Diego VelázquezSpanje, 1599–1660The Supper at Emmaus
Mag men het zien?
Ja, het ontvangt bezoek
New York, Verenigde Staten
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- Ongewijzigd sinds
- Bron
- Het museum
Gegevens
- Inventarisnummer
- 14.40.631
Wat het toont
In de catalogus
Bronnen
- Metropolitan Museum of Art
- Afbeelding: Metropolitan Museum of Art — Open Access (CC0)
Intussen, in het leven van Diego Velázquez
Het hele leven1611–1622 · Werkzaam in
Seville
1622
First journey to Madrid
With letters of introduction to the royal chaplain Juan de Fonseca, Velázquez went to Madrid. He was not allowed to paint the new king, Philip IV, but at Pacheco's request he portrayed the poet Luis de Góngora.
1622–1623
The Escorial: discovering Titian
Thanks to Juan de Fonseca, Velázquez saw the royal collection at the Escorial — Titian, Veronese, Tintoretto, Bassano. According to the historian Julián Gállego, studying it, Titian above all, decisively changed his style, from stern naturalism toward silvery greys and transparent blues.
1622–1660 · Werkzaam in
Madrid
30 August 1623
Philip IV sits for Velázquez for the first time
After the death of the king's favourite court painter, Rodrigo de Villandrando, the Count-Duke of Olivares summoned Velázquez to court. The king sat for him, the portrait pleased, and Olivares ordered the painter to move to Madrid.
6 October 1623
Appointed court painter
Velázquez was appointed court painter in place of the late Villandrando at twenty ducats a month, plus fees for his pictures. The king repeated to him Alexander the Great's promise to Apelles: “No one but you shall paint me from now on.”
