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Waar het meesterwerk hangt en wanneer men u toelaat.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (6 musea), Paris Musées (12 musea) en Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus
  1. Collectie/
  2. Museum of Modern Art/
  3. Untitled
Untitled, Salvador Dalí, 1927
Salvador Dalí, portretSalvador DalíSpanje, 1904–1989

Untitled

1927 · Drawing

Mag men het zien?

Ontvangt momenteel niet

Museum of Modern Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
9 dagen geleden
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1927 · op 23-jarige leeftijd
19041989
Inventarisnummer
202.1972

In de catalogus

Tekeningen & aquarellenInktModernisme20e eeuw

Bronnen

  • Museum of Modern Art
  • Afbeelding: Museum of Modern Art — © the artist or rights holder

Intussen, in het leven van Salvador Dalí

Het hele leven
  1. 1922–1926 · Opleiding

    Royal Academy of Fine Arts of San Fernando

  2. 14 – 27 November 1925

    First solo exhibition, at the Galeries Dalmau

    Dalí's first solo exhibition, twenty-two works made before his exposure to Surrealism, was held at the Galeries Dalmau in Barcelona and was a critical and commercial success. Six months earlier, in May, eleven of his works at the Sociedad Ibérica de Artistas group show in Madrid had been praised by leading critics.

  3. April 1926

    First trip to Paris: meeting Picasso

    In Paris Dalí met Pablo Picasso, whom he revered and who had already heard good reports of him from Joan Miró, who later introduced him to many Surrealists. Over the next few years he made works strongly influenced by Picasso and Miró.

  4. August 1929

    Meets Gala

    Dalí met his lifelong muse and future wife Gala, born Elena Diakonova, a Russian émigrée ten years his senior, then married to the Surrealist poet Paul Éluard.

  5. November 1929

    First Paris show; joins the Surrealists

    Dalí's first Paris exhibition, eleven works at the Goemans Gallery, was a commercial success; André Breton called his new work “the most hallucinatory that has been produced up to now”. That year he officially joined the Surrealist group, who hailed what he would call his paranoiac-critical method.

  6. 28 December 1929

    His father throws him out

    His father disapproved of his romance with Gala and his Surrealist friends, and on reading that he had exhibited in Paris a drawing inscribed “Sometimes, I spit for fun on my mother's portrait”, demanded a public recantation. Dalí refused and was thrown out of the family home, told he would be disinherited and must never set foot in Cadaqués again.

Meer van Salvador Dalí

Alle werken
The Persistence of Memory, Salvador Dalí, 1931

De volharding der herinnering

1931 · Museum of Modern Art

Retrospective Bust of a Woman, Salvador Dalí, 1933 (some elements reconstructed 1970)

Retrospective Bust of a Woman

1933 (some elements reconstructed 1970) · Museum of Modern Art

The Little Theater, Salvador Dalí, 1934

The Little Theater

1934 · Museum of Modern Art

The Sacrament of the Last Supper, Salvador Dalí, 1955

The Sacrament of the Last Supper

1955 · National Gallery of Art

The Dream, Salvador Dalí, 1931

The Dream

1931 · Cleveland Museum of Art

The Anthropomorphic Tower, Salvador Dalí, 1930

The Anthropomorphic Tower

1930 · Art Institute of Chicago

Imaginary Portrait of Lautréamont at the Age of Nineteen Obtained According to the Paranoiac-Critical Method, Salvador Dalí, 1937

Imaginary Portrait of Lautréamont at the Age of Nineteen Obtained According to the Paranoiac-Critical Method

1937 · Art Institute of Chicago

Formation of the Monsters, Salvador Dalí, 1937

Formation of the Monsters

1937 · Art Institute of Chicago

Buren in huis: Museum of Modern Art

Museumpagina
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950