Albrecht DürerDuitsland, 1471–1528The Nativity
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Cleveland Museum of Art
Cleveland, Verenigde Staten
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Collectie: National Gallery of Art, Washington D.C.
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- Ongewijzigd sinds
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- Het museum
Gegevens
- Inventarisnummer
- 1949.1.19
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In de catalogus
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Cleveland Museum of Art · 2 okt 2026 — nu · Gecontroleerd
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National Gallery of Art · 29 sep 2026 — 2 okt 2026 · Gecontroleerd
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Cleveland Museum of Art · 29 sep 2026 — 29 sep 2026 · Gecontroleerd
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National Gallery of Art · 29 sep 2026 — 29 sep 2026 · Gecontroleerd
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Cleveland Museum of Art · 28 sep 2026 — 29 sep 2026 · Gecontroleerd
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National Gallery of Art · 28 sep 2026 — 28 sep 2026 · Gecontroleerd
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Cleveland Museum of Art · 27 sep 2026 — 28 sep 2026 · Gecontroleerd
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National Gallery of Art · 26 sep 2026 — 27 sep 2026 · Gecontroleerd
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Cleveland Museum of Art · 19 aug 2026 — 26 sep 2026 · Gecontroleerd
Bronnen
- Cleveland Museum of Art
- Afbeelding: National Gallery of Art — Museum open access
Intussen, in het leven van Albrecht Dürer
Het hele leven1501–1502
In the circle of Nuremberg's humanists
Through his lifelong friend Willibald Pirckheimer, Dürer entered the circle of Nuremberg's humanists. He engraved illustrations for Conrad Celtis's editions of Hrotsvitha (1501) and of his Four Books of Love (1502), and decorated 14 books in Pirckheimer's library with drawings.
1502
Death of his father
Albrecht Dürer the Elder died, and his son took on the care of his mother and his two younger brothers, Endres and Hans.
1504 · Werkzaam in
Lutherstadt Wittenberg
1505
Second journey to Italy
Dürer set off for Italy again — perhaps not only to earn money but also to stop Marcantonio Raimondi from copying his prints. His stay in Venice is known from ten surviving letters to Pirckheimer.
1505–1507
To Bologna for the secrets of perspective
Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.
1505–1507
Friendship with Giovanni Bellini
Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.
![Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/878db7e6-10ae-4cae-ba5d-6d6f5c413ae8/full/!2400,2400/0/default.jpg)
![Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499](https://api.nga.gov/iiif/7565a449-f82a-414b-9bda-c93f55a51b4d/full/!2400,2400/0/default.jpg)
