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StartpaginaKaartCatalogus
  1. Collectie/
  2. Harvard Art Museums/
  3. The Cannon
The Cannon, Albrecht Dürer, 1518
Albrecht Dürer, portretAlbrecht DürerDuitsland, 1471–1528

The Cannon

1518 · Print

Mag men het zien?

Ontvangt momenteel niet

Harvard Art Museums

Cambridge, Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

Gecontroleerd
3 dagen geleden
Ongewijzigd sinds
27 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1518 · op 47-jarige leeftijd
14711528
Inventarisnummer
G1113

In de catalogus

PrentenEtsRenaissance16e eeuwDuitsland

Bronnen

  • Harvard Art Museums
  • Afbeelding: Harvard Art Museums — © President and Fellows of Harvard College

Intussen, in het leven van Albrecht Dürer

Het hele leven
  1. 1507–1528 · Werkzaam in

    Nuremberg

  2. 1517

    Joins Nuremberg's circle of reformers

    Dürer joined the circle of Nuremberg reformers led by the Augustinian vicar Johann Staupitz and Wenceslaus Linck. Around 1518 he came to know the writings of Martin Luther, which, he said, had “greatly helped” him.

  3. 1519

    Death of Emperor Maximilian

    Maximilian, Dürer's chief patron, died just as the artist feared he was losing “my sight and freedom of hand” (perhaps from arthritis) and was increasingly drawn to Luther's writings. Shortly before the emperor's death Dürer had made his portrait.

  4. July 1520

    Journey to the Netherlands with his wife

    To renew his imperial pension and win the patronage of the new emperor, Charles V, Dürer travelled with his wife and her maid down the Rhine via Cologne to Antwerp, where he was warmly received. He attended the coronation at Aachen and saw van Eyck's Ghent Altarpiece and Michelangelo's Madonna of Bruges.

  5. 4 October 1520

    Charles V confirms his pension

    The new emperor, Charles V, confirmed Dürer's right to his pension of 100 guilders a year; the main aim of the journey had been achieved.

  6. 1520–1521

    An illness caught in the Netherlands

    In the Netherlands Dürer caught an unknown illness, possibly malaria, whose attacks plagued him for the rest of his life. He drew himself pointing to his spleen, with the note: “Where the yellow spot is, and where I point with my finger, that is where it hurts.”

Meer van Albrecht Dürer

Alle werken
Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · Metropolitan Museum of Art

Female Nude Seen from Behind, Albrecht Dürer, early 17th century

Female Nude Seen from Behind

early 17th century · Metropolitan Museum of Art

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

Haller Madonna

c. 1496/1499 · National Gallery of Art

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · National Gallery of Art

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · Metropolitan Museum of Art

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · Cleveland Museum of Art

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · Cleveland Museum of Art

The Lamentation, Albrecht Dürer, 1507

The Lamentation

1507 · Cleveland Museum of Art

Buren in huis: Harvard Art Museums

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Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE

Head from a Statue of Ur-Ningirsu, Ruler of Lagash, c. 2113 BCE-2017 BCE