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Waar het meesterwerk hangt en wanneer men u toelaat.

Collecties: Art Institute of Chicago, Cleveland Museum of Art, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Louvre, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Poesjkinmuseum, Rijksmuseum Amsterdam, Russisch Museum, Smithsonian American Art Museum, Statens Museum for Kunst, Tretjakovgalerij, Victoria and Albert Museum, Whitney Museum of American Art, Staatscatalogus van het Russische museumfonds (274 musea), Europeana (19 musea), Wikidata (6 musea), Paris Musées (12 musea) en Joconde, de museumdatabank van het Franse ministerie van Cultuur (495 musea). De afbeeldingen behoren toe aan hun rechthebbenden.

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StartpaginaKaartCatalogus
  1. Collectie/
  2. Museum of Modern Art/
  3. The Committed Lovers
The Committed Lovers, Damien Hirst, 1991
Hirst, Damien, portretHirst, DamienVerenigd Koninkrijk, 1965

The Committed Lovers

1991 · Drawing

Mag men het zien?

Ontvangt momenteel niet

Museum of Modern Art

New York, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
9 dagen geleden
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1991 · op 26-jarige leeftijd
1965nu
Inventarisnummer
527.2015.1

In de catalogus

Tekeningen & aquarellenInktHedendaagse kunst20e eeuw

Bronnen

  • Museum of Modern Art
  • Afbeelding: Museum of Modern Art — © the artist or rights holder

Intussen, in het leven van Hirst, Damien

Het hele leven
  1. 1990

    Saatchi buys A Thousand Years

    Charles Saatchi arrives at the second show in a green Rolls-Royce and, according to Freedman, stands astonished before Hirst’s first major “animal” installation, A Thousand Years — a glass case where maggots and flies feed on a rotting cow’s head — and then buys it. Other accounts date the work to 1991.

  2. 1990

    The warehouse shows Modern Medicine and Gambler

    Together with his friend Carl Freedman and Billee Sellman, Hirst curates two “warehouse” shows, Modern Medicine and Gambler, in a former Peek Freans biscuit factory in Bermondsey that they designate “Building One”. They also stage Michael Landy’s Market.

  3. 1991

    First solo exhibition, In and Out of Love

    The show is organised by Tamara Chodzko (now Dial) in an unused shop on Woodstock Street in central London. Other accounts date an installation of this name to 1994.

  4. 1991

    Saatchi pays for the shark in formaldehyde

    Saatchi offers to fund whatever work Hirst wants to make, and the result is a shark in formaldehyde. The 4.3 m tiger shark was caught in Australia by a commissioned fisherman at a cost of £6,000, and Saatchi paid £50,000 for the finished work.

  5. 1992

    The first Young British Artists exhibition

    The first Young British Artists exhibition opens at the Saatchi Gallery in North London; Hirst shows the shark The Physical Impossibility of Death in the Mind of Someone Living and A Thousand Years.

  6. 1993

    The Venice Biennale: Mother and Child Divided

    His first major international recognition: a cow and a calf cut into sections and placed in separate tanks of formaldehyde.

Meer van Hirst, Damien

Alle werken
Still, Damien Hirst, 1994

Still

1994 · Art Institute of Chicago

The Spontaneous Lovers, Damien Hirst, 1991

The Spontaneous Lovers

1991 · Niet te zien · Museum of Modern Art

The Compromising Lovers, Damien Hirst, 1991

The Compromising Lovers

1991 · Niet te zien · Museum of Modern Art

The Confused Lovers, Damien Hirst, 1991

The Confused Lovers

1991 · Niet te zien · Museum of Modern Art

Untitled from the portfolio London, Damien Hirst, 1992

Untitled from the portfolio London

1992 · Niet te zien · Museum of Modern Art

Home Sweet Home, Damien Hirst, 1996

Home Sweet Home

1996 · Niet te zien · Museum of Modern Art

I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now, Damien Hirst, 1998 (first edition 1997)

I Want to Spend the Rest of My Life Everywhere, with Everyone, One to One, Always, Forever, Now

1998 (first edition 1997) · Niet te zien · Museum of Modern Art

Chicken, Damien Hirst, 1999

Chicken

1999 · Niet te zien · National Gallery of Art

Buren in huis: Museum of Modern Art

Museumpagina
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950