from a Tuti-nama (Tales of a Parrot): Tenth Nightc. 1560Cleveland Museum of Art
Text, Folio 4 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 4 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Nur Jahan holding a portrait of Emperor Jahangir, Bishandas, c. 1627BishandasNur Jahan holding a portrait of Emperor Jahangirc. 1627Cleveland Museum of Art
A Serpent Protects Vasudeva Taking His Infant Son Krishna to Safety, c. 1890A Serpent Protects Vasudeva Taking His Infant Son Krishna to Safetyc. 1890Cleveland Museum of Art
The Raja’s daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, from a Tuti-nama (Tales of a Parrot): Forty-second Night, c. 1560The Raja’s daughter, born with three breasts, accompanies her blind husband and his hunchback guide on a journey, from a Tuti-nama (Tales of a Parrot): Forty-second Nightc. 1560Cleveland Museum of Art
Text, Folio 31 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 31 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Saindhavi Ragini of the "Sri Raga" Family, page from a Ragamala Series, 1600–1610Saindhavi Ragini of the "Sri Raga" Family, page from a Ragamala Series1600–1610Cleveland Museum of Art
Text, Folio 66 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 66 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
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