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StartpaginaKaartCatalogus
  1. Collectie/
  2. Victoria and Albert Museum/
  3. Virgin and Child
Virgin and Child, Donatello, 1400-1450
Donatello, portretDonatelloItalië, 1386–1466

Virgin and Child

1400-1450 · Relief · 52.1 × 47.3 cm

Mag men het zien?

Ontvangt momenteel niet

Victoria and Albert Museum

Londen, Verenigd Koninkrijk

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
13 dagen geleden
Ongewijzigd sinds
25 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Over de sculptuur

This relief represents the Virgin and Child, and is made after Dontatello in ca. 1400-1450, in Italy.

The relief is an enlarged copy of the so-called Madonna of the Clouds of Donatello in the Boston Museum of Fine Arts (H. 33.5 cm; W. 33.2 cm). The scheme differs from that of Donatello's original in that it is slightly extended at the top and sides, and slightly reduced at the base.

Victoria and Albert Museum

Gegevens

1400-1450
13861466
Inventarisnummer
A.36-1953

Wat het toont

AngelVirgin and Child

In de catalogus

BeeldhouwkunstMarmerRenaissance15e eeuwFlorence

Bronnen

  • Victoria and Albert Museum
  • Afbeelding: Victoria and Albert Museum — © Victoria and Albert Museum, London

Intussen, in het leven van Donatello

Het hele leven
  1. c. 1400

    Friendship with Brunelleschi in Pistoia

    In Pistoia the thirteen- or fourteen-year-old Donatello helped Filippo Brunelleschi with the silver figures of the altar of Saint James. From then on the two masters remained friends for life.

  2. 1402–1404

    A trip to Rome to study antiquity

    From 1402 to 1404 Donatello and Brunelleschi visited Rome to study the “antiques”; according to Vasari they dug on the Roman Forum and were almost killed after being taken for treasure hunters. Donatello drew fragments of ancient statues.

  3. 1404–1407

    Apprentice and assistant in Ghiberti's workshop

    In 1404–1407 Donatello is recorded as an apprentice, and for the last few months as a salaried assistant, in Lorenzo Ghiberti's studio, apparently working on the bronze doors of the Florence Baptistery.

  4. 1423

    “The Feast of Herod” and the start of his work in bronze

    By 1423 Ghiberti had not even started work on the reliefs for the Siena Baptistery font, and one of them, “The Feast of Herod”, was given to Donatello instead. That year marks the start of his documented work in bronze: he also received commissions for “Saint Louis of Toulouse” and a reliquary bust of Saint Rossore.

  5. c. 1425

    Partnership with Michelozzo

    Around 1425 Donatello entered into a formal partnership with Michelozzo, an architect and sculptor about ten years younger: Donatello had too much work and was poor at organising a workshop, at which Michelozzo excelled, while Michelozzo wanted to extract himself from an arrangement with Ghiberti. Both had very good relations with the Medici.

  6. 1443

    Called to Padua: the Gattamelata monument

    In 1443 the heirs of the condottiere Erasmo da Narni, known as Gattamelata, who had died that year, called Donatello to Padua. He spent about ten years there, with a studio near the Santo and several assistants.

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La Vierge adorant l'Enfant, dite Madone Piot, Di Niccolo di Betto Bardi, Donato dit Donatello, 1400 - 1500

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Madonna and Child, Donatello and Workshop, c.1420/1425

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Over hetzelfde thema · Angel

Alle werken over dit thema
Madonna and Child Enthroned with Saints, Raphael, ca. 1504

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Madonna and Child Enthroned with Saints, ca. 1504

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Ia Orana Maria (Hail Mary), Paul Gauguin, 1891

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The Adoration of the Magi, Giotto di Bondone, possibly ca. 1320

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