Wild Olive Tree Roots, Valldemosa, Majorca, John Singer Sargent, 1908
John Singer Sargent, portretJohn Singer SargentVerenigde Staten, 1856–1925

Wild Olive Tree Roots, Valldemosa, Majorca

1908 · Painting

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Waar is „Wild Olive Tree Roots, Valldemosa, Majorca” nu? Collectie: National Gallery of Art, Washington D.C. Nu niet te zien. Gecontroleerd 29 september 2026.

National Gallery of Art

Washington D.C., Verenigde Staten

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Gegevens

Inventarisnummer
1991.177.1

Wat het toont

In de catalogus

Bronnen

In het leven van John Singer Sargent

Het hele leven
  1. 1895–1919

    The “Triumph of Religion” murals for the Boston Public Library

    From 1895 through 1919, for almost thirty years, Sargent works on his largest-scale work, the mural decorations “Triumph of Religion” for the Boston Public Library, showing religion's progress from pagan superstition to the ascension of Christianity; he never completes the final mural of the cycle.

  2. 1905–1914

    Summer journeys with the de Glehns

    Between 1905 and 1914 Sargent's frequent travelling companions are the married artist couple Wilfrid de Glehn and Jane Emmet de Glehn; the trio often spend summers in France, Spain or Italy, and all three depict one another in their paintings.

  3. 1906–1913

    Summers in the Swiss Alps with his sisters and nieces

    Sargent makes several summer visits to the Swiss Alps with his sisters Emily and Violet and Violet's daughters Rose-Marie and Reine, who are the subject of a number of paintings between 1906 and 1913, such as “The Black Brook” (1908).

  4. 1907

    Closes his portrait studio

    In 1907, at the age of fifty-one, Sargent officially closes his studio, relieved: painting a portrait, he says, would be quite amusing if one were not forced to talk while working, entertaining the sitter and looking happy when one feels wretched.

  5. 1909

    The Brooklyn Museum buys 83 watercolours

    In 1909 Sargent exhibits eighty-six watercolours in New York City, eighty-three of which are bought by the Brooklyn Museum.

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