The Tub, Edgar Degas, c. 1889
Edgar Degas, portretEdgar DegasFrankrijk, 1834–1917

The Tub

c. 1889 · Sculpture

Mag men het zien?

Ja, het ontvangt bezoek

National Gallery of Art

Washington D.C., Verenigde Staten

Zaal4 · Westgebouw, begane grond

Publiek tentoongesteld.

Gecontroleerd
Ongewijzigd sinds
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Het museum

Gegevens

Inventarisnummer
1985.64.48

Wat het toont

In de catalogus

Bronnen

Intussen, in het leven van Edgar Degas

Het hele leven
  1. after 1886

    Into the shadows: he stops exhibiting

    After 1886 Degas stopped exhibiting and sold his pictures at high prices through a narrow circle of agents. By the end of the decade he had in effect fulfilled his wish to be “famous and unknown”, withdrawing among close friends.

  2. late 1880s

    A passion for photography

    Degas photographed his friends, often by lamplight, as in the double portrait of Renoir and Mallarmé. Photographs of dancers and nudes served as references for his drawings and paintings.

  3. 1890s

    The Dreyfus Affair: a break with his Jewish friends

    The Dreyfus Affair intensified Degas's antisemitism: by the mid-1890s he had broken with all his Jewish friends and refused to use models he thought might be Jewish; the affair also set him at odds with Mary Cassatt. He remained among the Anti-Dreyfusards until his death.

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In dezelfde zaal · G-004, National Gallery of Art

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