The Descent from the Cross

ca. 1642 - 1645 · Oil painting · 78.7 × 63.5 cm

Kan ik het zien?

Ja, nu te zien

Waar is „The Descent from the Cross” nu? Victoria and Albert Museum, Europe 1600-1815, Room 5, The Friends of the V&A Gallery, Londen. Ja, nu te zien. Gecontroleerd 12 oktober 2026.

Victoria and Albert Museum

Londen, Verenigd Koninkrijk

ZaalEurope 1600-1815, Room 5, The Friends of the V&A Gallery

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Gecontroleerd: 9 uur geleden
Ongewijzigd sinds: 25 sep 2026
Bron: Het museum

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Over het schilderij

Charles Le Brun (1619-1690) was born in Paris and soon achieved a great success becoming the court painter of Louis XIV. He trained with François Perrier (1594-1649) and then collaborated with Simon Vouet (1590-1649) during the mid 1630s. He made a decisive trip for his artistic development to Italy with Nicolas Poussin (1594-1665) in 1642 and returned to Paris only three years later. He then became quickly very successful and produced many history and religious paintings as well as designs for the royal palaces.

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This painting is a fine example of Charles Le Brun’s Baroque style who dominated 17th-century French painting. It shows the Descent from the Cross of Christ’s body by Nicodemus and St John the Evangelist while a group of mourning women gathered around the feinted Virgin Mary. This austere composition is pervaded with dramatic intensity enhanced by touches of vivid colours against the dark background. This work, of which several versions are known, was particularly popular and inspired the next generation of artists.

Victoria and Albert Museum

Gegevens

Inventarisnummer: 9103-1863

Wat het toont

The Soldier Crosses Figures Christ Virgin Mary Magdalen (Magdalene)Nicodemus St John the Evangelist

In de catalogus

Schilderijen Olieverf Franse schilderkunst Barok 17e eeuw French school Rome

Bronnen

Victoria and Albert Museum
Afbeelding: Victoria and Albert Museum — © Victoria and Albert Museum, London

In het leven van Charles Le Brun

Het hele leven

1642
He travels to Rome with Poussin
In 1642 he sets out for Rome with Poussin; thanks to a scholarship from Chancellor Séguier he works there for four years under Poussin, studies ancient Roman sculpture, copies Raphael and meets local artists.
1642
Teacher: Nicolas Poussin
1646
He returns to Paris: new patrons, Fouquet
In 1646 he returns to Paris and finds numerous patrons; the most important is Nicolas Fouquet, for whom he paints a large portrait of Anne of Austria.

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