Two Reclining Figures from Reclining Figures, Henry Moore, 1973
Henry Moore, portretHenry MooreEngeland, 1898–1986

Two Reclining Figures from Reclining Figures

1973 · Print

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Museum of Modern Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

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Gegevens

Inventarisnummer
738.1993.5

In de catalogus

Bronnen

Intussen, in het leven van Henry Moore

Het hele leven
  1. 1940–1986

    A bomb in Hampstead: the move to Hoglands

    In September 1940 bomb shrapnel hit the Moores’ Hampstead home and they left London for Hoglands, a farmhouse in the hamlet of Perry Green near Much Hadham in Hertfordshire. It remained Moore’s home and workshop for the rest of his life; though he grew wealthy he never felt the need to move to larger premises.

  2. 1971–1974

    A gift to Toronto: the Henry Moore Sculpture Centre

    In 1974 the Henry Moore Sculpture Centre opened at the Art Gallery of Ontario in Toronto, the world’s largest public collection of Moore’s work, most of it donated by him between 1971 and 1974.

  3. summer 1972

    An exhibition at the Forte di Belvedere, Florence

    In the summer of 1972 a major retrospective of Moore’s work was held in the grounds of the Forte di Belvedere overlooking Florence, one of several large shows held around the world in the last three decades of his life.

  4. 1972–1977

    The Henry Moore Trust and Foundation

    As his wealth grew Moore worried about his legacy, and with the help of his daughter Mary set up the Henry Moore Trust in 1972 to protect his estate from death duties. By 1977 he was paying nearly a million pounds a year in income tax and established the Henry Moore Foundation as a charity, with Irina and Mary as trustees, to encourage public appreciation of the visual arts and especially of his own work.

  5. 1975 · Onderscheiding

    Goslarer Kaiserring

  6. 1975

    First president of the Turner Society

    In 1975 Moore became the first president of the Turner Society, founded to campaign for a separate museum where the whole Turner Bequest might be reunited, an aim defeated by the National Gallery and the Tate.

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