Odilon RedonFrankrijk, 1840–1916The Devil (Le Diable)
Mag men het zien?
Ontvangt momenteel niet
National Gallery of Art
Washington D.C., Verenigde Staten
Het hoort bij de collectie, maar is momenteel niet tentoongesteld.
- Gecontroleerd
- 17 uur geleden
- Ongewijzigd sinds
- 19 aug 2026
- Bron
- De eigen collectiegegevens van het museum
Gegevens
- Inventarisnummer
- 2014.137.13
What it shows
In de catalogus
Bronnen
- National Gallery of Art: the museum's own open data · opgehaald 4 dagen geleden
- Afbeelding: National Gallery of Art — Museum open access
Intussen, in het leven van Odilon Redon
Het hele leven1867–1915
Begins the journal “To Myself”
From 1867 Redon kept a journal, “À soi-même” (“To Myself”), setting out his views on art and creation; the last entries date from 1915.
1899
The exhibition “In Honour of Redon” at Durand-Ruel’s
Paul Durand-Ruel organised an exhibition of young artists called “In Honour of Redon” which included Redon’s own pastels. The master’s finances nonetheless stayed difficult: his works did not sell.
1899
Maurice Denis introduces him to the Nabis
In 1899 Maurice Denis introduced Redon to the Nabis group.
1900
Denis paints him in “Homage to Cézanne”
In 1900 Maurice Denis painted Redon in “Homage to Cézanne”, standing before a Cézanne painting among Bonnard, Vuillard, Roussel, Sérusier, Mellerio and Vollard.
![Scenes from the Passion of Christ: The Descent into Limbo [right panel], Andrea Vanni, 1380s](https://api.nga.gov/iiif/4205a539-eadd-4486-89a7-3cff9c1ba428/full/!2400,2400/0/default.jpg)
