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Collecties: Art Institute of Chicago, Cleveland Museum of Art, Cooper–Hewitt, Smithsonian Design Museum, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Yale University Art Gallery, Yale-centrum voor Britse kunst, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (44 musea), Paris Musées (12 musea), Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea) en the Catalogo generale dei Beni Culturali of Italy's Ministry of Culture (25 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus

Catalogus

Het impressionisme, 1860–1905

409.850 werken uit 654 musea3.481 nu te zienWissen

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Otro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaOtro modo de cazar á pie (Another Way of Hunting on Foot), Plate 2 from La tauromaquia1876Yale University Art Gallery
Banderillas de fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaBanderillas de fuego (Banderillas with Firecrackers), Plate 31 from La tauromaquia1876Yale University Art Gallery
Carlos V. lanceando un toro en la plaza de Valladolid (Charles V. Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaCarlos V. lanceando un toro en la plaza de Valladolid (Charles V. Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia1876Yale University Art Gallery
Tampoco (Not [in This Case] Either), Plate 36 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaTampoco (Not [in This Case] Either), Plate 36 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Ligereza y atrevimiento de Juanito Apiñani en la de Madrid (The Agility and Audacity of Juanito Apinani in [the Ring] at Madrid), Plate 20 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaLigereza y atrevimiento de Juanito Apiñani en la de Madrid (The Agility and Audacity of Juanito Apinani in [the Ring] at Madrid), Plate 20 from La tauromaquia1876Yale University Art Gallery
Se defiende bien (He Defends Himself Well), Plate 78 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaSe defiende bien (He Defends Himself Well), Plate 78 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Temeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaTemeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia1876Yale University Art Gallery
Cheval renverse par un taureau (Horse Thrown by a Bull), Plate B from La tauromaquia (third edition), Francisco Goya, 1876Francisco de GoyaCheval renverse par un taureau (Horse Thrown by a Bull), Plate B from La tauromaquia (third edition)1876Yale University Art Gallery
Populacho (Rabble), Plate 28 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaPopulacho (Rabble), Plate 28 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Angst, Edvard Munch, 1896Edvard MunchAngst1896National Gallery of Art
No hay quien los socorra (There is No One to Help Them), Plate 60 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaNo hay quien los socorra (There is No One to Help Them), Plate 60 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Gatesca pantomima (Feline Pantomime), Plate 73 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaGatesca pantomima (Feline Pantomime), Plate 73 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
El buitre carnívoro (The Carnivorous Vulture), Plate 76 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEl buitre carnívoro (The Carnivorous Vulture), Plate 76 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Moonlight. Night in Saint-Cloud (Måneskinn. Natt i Saint-Cloud), Edvard Munch, 1895Edvard MunchMoonlight. Night in Saint-Cloud (Måneskinn. Natt i Saint-Cloud)1895National Gallery of Art
El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia1876Yale University Art Gallery
Al cementerio (To the Cemetery), Plate 56 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaAl cementerio (To the Cemetery), Plate 56 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Mystical Shore, Edvard Munch, 1897Edvard MunchMystical Shore1897National Gallery of Art
Encounter in Space (Møte i verdensrommet), Edvard Munch, 1902Edvard MunchEncounter in Space (Møte i verdensrommet)1902National Gallery of Art
Blossom of Pain (Smertens blomst), Edvard Munch, 1898Edvard MunchBlossom of Pain (Smertens blomst)1898National Gallery of Art
Algun partido saca (He Gets Something Out of It), Plate 40 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaAlgun partido saca (He Gets Something Out of It), Plate 40 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Origen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaOrigen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia1876Yale University Art Gallery
Qué alboroto es este? (What Is This Hubbub?), Plate 65 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaQué alboroto es este? (What Is This Hubbub?), Plate 65 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Los Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with their Burnous), Plate 6 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaLos Moros hacen otro capeo en plaza con su albornoz (The Moors Make a Different Play in the Ring Calling the Bull with their Burnous), Plate 6 from La tauromaquia1876Yale University Art Gallery
