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ART WIKI

Waar het meesterwerk hangt en wanneer men u toelaat.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (6 musea), Paris Musées (12 musea) en Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus
  1. Collectie/
  2. Museum of Modern Art/
  3. Untitled
Untitled, Bruce Nauman, 1994
BBruce NaumanVerenigde Staten, 1941

Untitled

1994 · Print

Mag men het zien?

Ontvangt momenteel niet

Museum of Modern Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
9 dagen geleden
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1994 · op 53-jarige leeftijd
1941nu
Inventarisnummer
115.1995

In de catalogus

PrentenEtsHedendaagse kunst20e eeuw

Bronnen

  • Museum of Modern Art
  • Afbeelding: Museum of Modern Art — © the artist or rights holder

Meer van Bruce Nauman

Alle werken
Untitled, Bruce Nauman, 1965

Untitled

1965 · Art Institute of Chicago

Untitled, Bruce Nauman, 1965

Untitled

1965 · Niet te zien · Museum of Modern Art

Reproduction Proof of "Self Portrait as Fountain", Bruce Nauman, 1966

Reproduction Proof of "Self Portrait as Fountain"

1966 · Niet te zien · National Gallery of Art

Study related to the sculpture Storage Capsule for the Right Rear Quarter of My Body, Bruce Nauman, 1966

Study related to the sculpture Storage Capsule for the Right Rear Quarter of My Body

1966 · Niet te zien · Museum of Modern Art

Collection of Various Flexible Materials Separated by Layers of Grease with Holes the Size of My Waist and Wrists, Bruce Nauman, 1966

Collection of Various Flexible Materials Separated by Layers of Grease with Holes the Size of My Waist and Wrists

1966 · Niet te zien · Museum of Modern Art

Walking in an Exaggerated Manner Around the Perimeter of a Square, Bruce Nauman, 1967-68

Walking in an Exaggerated Manner Around the Perimeter of a Square

1967-68 · Niet te zien · Museum of Modern Art

Violin Film #1 (Playing The Violin As Fast As I Can), Bruce Nauman, 1967-1968

Violin Film #1 (Playing The Violin As Fast As I Can)

1967-1968 · Niet te zien · Museum of Modern Art

Art Make-Up: No. 1 White, No. 2 Pink, No. 3 Green, No. 4 Black, Bruce Nauman, 1967-1968

Art Make-Up: No. 1 White, No. 2 Pink, No. 3 Green, No. 4 Black

1967-1968 · Niet te zien · Museum of Modern Art

Buren in huis: Museum of Modern Art

Museumpagina
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950