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StartpaginaKaartCatalogus
  1. Collectie/
  2. National Gallery of Art/
  3. Two Peasant Girls
Two Peasant Girls, Paula Modersohn-Becker, c. 1900
Paula Modersohn-Becker, portretPaula Modersohn-BeckerDuitsland, 1876–1907

Two Peasant Girls

c. 1900 · Print

Mag men het zien?

Ontvangt momenteel niet

National Gallery of Art

Washington D.C., Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
eergisteren
Ongewijzigd sinds
19 aug 2026
Bron
De eigen collectiegegevens van het museum
Op de kaartMuseumpagina

Gegevens

c. 1900
18761907
Inventarisnummer
2012.92.378

Wat het toont

Seated figureBoomDressGrassFemale figure

In de catalogus

PrentenEtsImpressionismeModernisme20e eeuwExpressionisme

Bronnen

  • National Gallery of Art: de open data van het museum · opgehaald 8 dagen geleden
  • Afbeelding: National Gallery of Art — Museum open access

Intussen, in het leven van Paula Modersohn-Becker

Het hele leven
  1. September 1898

    Moving to Worpswede: a pupil of Mackensen

    With her parents’ consent Paula decides to go to Worpswede: it was meant to be a short holiday trip, two weeks of drawing with Fritz Mackensen — who agreed to teach her thanks to her father’s influence — and then, in the autumn, a post as a governess in Paris. But already in September 1898 Paula settles in Worpswede for a long time.

  2. December 1899

    The first trip to Paris

    On the eve of 1900 Paula leaves for Paris, the centre of European art she had dreamed of since her Berlin studies; Clara Westhoff had gone there at the end of 1899, hoping to study with Auguste Rodin. In Germany salon art still dominated, while Paris was more open to the new.

  3. December 1899

    A savage review at the Bremen Kunsthalle

    In December 1899 two paintings Paula exhibits at the Bremen Kunsthalle are sharply criticised in a “hysterical” attack by the art critic Arthur Fitger and have to be removed during the exhibition; he was later regarded as more outraged by the inclusion of women artists in the show than by anything in the works themselves. Meanwhile her own artistic interests were shifting noticeably toward Paris, and in Worpswede, rooted in romanticised traditions of landscape, she felt increasingly alienated.

  4. 1900

    At Vollard’s: Cézanne, who struck her like a thunderstorm

    Together with Clara Westhoff Paula goes to exhibitions and galleries; Clara later recalled a visit to Ambroise Vollard, where the then unknown Paul Cézanne made an indelible impression on Paula. In a letter to Clara, Paula compared the effect of his painting to a thunderstorm.

  5. 1900

    Rainer Maria Rilke in Worpswede: “a true friend”

    At about this time Paula meets the poet Rainer Maria Rilke: he took Clara Westhoff and Paula for sisters and in his diary called them the fair and the dark artists; Clara he regarded as an artist, but Paula was for him “a true friend”, and he dedicated poems to her that were later published in his “Book of Images”. Other accounts place the start of their friendship in 1898.

  6. 12 September 1900

    Engagement to Otto Modersohn

    While Paula recovers from her Paris life, Otto Modersohn sometimes keeps her company; feelings grow between them, and on 12 September 1900, three months after Helene’s death, they announce their engagement.

Meer van Paula Modersohn-Becker

Alle werken
Self-Portrait with Two Flowers in Her Raised Left Hand, Paula Modersohn-Becker, 1907

Self-Portrait with Two Flowers in Her Raised Left Hand

1907 · Museum of Modern Art

Birch Tree in a Landscape, Paula Modersohn-Becker, 1899

Birch Tree in a Landscape

1899 · Harvard Art Museums

Girl in a Red Dress, Paula Modersohn-Becker, c. 1905

Girl in a Red Dress

c. 1905 · Harvard Art Museums

Bulthaupt Home with Reflection, Burgstall (Haus Bulthaupt mit Spiegelung, Burgstall), Paula Modersohn-Becker, c. 1899, printed posthumously c. 1971

Bulthaupt Home with Reflection, Burgstall (Haus Bulthaupt mit Spiegelung, Burgstall)

c. 1899, printed posthumously c. 1971 · Niet te zien · Museum of Modern Art

Im Schützenzelt, Paula Modersohn-Becker

Im Schützenzelt

Museum Kunstpalast

Oude vrouw en meisje treuren bij een waterput, Paula Modersohn-Becker, 1886 - 1907

Oude vrouw en meisje treuren bij een waterput

1886 - 1907 · Rijksmuseum Amsterdam

Bosgezicht, Paula Modersohn-Becker, 1886 - 1907

Bosgezicht

1886 - 1907 · Rijksmuseum Amsterdam

Portrait of a Woman, Paula Modersohn-Becker, 1898

Portrait of a Woman

1898 · Niet te zien · National Gallery of Art

Buren in huis: National Gallery of Art

Museumpagina
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portret van Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Meisje in Wit, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Boerderij in de Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888