Zes staande heiligen, Titiaan, c. 1535
Titian, portretTitianItalië, 1490–1576

Zes staande heiligen

c. 1535 · Print

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Rijksmuseum Amsterdam

Amsterdam, Nederland

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Over het werk

Zes heiligen, staand naast elkaar: Sebastiaan met pijl in zijn borst, Franciscus met kruis, Antonius met lelie, Petrus met sleutel, Nicolaas van Myra met boek en kromstaf en Catharina met een stuk van het rad en een palmtak van het martelaarschap.

Rijksmuseum Amsterdam

Gegevens

Inventarisnummer
RP-P-OB-30.972

Wat het toont

In de catalogus

Bronnen

Intussen, in het leven van Titian

Het hele leven
  1. 1530–1539

    The young Tintoretto in Titian's workshop

    According to Tom Nichols, the very young Tintoretto, brought to Titian's studio by his father, probably entered the workshop between 1530 and 1539, but only for a very brief time. According to Ridolfi, after being cast out of the studio he resolved to become a painter by studying the canvases of Titian and the reliefs of Michelangelo, and wrote on his wall the motto “Michelangelo's design and Titian's colour”.

  2. 1533

    Bologna: Count Palatine and Knight of the Golden Spur

    In 1533, after painting a portrait of Emperor Charles V in Bologna, Titian was made a Count Palatine and Knight of the Golden Spur; his children were reportedly also made nobles of the Empire. He was court painter to Charles V from 1533 and received from him a heavy gold chain.

  3. 1534

    His father dies

    Titian's father died in 1534.

  4. 1537–1538

    “The Battle of Cadore”: a threat to repay the money

    The battle canvas for the Doge's Palace, commissioned in 1513, remained unfinished by June 1537: according to a document dated 23 June 1537 the Council demanded he return the funds paid for the years in which he had done no work, and a serious competitor, Pordenone, who since at least 1520 had challenged Titian's primacy in Venice, was available to replace him. He completed the canvas, the “Battle of Cadore”, in 1538; it was later lost in a fire at the Doge's Palace.

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