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Waar u kunst ziet en wanneer het museum open is.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (6 musea), Paris Musées (12 musea) en Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus

Catalogus

Tempera

38.812 werken uit 308 musea777 nu te zienAlles wissen

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Techniek
  • Alle
  • Olieverf273.937
  • Tempera38.812
  • Inkt12.897
  • Aquarel12.161
  • Gouache8.423
  • Acryl3.744
  • Pastel1.566
  • Gemengde techniek1.420
  • Fresco792
  • Encaustiek91
Vie de saint-Christophe, 1200-1300Vie de saint-Christophe1200-1300Musée Hyacinthe-Rigaud
Rustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020), Mir Musavvir, 1520–37Mir MusavvirRustam's seventh course: He kills the White Div, folio 124 from a Shah-nama (Book of Kings) of Firdausi (Persian, about 934–1020)1520–37Cleveland Museum of Art
We Must Bear, Nilima Sheikh, 2014Nilima SheikhWe Must Bear2014Art Institute of Chicago
Gonfalon. The Right Side: Madonna and Child, with a Bishop, St John The Baptist and Angels. Top Part - Christ Blessing. The Reverse Side: The Crucifixion with the Virgin Mary and St John. Top Part - The Annunciation, Antonio da Firenze, 15th centuryAntonio da FirenzeGonfalon. The Right Side: Madonna and Child, with a Bishop, St John The Baptist and Angels. Top Part - Christ Blessing. The Reverse Side: The Crucifixion with the Virgin Mary and St John. Top Part - The Annunciation15th centuryZaal 207Hermitage
Eva, Niels Larsen Stevns, 1896-1900Niels Larsen StevnsEva1896-1900Statens Museum for Kunst
Salome, Joakim Skovgaard, 1899Joakim SkovgaardSalome1899Statens Museum for Kunst
Corporate Decision, George Tooker, 1983George TookerCorporate Decision1983Whitney Museum of American Art
Celebration, Wynn Chamberlain, 1954–1955Wynn ChamberlainCelebration1954–1955Whitney Museum of American Art
Leaf from a Bible: Initial E: Entwined Lions and Serpents (1 of 2 Excised Leaves), c. 1225–50Leaf from a Bible: Initial E: Entwined Lions and Serpents (1 of 2 Excised Leaves)c. 1225–50Cleveland Museum of Art
Hearing her declaration of love, Ayaz falls at the feet of Mahmuda at the holy shrine. The scene is witnessed by Salim, Ayaz’s friend, and a maid, from a Tuti-nama (Tales of a Parrot): Thirty-third Night, c. 1560Hearing her declaration of love, Ayaz falls at the feet of Mahmuda at the holy shrine. The scene is witnessed by Salim, Ayaz’s friend, and a maid, from a Tuti-nama (Tales of a Parrot): Thirty-third Nightc. 1560Cleveland Museum of Art
Virgin and Child, Rossello di Jacopo Franchi, late 1430sRossello di Jacopo FranchiVirgin and Childlate 1430sCleveland Museum of Art
St Joseph with Infant Christ, Master of the Apollo and Daphne Legend, 15th centuryMaster of the Apollo and Daphne LegendSt Joseph with Infant Christ15th centuryHermitage
Retable and Frontal of the Life of Christ and the Virgin, Spanish, 1396SpanishRetable and Frontal of the Life of Christ and the Virgin1396Zaal 236Art Institute of Chicago
Processional Cross with Saint Mary Magdalene and a Blessed Hermit, Lorenzo Monaco, 1392/95Lorenzo MonacoProcessional Cross with Saint Mary Magdalene and a Blessed Hermit1392/95Zaal 237Art Institute of Chicago
The Wedding, Jacob Lawrence, 1948Jacob LawrenceThe Wedding1948Zaal 263Art Institute of Chicago
War Series: Docking - Cigarette, Joe?, Jacob Lawrence, 1947Jacob LawrenceWar Series: Docking - Cigarette, Joe?1947Te zienWhitney Museum of American Art
The Rope, Jared French, 1954Jared FrenchThe Rope1954Whitney Museum of American Art
Model in Dressing Room, John Sloan, 1933John SloanModel in Dressing Room1933Whitney Museum of American Art
The Flying Codonas, John Steuart Curry, 1932John Steuart CurryThe Flying Codonas1932Whitney Museum of American Art
Adam giver dyrene navne, Joakim Skovgaard, 1871-1933Joakim SkovgaardAdam giver dyrene navne1871-1933Statens Museum for Kunst
