The Flagellation

1512 · Print

Mag men het zien?

Ontvangt momenteel niet

Washington D.C., Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Momenteel niet te zien
National Gallery of Art · 29 sep 2026 — nu · Gecontroleerd
Was niet te zien
Cleveland Museum of Art · 29 sep 2026 — 29 sep 2026 · Gecontroleerd
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National Gallery of Art · 29 sep 2026 — 29 sep 2026 · Gecontroleerd
Was niet te zien
Cleveland Museum of Art · 28 sep 2026 — 29 sep 2026 · Gecontroleerd
Was niet te zien
National Gallery of Art · 28 sep 2026 — 28 sep 2026 · Gecontroleerd
Was niet te zien
Cleveland Museum of Art · 27 sep 2026 — 28 sep 2026 · Gecontroleerd
Was niet te zien
National Gallery of Art · 26 sep 2026 — 27 sep 2026 · Gecontroleerd
Was niet te zien
Cleveland Museum of Art · 19 aug 2026 — 26 sep 2026 · Gecontroleerd

1507–1528 · Werkzaam in
Nuremberg
1511
Publishes the Great Passion and the Life of the Virgin
Dürer published two woodcut series as books, the Great Passion and the Life of the Virgin, with a second edition of the Apocalypse and the 37 woodcuts of the Little Passion. His post-Venetian woodcuts developed chiaroscuro modelling.
1512
Emperor Maximilian I becomes his chief patron
From 1512 Emperor Maximilian I was Dürer's chief patron. For him Dürer and his workshop produced the Triumphal Arch, a giant woodcut 295 × 357 cm printed from 192 blocks and modelled on the triumphal arches of ancient Rome.
3 January 1512
Nuremberg's privilege against forgeries
Nuremberg's city council granted Dürer a privilege for the sale of his prints, with penalties for anyone who forged them.
1513–1516
Three years without painting
Complaining that painting did not pay enough to justify the time compared with his prints, Dürer produced no paintings from 1513 to 1516.
1514
Death of his mother
In the year of Melencolia I and St Jerome in His Study, the artist's mother, Barbara Holper, died.