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StartpaginaKaartCatalogus
  1. Collectie/
  2. Art Institute of Chicago/
  3. Untitled (The Bird People)
Untitled (The Bird People), Max Ernst, 1942

Untitled (The Bird People)

1942 · Drawing and Watercolor

Gegevens

1942 · op 51-jarige leeftijd
18911976
Inventarisnummer
2018.320

Intussen, in het leven van Max Ernst

Het hele leven
  1. 1940

    The house is sold and Leonora is in Spain

    Returning to Saint-Martin, Ernst found the house sold and Leonora, who had suffered a breakdown after his arrest, taken to Spain by a friend. He lived on help from his friend Joë Bousquet, who bought his paintings, and began a second version of Europe after the Rain.

  2. May – July 1940

    Arrested again: Saint-Nicolas camp and two escapes

    In May 1940 Ernst was sent back to Les Milles on a denunciation that he had signalled to the enemy with lights; as the German army approached, the internees were put on a train south to the Saint-Nicolas camp near Nîmes. Ernst escaped from it twice and in July obtained release thanks to his marriage to the French citizen Marie-Berthe, concealing, with her consent, that they were divorced.

  3. 1940–1941

    Escape from Europe: Marseille, Madrid, Lisbon

    In December 1940 Ernst reached Marseille, where Varian Fry handed him the papers obtained by Alfred Barr; there he met Breton and met Peggy Guggenheim, who bought a dozen of his works and resolved to help him leave. Via Madrid, where customs officers, admiring his paintings, let him through despite problems with his papers, he reached Lisbon and waited several weeks for a seat on a plane.

  4. 14 July 1941

    Arrival in the US and three days in detention

    On 14 July 1941 Ernst flew to the United States and was detained at the airport as a German citizen, but was released three days later, not without Peggy Guggenheim’s help. With her, her daughter and his son Jimmy he travelled around America, returning to New York in December.

Meer van Max Ernst

Alle werken

In dezelfde zaal · Gallery 397, Art Institute of Chicago

Museumpagina
  • late 1942

    Dorothea Tanning and “Birthday”

    Selecting pictures for an exhibition of women artists at Peggy’s gallery, Ernst noticed Dorothea Tanning’s Birthday. Julien Levy introduced him to the painter, and a few meetings were enough for him to fall in love.

  • October 1942

    “First Papers of Surrealism” and “Art of This Century”

    In October 1942 the exhibition First Papers of Surrealism opened, its catalogue laid out as a list of modern myths in which “interplanetary communication” was credited to Ernst. That month Peggy Guggenheim’s gallery Art of This Century opened on 57th Street, and Ernst drew the cover of its catalogue.

  • Max Ernst, portretMax ErnstFrankrijk, 1891–1976

    Mag men het zien?

    Ja, het ontvangt bezoek

    Art Institute of Chicago

    Chicago, Verenigde Staten

    Zaal397

    Publiek tentoongesteld. Wie daarvoor instaat, staat hieronder.

    Gecontroleerd
    3 dagen geleden
    Ongewijzigd sinds
    19 aug 2026
    Bron
    Het museum
    Op de kaartMuseumpagina

    In de catalogus

    Tekeningen & aquarellenKrijtModernisme20e eeuwVerenigde Staten

    Bronnen

    • Art Institute of Chicago
    • Afbeelding: Art Institute of Chicago — © the artist or rights holder
    Two Children Are Threatened by a Nightingale (Deux Enfants sont menacés par un rossignol), Max Ernst, 1924

    Two Children Are Threatened by a Nightingale (Deux Enfants sont menacés par un rossignol)

    1924 · Museum of Modern Art

    Birds above the Forest (Oiseaux au-dessus de la forêt), Max Ernst, 1929

    Birds above the Forest (Oiseaux au-dessus de la forêt)

    1929 · Museum of Modern Art

    Bird-Head (Oiseau-tête), Max Ernst, 1934-35

    Bird-Head (Oiseau-tête)

    1934-35 · Museum of Modern Art

    A Moment of Calm, Max Ernst, 1939

    A Moment of Calm

    1939 · National Gallery of Art

    Napoleon in the Wilderness, Max Ernst, 1941

    Napoleon in the Wilderness

    1941 · Museum of Modern Art

    Forest and Sun, Max Ernst, 1927

    Forest and Sun

    1927 · Art Institute of Chicago

    Self-Constructed Little Machine, Max Ernst, 1919/20

    Self-Constructed Little Machine

    1919/20 · Art Institute of Chicago

    The Massacre of the Innocents, Max Ernst, 1920

    The Massacre of the Innocents

    1920 · Art Institute of Chicago

    Juan Soriano De Lacandón, Leonora Carrington, 1964

    Leonora Carrington

    Juan Soriano De Lacandón, 1964

    Untitled (Butterfly Habitat), Joseph Cornell, c. 1940

    Joseph Cornell

    Untitled (Butterfly Habitat), c. 1940

    Untitled, Balthus, c. 1972

    Balthus

    Untitled, c. 1972

    Untitled (For Trista), Joseph Cornell, c. 1969

    Joseph Cornell

    Untitled (For Trista), c. 1969

    Untitled (Satie and Ravel), Joseph Cornell, March 14, 1968–early September 1969

    Joseph Cornell

    Untitled (Satie and Ravel), March 14, 1968–early September 1969

    The Tiara, Joseph Cornell, 1966/67

    Joseph Cornell

    The Tiara, 1966/67

    Untitled (L'Abeille), Joseph Cornell, April 7, 1966

    Joseph Cornell

    Untitled (L'Abeille), April 7, 1966

    Now, Voyager, Joseph Cornell, 1966

    Joseph Cornell

    Now, Voyager, 1966