ART WIKI
The Chariot, Alberto Giacometti, 1950
Alberto Giacometti, portretAlberto GiacomettiZwitserland, 1901–1966

The Chariot

1950 · Sculpture

Kan ik het zien?

Ja, nu te zien

Waar is „The Chariot” nu? National Gallery of Art, Zaal 407A · Oostgebouw, bovenverdieping, Washington D.C. Ja, nu te zien. Gecontroleerd 29 september 2026.

National Gallery of Art

Washington D.C., Verenigde Staten

Zaal407A · Oostgebouw, bovenverdieping

Publiek tentoongesteld.

Gecontroleerd
Ongewijzigd sinds
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

Inventarisnummer
1977.47.2

Wat het toont

TravelChariot

In de catalogus

BeeldhouwkunstBronsNaoorlogse kunst20e eeuwSwiss

Bronnen

In het leven van Alberto Giacometti

Het hele leven

  1. 1940s

    Oorlog: toevlucht in Zwitserland

    Giacometti bracht de jaren van de Tweede Wereldoorlog in Zwitserland door, waar hij in Genève woonde.

  2. 1949

    Married: Annette Giacometti

  3. c. 1949

    Na het huwelijk worden de figuren groter en dunner

    Na zijn huwelijk werden zijn piepkleine beelden groter, maar hoe groter ze werden, des te dunner; Annette bleef tot zijn dood zijn voornaamste vrouwelijke model. Zijn schilderkunst veranderde op dezelfde wijze: de telkens herwerkte figuren ogen eenzaam en uiterst uitgedund.

  4. 1951

    Francis Ponge schrijft in “Cahiers d’Art”

    De schrijver Francis Ponge schreef over Giacometti een artikel dat in het Parijse tijdschrift “Cahiers d’Art” verscheen en de existentiële kant van zijn werk treffend weergaf. In de naoorlogse jaren noemden velen, onder wie Sartre en Genet, Giacometti een vooraanstaand existentialistisch kunstenaar.

Meer van Alberto Giacometti

Alle werken
Spoon Woman, Alberto Giacometti, 1926-27 (cast 1976)

Spoon Woman

1926-27 (cast 1976) · Museum of Modern Art

No More Play, Alberto Giacometti, 1931-1932

No More Play

1931-1932 · National Gallery of Art

The Palace at 4 a.m., Alberto Giacometti, 1932

The Palace at 4 a.m.

1932 · Museum of Modern Art

The Invisible Object (Hands Holding the Void), Alberto Giacometti, model 1934, cast 1935

The Invisible Object (Hands Holding the Void)

model 1934, cast 1935 · National Gallery of Art

Walking Man II, Alberto Giacometti, 1960

Walking Man II

1960 · National Gallery of Art

Tall Figure, III, Alberto Giacometti, 1960

Tall Figure, III

1960 · Museum of Modern Art

Femme Debout I (Standing Woman I), Alberto Giacometti, 1960

Femme Debout I (Standing Woman I)

1960 · J. Paul Getty Museum

Spoon Woman, Alberto Giacometti, 1926–27 (cast 1954)

Spoon Woman

1926–27 (cast 1954) · Art Institute of Chicago

In dezelfde zaal · EU-407-A, National Gallery of Art

Museumpagina
Study of a Dog, Francis Bacon, 1953

Francis Bacon

Study of a Dog, 1953

Self-Portrait, David Alfaro Siqueiros, 1948

David Alfaro Siqueiros

Self-Portrait, 1948

Façades d'immeubles (Building Façades), Jean Dubuffet, 1946

Jean Dubuffet

Façades d'immeubles (Building Façades), 1946

The Argonauts, Max Beckmann, 1949/1950

Max Beckmann

The Argonauts, 1949/1950

The Argonauts [right panel], Max Beckmann, 1949/1950

Max Beckmann

The Argonauts [right panel], 1949/1950

The Argonauts [middle panel], Max Beckmann, 1949/1950

Max Beckmann

The Argonauts [middle panel], 1949/1950

The Argonauts [left panel], Max Beckmann, 1949/1950

Max Beckmann

The Argonauts [left panel], 1949/1950

Still Life, Giorgio Morandi, c. 1955

Giorgio Morandi

Still Life, c. 1955

Over hetzelfde thema · Travel

Alle werken over dit thema
"Neige" (Snow); Itinerary [recto], Paul Gauguin, 1884-1888