Dr. Max Asch, Edvard Munch, 1895Edvard MunchDr. Max Asch1895National Gallery of Art
Los Moros establecidos en España, presciendiendo de las supersticiones de su Alcorán, adopataron esta caza y arte, y lancean un toro en el campo (The Moors settled in Spain, Giving up the Superstitions of the Qur'an, Adopted this Hunt and Art, and Speared a Bull in the Open), Plate 3 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaLos Moros establecidos en España, presciendiendo de las supersticiones de su Alcorán, adopataron esta caza y arte, y lancean un toro en el campo (The Moors settled in Spain, Giving up the Superstitions of the Qur'an, Adopted this Hunt and Art, and Speared a Bull in the Open), Plate 3 from La tauromaquia1876Yale University Art Gallery
Así sucedió (This is How It Happened), Plate 47 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaAsí sucedió (This is How It Happened), Plate 47 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Count Kessler, Edvard Munch, 1895Edvard MunchCount Kessler1895National Gallery of Art
Echan perros al toro (They Loose Dogs on the Bull), Plate 25 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEchan perros al toro (They Loose Dogs on the Bull), Plate 25 from La tauromaquia1876Yale University Art Gallery
Muertos recogidos (Harvest of the Dead), Plate 63 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaMuertos recogidos (Harvest of the Dead), Plate 63 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Y esto tambien (And This Too), Plate 45 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaY esto tambien (And This Too), Plate 45 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
No hay que dar voces (It’s No Use Crying Out), Plate 58 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaNo hay que dar voces (It’s No Use Crying Out), Plate 58 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Esto es lo peor! (That Is the Worst of It!), Plate 74 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEsto es lo peor! (That Is the Worst of It!), Plate 74 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
The Kiss, Edvard Munch, 1895Edvard MunchThe Kiss1895National Gallery of Art
Bárbaros! (Barbarians!), Plate 38 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaBárbaros! (Barbarians!), Plate 38 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Las camas de la muerte (The Beds of Death), Plate 62 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaLas camas de la muerte (The Beds of Death), Plate 62 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique), Plate 27 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique), Plate 27 from La tauromaquia1876Yale University Art Gallery
Portrait of Tulla Larsen, Edvard Munch, 1898Edvard MunchPortrait of Tulla Larsen1898National Gallery of Art
Todo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaTodo va revuelto (Everything is Topsy-turvy), Plate 42 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
El famoso Martincho, poniendo banderillas al quiebro. (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaEl famoso Martincho, poniendo banderillas al quiebro. (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia1876Yale University Art Gallery
Madonna, Edvard Munch, 1895/1902Edvard MunchMadonna1895/1902National Gallery of Art
Estragos de la guerra (Ravages of War), Plate 30 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEstragos de la guerra (Ravages of War), Plate 30 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Enterrar y callar (Bury Them and Keep Quiet), Plate 18 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEnterrar y callar (Bury Them and Keep Quiet), Plate 18 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Cruel lástima! (Cruel Tale of Woe!), Plate 48 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaCruel lástima! (Cruel Tale of Woe!), Plate 48 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Study of a Model (Modellstudie), Edvard Munch, 1894/1895Edvard MunchStudy of a Model (Modellstudie)1894/1895National Gallery of Art
La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Plate 33 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaLa desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Plate 33 from La tauromaquia1876Yale University Art Gallery
Aun podrán servir (They Can Still Be of Use), Plate 24 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaAun podrán servir (They Can Still Be of Use), Plate 24 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
A Mother's Joy (Morsglede), Edvard Munch, 1902Edvard MunchA Mother's Joy (Morsglede)1902National Gallery of Art
Si son de otro linage (Perhaps They Are of Another Breed), Plate 61 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaSi son de otro linage (Perhaps They Are of Another Breed), Plate 61 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
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