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ART WIKI

Waar u kunst ziet en wanneer het museum open is.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (6 musea), Paris Musées (12 musea) en Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus

Catalogus

Tempera

38.812 werken uit 308 musea777 nu te zienAlles wissen

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Techniek
  • Alle
  • Olieverf273.937
  • Tempera38.812
  • Inkt12.897
  • Aquarel12.161
  • Gouache8.423
  • Acryl3.744
  • Pastel1.566
  • Gemengde techniek1.420
  • Fresco792
  • Encaustiek91
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Madonna med Barnet og helgener, Andrea di Giusto Manzini, 1424-1450Andrea di Giusto ManziniMadonna med Barnet og helgener1424-1450Statens Museum for Kunst
Bryllupskiste (opbevaringskiste). Såkaldt "cassone" eller "forziere", Lo Scheggia, 1450-1475Ser Giovanni, Giovanni diBryllupskiste (opbevaringskiste). Såkaldt "cassone" eller "forziere"1450-1475Zaal 201BStatens Museum for Kunst
Leaf from the Late Shah Jahan Album: Harem Night-Bathing Scene (recto); Calligraphy Framed by an Ornamental Border of Flowers and Birds (verso), c. 1650Leaf from the Late Shah Jahan Album: Harem Night-Bathing Scene (recto); Calligraphy Framed by an Ornamental Border of Flowers and Birds (verso)c. 1650Cleveland Museum of Art
Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4Simeon Kneels in Front of Mary and Jesus after Recognizing Them (folio 40 recto), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4Cleveland Museum of Art
The young man of Baghdad solicits advice from a friend as his slave girl, who is adept at music, awaits, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night, c. 1560The young man of Baghdad solicits advice from a friend as his slave girl, who is adept at music, awaits, from a Tuti-nama (Tales of a Parrot): Forty-eighth Nightc. 1560Cleveland Museum of Art
Krishna Playing the Flute and other Episodes from the Bhagavata Purana, c. 1650Krishna Playing the Flute and other Episodes from the Bhagavata Puranac. 1650Cleveland Museum of Art
Single Leaf from a Missal: Two Male Saints, late 1400sSingle Leaf from a Missal: Two Male Saintslate 1400sCleveland Museum of Art
Text, Folio 17 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 17 (recto), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Text, folio 153 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 153 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Folio 2 (verso), from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka, 1428Folio 2 (verso), from a Great Poem about Twos (Dvyashraya Mahakavya) of Hemachandra with Commentary by Abhayatilaka1428Cleveland Museum of Art
Portrait of Emperor Alamgir (Aurangzeb), c. 1700Portrait of Emperor Alamgir (Aurangzeb)c. 1700Cleveland Museum of Art
A Monk Preaching: Folio 2 (recto), from a Kalpa-sutra, c. 1275A Monk Preaching: Folio 2 (recto), from a Kalpa-sutrac. 1275Cleveland Museum of Art
Text, Folio 83 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 83 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
"Time Machine", Thomas Bang, 1963Thomas Bang"Time Machine"1963Statens Museum for Kunst
A Royal Picnic on a Terrace, Muhammad Ali, c. 1620Muhammad AliA Royal Picnic on a Terracec. 1620Cleveland Museum of Art
The prince meets a carefree dancing dervish whose good fortune he purchases for his ring, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560The prince meets a carefree dancing dervish whose good fortune he purchases for his ring, from a Tuti-nama (Tales of a Parrot): Eighteenth Nightc. 1560Cleveland Museum of Art
Leaves from a Book of Hours, Guillaume Vrelant, c. 1470–1480Guillaume VrelantLeaves from a Book of Hoursc. 1470–1480Cleveland Museum of Art
Kangaroo, 1900sKangaroo1900sCleveland Museum of Art
Text, Folio 36 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 36 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Folios A and B from the "Five Treasures" (Panj Ganj) of Jami, Mushfiq, 1520–1607MushfiqFolios A and B from the "Five Treasures" (Panj Ganj) of Jami1520–1607Cleveland Museum of Art
Saint Anthony Abbot from an Augustinian altarpiece, Venetian, 1450/75VenetianSaint Anthony Abbot from an Augustinian altarpiece1450/75Zaal 237Art Institute of Chicago
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Riders in the Hills, John Sloan, 1946John SloanRiders in the Hills1946Whitney Museum of American Art
Cat Sanctuary, Carroll Cloar, 1961Carroll CloarCat Sanctuary1961Whitney Museum of American Art
Virgin and Child, with Saints Anthony Abbott, Mark, Severino, and Sebastian, Lorenzo da Sanseverino, c. 1490–96Lorenzo da SanseverinoVirgin and Child, with Saints Anthony Abbott, Mark, Severino, and Sebastianc. 1490–96117A Italian RenaissanceCleveland Museum of Art
Rustam Takes Aim at Ashkabus, from a Shah-nama (Book of Kings), c. 1425–50Rustam Takes Aim at Ashkabus, from a Shah-nama (Book of Kings)c. 1425–50Cleveland Museum of Art
Khadgaroma, Son of Ravana, c. 1720Khadgaroma, Son of Ravanac. 1720Cleveland Museum of Art
Garuda Carrying Balarama and Krishna (verso), from a Kalighat album, c. 1890Garuda Carrying Balarama and Krishna (verso), from a Kalighat albumc. 1890Cleveland Museum of Art
Text, Folio 29 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 29 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 43 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 43 (recto), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Text page from a Tuti-nama (Tales of a Parrot), c. 1560Text page from a Tuti-nama (Tales of a Parrot)c. 1560Cleveland Museum of Art
The Heroine Who is Faithfully Loved: Madhya Svadhinapatika Nayika, from a Rasamanjari of Bhanudatta, c. 1710The Heroine Who is Faithfully Loved: Madhya Svadhinapatika Nayika, from a Rasamanjari of Bhanudattac. 1710242B Indian PaintingCleveland Museum of Art
Text, Folio 21 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 21 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Text, Folio 23 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 23 (recto), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Frugtskålen, Georg Jacobsen, 1924Georg JacobsenFrugtskålen1924Statens Museum for Kunst
A floral fantasy of animals and birds (Waq-waq), early 1600sA floral fantasy of animals and birds (Waq-waq)early 1600sCleveland Museum of Art
The deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Night, Shravana, c. 1560ShravanaThe deceitful wife returns to her terrace after caressing her lover, from a Tuti-nama (Tales of a Parrot): Eighth Nightc. 1560Cleveland Museum of Art
Krishna with Cow 2, Jamini Roy, mid-1900sRoy JaminiKrishna with Cow 2mid-1900sCleveland Museum of Art
Vishnu Battles Madhu and Kaitabha, from a Markandeya Purana, c. 1760Vishnu Battles Madhu and Kaitabha, from a Markandeya Puranac. 1760Cleveland Museum of Art
Historiated Initial Excised from a Bible, 1200sHistoriated Initial Excised from a Bible1200sCleveland Museum of Art
Text, Folio 19 (verso), from a Kalpa-sutra, c. 1475–1500Text, Folio 19 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Text, Folio 141 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 141 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 101 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 101 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Lovers and beloveds: A composite of scenes from Persian, Urdu, and Sanskrit literature, Chitarman II, c. 1735Chitarman IILovers and beloveds: A composite of scenes from Persian, Urdu, and Sanskrit literaturec. 1735Cleveland Museum of Art
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