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StartpaginaKaartCatalogus
  1. Collectie/
  2. National Gallery of Art/
  3. De molen
De molen, Rembrandt van Rijn, 1645/1648
Rembrandt van Rijn, portretRembrandt van RijnNederland, 1606–1669

De molen

The Mill

1645/1648 · Painting

Mag men het zien?

Ontvangt momenteel niet

National Gallery of Art

Washington D.C., Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
eergisteren
Ongewijzigd sinds
19 aug 2026
Bron
De eigen collectiegegevens van het museum
Op de kaartMuseumpagina

Over het schilderij

The Mill is a painting by Dutch baroque artist Rembrandt Harmenszoon van Rijn. It is in the permanent collection of the National Gallery of Art in Washington, DC. For a long time, the attribution to Rembrandt was regarded as doubtful; it has been restored in recent years, although it is not universally accepted. The painting was formerly in the Orleans Collection. It was once owned by Peter Arrell Brown Widener.

Verder lezen

This painting was documented by Cornelis Hofstede de Groot in 1915, who wrote:952. LANDSCAPE WITH A WINDMILL [commonly called, The Mill]. Sm. 601; Bode 142; Dut. 452; Wb. 211; B.-HdG. 345. Beside a broad moat, high above the circular scarp of a ruined bastion, stands a windmill with some low cottages. The path from the mill leads, on the left, over a little bridge across a sluice, to a landing-post in the foreground. A woman with a child goes down to the water; a man pushes a barrow upwards. In the centre foreground a woman at the water's edge is washing linen. A man behind watches her. From the right approaches a ferry-boat with the mast down, rowed by a man. To the right on the farther bank, amid dense groves of trees, are some cows, and beyond them a cottage. Evening light. The last rays of the sun illumine the right half of the sky and envelop the mill in their radiant glow. Painted about 1650. Canvas, 34 inches by 41 inches.

A copy on panel, 34 1/2 inches by 39 1/2 inches was exhibited at the Grafton Gallery, London, 1911, No. 67 [by T. Humphry Ward]. Etched by Mathieu, Dequevauviller, Turner, P. J. Arendzen. Mentioned by Bode, pp. 493, 579; Dutuit, p. 46; Michel, pp. 367, 555 [282 -3, 433]; Waagen, iii. 157. Exhibited at the British Institution, London, 1815, No. 37, and 1864, No. 112; at the Royal Academy Winter Exhibition, London, 1878, No. 172; 1888, No. 74; and 1899, No. 40.

Sale. Duc d'Orléans, 1798 (£525, W. Smith); see Buchanan, i. 196. In the collection of the Marquess of Lansdowne, Bowood, before 1836 (who is said by Sm. to have paid £840 for it); sold to P. A. B. Widener in 1911 (for £100,000). In the collection of P. A. B. Widener, Philadelphia.

The painting features a tonal arrangement in which the upraised vane of the windmill is light against a dark sky. The one opposite it is dark against light. The other two are subordinated: the one pointing toward the viewer is dark against dark, while the far one is light against light. Each vane of the windmill represents one of the four possible tonal arrangements.

Wikipedia · CC BY-SA

Gegevens

1645/1648
16061669
Inventarisnummer
1942.9.62

Wat het toont

AgricultureNederlandMill

In de catalogus

SchilderijenOlieverfNederlandse schilderkunstBarok17e eeuwDutchLandschapschilderkunst

Bronnen

  • National Gallery of Art: de open data van het museum · opgehaald 8 dagen geleden
  • Afbeelding: National Gallery of Art — Museum open access

Intussen, in het leven van Rembrandt van Rijn

Het hele leven
  1. 1631–1669 · Werkzaam in

    Amsterdam

  2. 1639–1658 · Woonplaats

    Rembrandt House Museum

  3. 1642–1648

    Pupil: Christopher Paudiß

  4. 1643–1646

    Pupil: Samuel van Hoogstraten

  5. 1648–1652

    Pupil: Nicolaes Maes

  6. early 1649

    Beginning of His Relationship with Hendrickje Stoffels

    In early 1649 Rembrandt grew close to the 23-year-old Hendrickje Stoffels, who had previously served as his maid. Her image appears in many works of his late period.

Meer van Rembrandt van Rijn

Alle werken
Tobit and Anna with the Kid, Rembrandt van Rijn, 1626

Tobit and Anna with the Kid

1626 · Rijksmuseum Amsterdam

Jeremia treurend over de verwoesting van Jeruzalem, Rembrandt van Rijn, 1630

Jeremia treurend over de verwoesting van Jeruzalem

1630 · Rijksmuseum Amsterdam

Old Woman Reading, Probably the Prophetess Anna, Rembrandt van Rijn, 1631

Old Woman Reading, Probably the Prophetess Anna

1631 · Rijksmuseum Amsterdam

Jonge vrouw in gefantaseerde kleding, Rembrandt van Rijn, 1633

Jonge vrouw in gefantaseerde kleding

1633 · Rijksmuseum Amsterdam

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Portrait of Haesje Jacobsdr van Cleyburg

1634 · Rijksmuseum Amsterdam

Portrait of Marten Soolmans, Rembrandt van Rijn, 1634

Portrait of Marten Soolmans

1634 · Rijksmuseum Amsterdam

Portrait of Oopjen Coppit, Rembrandt van Rijn, 1634

Portrait of Oopjen Coppit

1634 · Rijksmuseum Amsterdam

Man in Oriental Dress, Rembrandt van Rijn, 1635

Man in Oriental Dress

1635 · Rijksmuseum Amsterdam

Buren in huis: National Gallery of Art

Museumpagina
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Portret van Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Meisje in Wit, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Boerderij in de Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888