Paul Gauguin

"Neige" (Snow); Itinerary [recto], 1884-1888

Niet te zien · National Gallery of Art

Country Outing (Partie de campagne), Henri de Toulouse-Lautrec, 1897

Henri de Toulouse-Lautrec

Country Outing (Partie de campagne), 1897

Niet te zien · National Gallery of Art

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, Allen Ginsberg, 1972, printed later

Allen Ginsberg

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, 1972, printed later

Niet te zien · National Gallery of Art

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, Allen Ginsberg, 1986

Allen Ginsberg

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, 1986

Niet te zien · National Gallery of Art

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., Allen Ginsberg, 1947, printed 1990

Allen Ginsberg

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., 1947, printed 1990

Niet te zien · National Gallery of Art

Korean War Vet Ken Babbs, Captain of Ken Kesey's "Trips Festival" bus, co piloting Neal Cassady on Amphetamine at wheel rolling up highway to Millbrook estate near Poughkeepsie N.Y. where Dr. Tim O'Leary's Castalia Foundation was then experimenting with D.M.T. on half hour psychedelic trip useful for psychiatric sessions. Burglar Gordon Liddy, then assistant D.A. in Poughkeepsie raided the Foundation a number of times illegally lacking search warrants during that season, so Castalia folk were jittery on arrival of honking Day-Glo graffit'd "Merry Prankster" Further bus which'd been driven cross-country S.F to N.Y. via Texas before Fall 1964 Presidentiad, "A Vote for Goldwater is a Vote for Fun" logo painted above bus side windows, L.S.D. Kool-Aid in pitcher in icebox. Kesey & Pranksters had met with Jack Kerouac a day before . . ., Allen Ginsberg, 1964, printed 1995

Allen Ginsberg

Korean War Vet Ken Babbs, Captain of Ken Kesey's "Trips Festival" bus, co piloting Neal Cassady on Amphetamine at wheel rolling up highway to Millbrook estate near Poughkeepsie N.Y. where Dr. Tim O'Leary's Castalia Foundation was then experimenting with D.M.T. on half hour psychedelic trip useful for psychiatric sessions. Burglar Gordon Liddy, then assistant D.A. in Poughkeepsie raided the Foundation a number of times illegally lacking search warrants during that season, so Castalia folk were jittery on arrival of honking Day-Glo graffit'd "Merry Prankster" Further bus which'd been driven cross-country S.F to N.Y. via Texas before Fall 1964 Presidentiad, "A Vote for Goldwater is a Vote for Fun" logo painted above bus side windows, L.S.D. Kool-Aid in pitcher in icebox. Kesey & Pranksters had met with Jack Kerouac a day before . . ., 1964, printed 1995

Niet te zien · National Gallery of Art

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., 1987

Niet te zien · National Gallery of Art

Ken Kesey—Merry Pranksters’ day-glo painted “Further” cross-country bus Neal Cassady’d driven S.F. to Manhattan, L.S.D. cool-aid pitcher in icebox for local hitchhikers and Police, here stopped for gas lunch upstate on trip to Timothy Leary’s Millbrook n.y. psychedelic research commune just before election time, “A Vote For Barry Is A Vote for Fun” logo painted large across bustop side, Goldwater the libertarian Republican would-be Presidential candidate Hawk during Vietnam War, summer 1964., Allen Ginsberg, 1964, printed 1995

Allen Ginsberg

Ken Kesey—Merry Pranksters’ day-glo painted “Further” cross-country bus Neal Cassady’d driven S.F. to Manhattan, L.S.D. cool-aid pitcher in icebox for local hitchhikers and Police, here stopped for gas lunch upstate on trip to Timothy Leary’s Millbrook n.y. psychedelic research commune just before election time, “A Vote For Barry Is A Vote for Fun” logo painted large across bustop side, Goldwater the libertarian Republican would-be Presidential candidate Hawk during Vietnam War, summer 1964., 1964, printed 1995

Niet te zien · National Gallery of Art