Vrouw lezend in een krant, James Tissot, 1883
James Jacques Joseph Tissot, portretJames Jacques Joseph TissotFrankrijk, 1836–1902

Vrouw lezend in een krant

1883 · Print

Kan ik het zien?

Onbekend

Waar is „Vrouw lezend in een krant” nu? Collectie: Rijksmuseum Amsterdam, Amsterdam. Onbekend.

Rijksmuseum Amsterdam

Amsterdam, Nederland

De eigenaar is bekend; of het werk nu te zien is, is onbekend.

Bron
Het museum

Over het werk

Vrouw met een pince-nez, gekleed in een bontjas en bontmuts. Tegen een achtergrond van bladeren.

Rijksmuseum Amsterdam

Gegevens

Inventarisnummer
RP-P-2015-26-1559

Wat het toont

In de catalogus

Bronnen

In het leven van James Jacques Joseph Tissot

Het hele leven
  1. 1871–1882 · Werkzaam in

    London

  2. c. 1880 – 1881

    Kathleen falls ill with tuberculosis

    Around 1880–1881 Kathleen contracted tuberculosis, and Tissot painted her sitting well wrapped outdoors, as fresh air was thought to cure. In 1877–1881 he had painted travels along the Thames, to the south coast and to Paris, but more often Kathleen reading in the garden or surrounded by children.

  3. 9 November 1882

    Death of Kathleen Newton

    On 9 November 1882 Kathleen Newton died in Tissot's arms, “with the ardent faith of a neophyte and the silent resignation of a saint”. Other accounts say the 28-year-old took her own life, worn out by late-stage tuberculosis. After her death Tissot returned to Paris.

  4. 1885

    A vision at Saint-Sulpice

    Having completed “The Woman of Paris”, in 1885 Tissot experienced a religious vision at the Church of Saint-Sulpice, returned to his Catholic faith and devoted the rest of his life to paintings of biblical events, turning from modern life to traditional narrative.

  5. 1885

    “Fifteen Paintings on the Woman of Paris”

    The last major exhibition of this period was the 15-painting series “The Woman of Paris” at the Galerie Sedelmeyer: unlike his London society scenes, it showed women of many classes and occupations, with the unexpected angles and framing of Japanese prints. “The Shop Girl” returned to his themes of desire and gender.

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