The Mason Crouching

1854 · Photograph

Mag men het zien?

Ontvangt momenteel niet

Museum of Modern Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd: 8 dagen geleden
Bron: Het museum

Op de kaart Museumpagina

Gegevens

Inventarisnummer: 383.1983.9

In de catalogus

Foto’s Realisme 19e eeuw

Bronnen

Museum of Modern Art
Afbeelding: Museum of Modern Art — © the artist or rights holder

Alle werken

Planche IV – Pifferaro Debout et Paysanne Italienne Assise, dans la Cour du 21 Quai Bourbon (Plate IV – Pifferaro Standing and Italian Peasant Seated, in the Court of 21 Quai Bourbon)

1854, printed 1982 · Niet te zien · National Gallery of Art

Planche XIII – Cathédrale de Chartres, Statues Colonnes de la Porte Centrale du Portail Royal (Plate XIII – Chartres Cathedral, Statue Columns in the Central Door of the Royal Entrance)

1855, printed 1982 · Niet te zien · National Gallery of Art

Planche V – Place du Châtelet (Plate V – Place du Châtelet)

1852, printed 1982 · Niet te zien · National Gallery of Art

Planche XII – Cathédrale de Chartres, Portique du Midi (Plate XII – Chartres Cathedral, South Entrance)

1855, printed 1982 · Niet te zien · National Gallery of Art

Planche II – Deux Arlesiennes Dans le Cloître de Saint-Trophime d'Arles (Plate II – Two Arlesiennes in the Cloister of Saint-Trophime of Arles)

1852, printed 1982 · Niet te zien · National Gallery of Art

Planche VI – Portail de Saint-Trophime d'Arles (Plate VI – Entrance of Saint Trophime of Arles)

1853/1854, printed 1982 · Niet te zien · National Gallery of Art

Planche I – Le Maçon Accroupi (Plate I – The Crouching Mason)

1853, printed 1982 · Niet te zien · National Gallery of Art

Planche VII – Le Louvre, Pavillon de l'Horloge (Plate VII – The Louvre, Pavilion of the Clock)

1855, printed 1982 · Niet te zien · National Gallery of Art

Buren in huis: Museum of Modern Art

Museumpagina

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

Vincent van Gogh

De sterrennacht, Saint Rémy, June 1889

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

Pablo Picasso

The Mason Crouching

Ontvangt momenteel niet

Gegevens

In de catalogus

Bronnen

Meer van Charles Nègre

Planche IV – Pifferaro Debout et Paysanne Italienne Assise, dans la Cour du 21 Quai Bourbon (Plate IV – Pifferaro Standing and Italian Peasant Seated, in the Court of 21 Quai Bourbon)

Planche XIII – Cathédrale de Chartres, Statues Colonnes de la Porte Centrale du Portail Royal (Plate XIII – Chartres Cathedral, Statue Columns in the Central Door of the Royal Entrance)

Planche V – Place du Châtelet (Plate V – Place du Châtelet)

Planche XII – Cathédrale de Chartres, Portique du Midi (Plate XII – Chartres Cathedral, South Entrance)

Planche II – Deux Arlesiennes Dans le Cloître de Saint-Trophime d'Arles (Plate II – Two Arlesiennes in the Cloister of Saint-Trophime of Arles)

Planche VI – Portail de Saint-Trophime d'Arles (Plate VI – Entrance of Saint Trophime of Arles)

Planche I – Le Maçon Accroupi (Plate I – The Crouching Mason)

Planche VII – Le Louvre, Pavillon de l'Horloge (Plate VII – The Louvre, Pavilion of the Clock)

Buren in huis: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

The Mason Crouching

Ontvangt momenteel niet

Gegevens

In de catalogus

Bronnen

Meer van Charles Nègre

Planche IV – Pifferaro Debout et Paysanne Italienne Assise, dans la Cour du 21 Quai Bourbon (Plate IV – Pifferaro Standing and Italian Peasant Seated, in the Court of 21 Quai Bourbon)

Planche XIII – Cathédrale de Chartres, Statues Colonnes de la Porte Centrale du Portail Royal (Plate XIII – Chartres Cathedral, Statue Columns in the Central Door of the Royal Entrance)

Planche V – Place du Châtelet (Plate V – Place du Châtelet)

Planche XII – Cathédrale de Chartres, Portique du Midi (Plate XII – Chartres Cathedral, South Entrance)

Planche II – Deux Arlesiennes Dans le Cloître de Saint-Trophime d'Arles (Plate II – Two Arlesiennes in the Cloister of Saint-Trophime of Arles)

Planche VI – Portail de Saint-Trophime d'Arles (Plate VI – Entrance of Saint Trophime of Arles)

Planche I – Le Maçon Accroupi (Plate I – The Crouching Mason)

Planche VII – Le Louvre, Pavillon de l'Horloge (Plate VII – The Louvre, Pavilion of the Clock)

Buren in huis: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950