Edwin Austin AbbeyDoodlesEdwin Austin AbbeyDoodles
Edwin Austin AbbeySketch for The Daffodil Song
Edwin Austin AbbeyCrowd Scene
Edwin Austin AbbeySheet of sketches of heads
Edwin Austin AbbeySketch for "Kitty of Coleraine," from Old Songs
Edwin Austin AbbeyEvans: "Come hither, William; hold up your head; come" Act IV, Scene I, Merry Wives of Windsor
Edwin Austin AbbeyChrist and Mary Magdalene
Edwin Austin AbbeyPetruchio Banters Katharina, from Act II, Scene i, Taming of the Shrew
Edwin Austin AbbeyBiron and the King, from Act IV, Scene iii, Love's Labour's Lost
Edwin Austin AbbeySketch for a greeting card: A Merry Xmas & a Happy New Year from M.G. and E.A. Abbey. Boy with loaded wheelbarrow
Edwin Austin Abbey"Marry a merry meeting...," sketch for "A Love Song," from Old Songs
Edwin Austin AbbeyMrs. Ford: "Why, what have you to do wither they bear it?" Act III, Scene iii, "The Merry Wives of Windsor", scene for Harper's Weekly, November 30, 1889
Edwin Austin Abbey"Relax his ponderous strength and lean to hear," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57
Edwin Austin AbbeyAudrey, illustration for Act V, Scene i, As You Like It
Edwin Austin AbbeySheet of studies
Edwin Austin AbbeyFalstaff: "O sir!" Ford: "Believe it, for you know it: -There is money; spend it, spend it, spend more; spend all I have" - Act II, Scene II, Merry Wives of Windsor
Edwin Austin AbbeyStudy for Priest and the Great Lady (watercolor)
Edwin Austin AbbeyStudy of Two Heads, Jaquenetta, from Love's Labour's Lost
Edwin Austin AbbeyScreaming woman (study for .3439), sketch for The Lay of the Lobster
Edwin Austin AbbeyComposition study for "A Pavane" (oil painting)
Edwin Austin AbbeySketch of a woman in an interior - unidentified illustration
Edwin Austin AbbeyThe Daffodil song. Shepherd and fool
Edwin Austin AbbeyMistress Ford: "Why this is the very same: the very hand, the very words. What doth he think of us?" - Act II, Scene I, Merry Wives of Windsor
Edwin Austin AbbeyGroup of people in an open cart - (unidentified illustration)
Edwin Austin AbbeySheet of sketches of heads
Edwin Austin AbbeyWoman and serpent on beach, sketch for The Lay of the Lobster
Edwin Austin AbbeyStudy of a man in revolutionary dress
Edwin Austin Abbey"The Ubiquitous Amy" - unidentified illustration
Edwin Austin Abbey"The Ides of March are come" - Act III, Scene I, Julius Caesar
Edwin Austin AbbeyStreet scene
Edwin Austin AbbeySheet of figure studies
Edwin Austin AbbeySketch for Mr. Hardcastle, illustration for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeySketch of four men in medieval dress at a table - unidentified illustration, possibly for "Love's Labours Lost", The King's Quandary.
Edwin Austin AbbeySketch for "Phillada Flouts Me," from Old Songs I (book published by Harper in 1889, previously published in Harper's Monthly Magazine)
Edwin Austin AbbeyStudy of two women at table - unidentified illustration
Edwin Austin AbbeySheet of studies of Revolutionary figures
Edwin Austin AbbeyProteus and the Duke, from Act III, Scene i, Two Gentlemen of Verona
Edwin Austin AbbeyStudy of an angel (for stained glass? for a ceiling?)
Edwin Austin AbbeySheet of figure studies
Edwin Austin AbbeyThe Clown and Malvolio, illustration for Act I, Scene v, Twelfth Night
Edwin Austin AbbeyCivil war sketch (recto); Man viewing a painting (verso)
Edwin Austin AbbeyStudy of a maid
Edwin Austin AbbeyClaudio and Isabella - Act III, Scene I, Measure for Measure
Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)
Edwin Austin AbbeyBenedick: "What, my dear Lady Disdain! are you yet living?", illustration for Act I, Scene i, Much Ado About Nothing
Edwin Austin AbbeyPreliminary sketch for Act IV, Scene III, All's Well That Ends Well
Edwin Austin AbbeyAn Ale House Room. Tom Twist spins the pewter platter, illustration for Oliver Goldsmith's She Stoops to Conquer
Edwin Austin AbbeyCassius: "O look Titinius" Act V, scene iii, Julius Caesar