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StartpaginaKaartCatalogus
  1. Collectie/
  2. Victoria and Albert Museum/
  3. Winged Puto
Winged Puto, Andrea Riccio, 1500-1515
Andrea Briosco, called Riccio, portretAndrea Briosco, called RiccioItalië, 1470–1532

Winged Puto

1500-1515 · Statuette

Mag men het zien?

Ja, het ontvangt bezoek

Victoria and Albert Museum

Londen, Verenigd Koninkrijk

ZaalSculpture, Room 111, The Gilbert Bayes Gallery

Publiek tentoongesteld. Wie daarvoor instaat, staat hieronder.

Gecontroleerd
12 dagen geleden
Ongewijzigd sinds
25 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Over de sculptuur

This bronze figure of a winged putto makes ready to play a fantastic type of fiddle, presumably with a now missing bow. The impractical fiddle is loosely related to the rebec, an unfretted instrument that originated in the Middle East and became particularly popular in Europe during the medieval and Renaissance period. Winged putti - also known in the Renaissance as erotes or more often spiritelli - were extremely popular as decorative motifs, and they populated a vast array of objects. Taking a variety of forms and meanings, they sometimes represented different spirits (as their name suggests) and were believed to govern the senses and emotions. This tiny example is deftly modelled to create the impression of vibrant movement. The rebec-style instrument may suggest a rustic setting, perhaps reflecting the owner's interests in Arcadian literature that was popular amongst the scholars of the university at Padua, in whose orbit Riccio worked.

Verder lezen

Similar music-playing winged putti are found on a much larger scale on Riccio's masterpiece, the Paschal Candelabrum in the Basilica of St Anthony in Padua, which now stands to the side of the High Altar. The same spirit can be seen in his small-scale works, such as the putto riding a dolphin on the lid of the Cadogan Lamp (V&A: 137-1865), the largest of the known lamps by Riccio. This has led to the suggestion that this putto once decorated such a lamp, which would, however, have to be on a much larger scale to support this figure.

Victoria and Albert Museum

Gegevens

1500-1515
14701532
Inventarisnummer
A.3-1972

Wat het toont

Putto

In de catalogus

BeeldhouwkunstBronsRenaissance16e eeuwPadua

Bronnen

  • Victoria and Albert Museum
  • Afbeelding: Victoria and Albert Museum — © Victoria and Albert Museum, London

Intussen, in het leven van Andrea Briosco, called Riccio

Het hele leven
  1. 1506–1524 · Werkzaam in

    Padua

  2. 1511 · Werkzaam in

    Venice

  3. 1516–1521 · Werkzaam in

    Verona

Meer van Andrea Briosco, called Riccio

Alle werken
Rothschild lamp, Andrea Briosco, called Riccio, ca. 1510–20

Rothschild lamp

ca. 1510–20 · Metropolitan Museum of Art

Striding Pan, Andrea Briosco, called Riccio, 1530–1539

Striding Pan

1530–1539 · Metropolitan Museum of Art

Statuette : Arion, Riccio, Renaissance (Occident)

Statuette : Arion

Renaissance (Occident) · Louvre

Seated satyr with silvered eyes, Andrea Briosco, called Riccio, second quarter of the 16th century

Seated satyr with silvered eyes

second quarter of the 16th century · Metropolitan Museum of Art

Bas-relief : enseignement, Riccio, Renaissance (Occident)

Date de création/fabrication : 1516 - 1521

Bas-relief : enseignement

Renaissance (Occident) Date de création/fabrication : 1516 - 1521 · Louvre

Triton and Nereid, Andrea Briosco, called Riccio, after 1532–before ca. 1550

Triton and Nereid

after 1532–before ca. 1550 · Metropolitan Museum of Art

Seated satyr with a shell, Andrea Briosco, called Riccio, after 1600

Seated satyr with a shell

after 1600 · Metropolitan Museum of Art

Pomona, Andrea Riccio, c. 1500

Pomona

c. 1500 · Cleveland Museum of Art

Buren in huis: Victoria and Albert Museum

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