Thomas EakinsVerenigde Staten, 1844–1916The Biglin Brothers Turning the Stake
Kan ik het zien?
Nu niet te zien
Waar is „The Biglin Brothers Turning the Stake” nu? Collectie: Cleveland Museum of Art, Cleveland. Nu niet te zien. Gecontroleerd 29 september 2026.
Cleveland, Verenigde Staten
Het hoort bij de collectie, maar is momenteel niet tentoongesteld.
- Gecontroleerd
- Ongewijzigd sinds
- Bron
- Het museum
Over het werk
Before beginning a large-scale painting such as The Biglin Brothers Turning the Stake, Eakins began a series of specialized studies. He outlined the space of the composition with perspective drawings, such as this sketch in graphite. Eakins also used figure studies when rendering a work, as well as landscape and architectural drawings and his own photographs (examples of which are elsewhere in the exhibition). The practice of using perspective drawings to work out the space of a painting dates back to the Renaissance, revealing Eakins’s academic training.
Cleveland Museum of Art
Gegevens
- Inventarisnummer
- 1942.1066
In de catalogus
Bronnen
- Cleveland Museum of Art
- Afbeelding: Cleveland Museum of Art — Museum open access
In het leven van Thomas Eakins
Het hele leven1870–1916 · Werkzaam in
Philadelphia
1874
Engaged to Kathrin Crowell
Eakins became engaged to Kathrin Crowell, the sitter of his first large portrait; the engagement lasted five years, until her death.
1875
Meets Susan Macdowell
At the Hazeltine Gallery, where “The Gross Clinic” was on show, Eakins met the 25-year-old Susan Macdowell, daughter of a Philadelphia engraver. Unlike many, she was impressed by the painting and went to study with him at the Academy for six years, winning the Mary Smith Prize for the best painting by a woman student.