Krishna sporting with the gopis in the Jumna River, from a Bhagavata Purana, c. 1525–40Krishna sporting with the gopis in the Jumna River, from a Bhagavata Puranac. 1525–40Cleveland Museum of Art
Sindhu Raga, c. 1720Sindhu Ragac. 1720Cleveland Museum of Art
The Parrot Addresses Khujasta at the Beginning of the Nineteenth Night, from a Tuti-nama (Tales of a Parrot), c. 1560The Parrot Addresses Khujasta at the Beginning of the Nineteenth Night, from a Tuti-nama (Tales of a Parrot)c. 1560Cleveland Museum of Art
The Sentiment of Peace: Sama Rasa, from a Rasikapriya, 1634The Sentiment of Peace: Sama Rasa, from a Rasikapriya1634Cleveland Museum of Art
Le Christ en croix avec l'orant du cardinal Guilhem Peire Godin, Maestro Del Codice Di San Giorgio, 14e siècleMaestro Del Codice Di San GiorgioLe Christ en croix avec l'orant du cardinal Guilhem Peire Godin14e siècleMusée des Augustins
Triptych Icon, Central Ethiopia, Late 17th centuryCentral EthiopiaTriptych IconLate 17th centuryZaal 204Art Institute of Chicago
Green Tara, Aniko, c. 1260s, mounted 2020AnikoGreen Tarac. 1260s, mounted 2020Cleveland Museum of Art
Crucifixion with Mary and St John the Evangelist, 15th centuryCrucifixion with Mary and St John the Evangelist15th centuryHermitage
Historisk billede. Danmarksbillede i ni afsnit, Stig Brøgger, 1975Stig BrøggerHistorisk billede. Danmarksbillede i ni afsnit1975Statens Museum for Kunst
Mechanization, Charles Sheeler, 1946Charles SheelerMechanization1946Whitney Museum of American Art
State Park, Jared French, 1946Jared FrenchState Park1946Whitney Museum of American Art
Everyman, Ben Shahn, 1954Ben ShahnEveryman1954Whitney Museum of American Art
Krishna Lifting Mount Govardhan, c. 1780–90Krishna Lifting Mount Govardhanc. 1780–90Cleveland Museum of Art
The  Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamala, c. 1600The Lover Leaves Wistfully in the Morning after a Passionate Tryst: Lalit Ragini, from a Ragamalac. 1600Cleveland Museum of Art
Mahavira's Initiation Tonsure, Folio 37 (verso), from a Kalpa-sutra, c. 1475–1500Mahavira's Initiation Tonsure, Folio 37 (verso), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Nancy Waller, Frank Gaard, 1988–89Frank GaardNancy Waller1988–89Minneapolis Institute of Art
Weaving, Diego Rivera, 1936Diego RiveraWeaving1936Zaal 263Art Institute of Chicago
Fulton and Nostrand, Jacob Lawrence, 1958Jacob LawrenceFulton and Nostrand1958226B American ModernCleveland Museum of Art
Crucifix with Scenes of the Passion, c. 1230–40Crucifix with Scenes of the Passionc. 1230–40100 1916 LobbyCleveland Museum of Art
Madonna and Child with the Donor, Pietro de' Lardi, Presented by Saint Nicholas, Master G.Z., ca. 1420–30Master G.Z.Madonna and Child with the Donor, Pietro de' Lardi, Presented by Saint Nicholasca. 1420–30Zaal 611Metropolitan Museum of Art
Den hellige Sebastian, Ubekendt, 1486-1500UbekendtDen hellige Sebastian1486-1500Statens Museum for Kunst
Sleep, Oscar Bluemner, 1936Oscar F. BluemnerSleep1936Whitney Museum of American Art
Charlotte in Red Coat, John Sloan, 1951John SloanCharlotte in Red Coat1951Whitney Museum of American Art
Finistere, Paul Cadmus, 1952Paul CadmusFinistere1952Whitney Museum of American Art
Shah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Album, Hashim, c. 1650Mir HashimShah Jahan holding a spinel and a long Deccan sword, from the Late Shah Jahan Albumc. 1650Cleveland Museum of Art
Mandala of Chakrasamvara and Vajravarahi, late 1400sMandala of Chakrasamvara and Vajravarahilate 1400sCleveland Museum of Art
In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Night, c. 1560In order to falsely implicate her husband, Hamnaz places a knife by his side and lets the blood dripping from her nose stain his clothes, from a Tuti-nama (Tales of a Parrot): Twenty-fifth Nightc. 1560Cleveland Museum of Art
Kali attacking Nisumbha, c. 1740Kali attacking Nisumbhac. 1740Cleveland Museum of Art
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