The Forest, Natalia Goncharova, 1913
Natalia Goncharova, portretNatalia GoncharovaRusland, 1881–1962

The Forest

1913 · Drawing

Mag men het zien?

Ontvangt momenteel niet

Museum of Modern Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
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Het museum

Gegevens

Inventarisnummer
930.1979

In de catalogus

Bronnen

Intussen, in het leven van Natalia Goncharova

Het hele leven
  1. December 1910 – January 1911

    First Jack of Diamonds exhibition

    The first show of the Jack of Diamonds — Moscow's first radical independent exhibiting group, named by Larionov — included Goncharova's Primitivist and Cubist paintings.

  2. 1911

    Develops Rayonism with Larionov

    Goncharova and Larionov developed Rayonism and painted many works in the style (elsewhere Rayonism is dated 1912–1914).

  3. March – April 1912

    The Donkey's Tail: over fifty paintings

    More than fifty of her paintings hung at the first Donkey's Tail exhibition, which Larionov organised as a break with European influence; the censor confiscated “The Evangelists” as blasphemous.

  4. 1914

    Designs “The Golden Cockerel” for Diaghilev

    On Alexandre Benois's recommendation Diaghilev invited Goncharova to design the opera-ballet “The Golden Cockerel”; after its first performances in Paris and London succeeded, their collaboration continued.

  5. June 1915

    Leaves Russia for the Ballets Russes

    Diaghilev invited Goncharova and Larionov to work permanently for his Ballets Russes, and they left Russia, settling first in Switzerland. She felt the parting from her homeland keenly, as she wrote to the poet Sergei Bobrov.

  6. 1915–1962 · Woonplaats

    Paris

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