The Bather, Camille Pissarro, 1895
Camille Jacob Pissarro, portretCamille Jacob PissarroFrankrijk, 1830–1903

The Bather

1895 · Painting

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Ontvangt momenteel niet

National Gallery of Art

Washington D.C., Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

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Gegevens

Inventarisnummer
1963.10.54

Wat het toont

In de catalogus

Bronnen

Intussen, in het leven van Camille Jacob Pissarro

Het hele leven
  1. 1884

    Settles at Éragny-sur-Epte

    In April 1884 Pissarro and his family settled at Éragny-sur-Epte, a village near Gisors, where he lived for the rest of his life; he wrote to his son Lucien that the house was superb, with a garden and meadows. The house, garden, orchard, meadows and farm workers became recurring subjects for the last nineteen years of his career.

  2. 1893

    A studio in the converted barn

    In 1893 Pissarro altered the barn bordering the garden to create a large studio on its upper floor: the north wall was fitted with an arched glazed opening about three metres wide and another opening faced west over the orchard towards Bazincourt; he described the progress of the work in detail to Lucien.

  3. 1894–1898

    Travel: Netherlands

  4. 1897

    The death of his son Félix

    Pissarro's son Félix, born in 1874, died, one of the six of Camille's children who became painters.

  5. 1897

    A trip to London: Bedford Park

    In 1897 Pissarro painted in London again: several oils described as views of Bedford Park, Chiswick, in fact show the nearby Stamford Brook area, except for one of Bath Road.

  6. 1897–1903

    City views from hotel windows

    A recurring eye infection prevented Pissarro from working outdoors except in warm weather, so he began to paint street scenes from the windows of hotel rooms, often on upper floors for a broader view; this produced views of Rouen, Paris, Le Havre and Dieppe, and on his visits to London he did the same.

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