The Annunciation, Albrecht Dürer, probably c. 1509/1510
Albrecht Dürer, portretAlbrecht DürerDuitsland, 1471–1528

The Annunciation

probably c. 1509/1510 · Print

Mag men het zien?

Ontvangt momenteel niet

National Gallery of Art

Washington D.C., Verenigde Staten

Het hoort bij de collectie, maar is momenteel niet tentoongesteld.

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Gegevens

Inventarisnummer
1943.3.3635

Wat het toont

In de catalogus

Bronnen

Intussen, in het leven van Albrecht Dürer

Het hele leven
  1. 1505–1507

    To Bologna for the secrets of perspective

    Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.

  2. 1505–1507

    Friendship with Giovanni Bellini

    Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.

  3. 1505–1507 · Werkzaam in

    Venice

  4. 1507–1528 · Werkzaam in

    Nuremberg

  5. 1511

    Publishes the Great Passion and the Life of the Virgin

    Dürer published two woodcut series as books, the Great Passion and the Life of the Virgin, with a second edition of the Apocalypse and the 37 woodcuts of the Little Passion. His post-Venetian woodcuts developed chiaroscuro modelling.

  6. 1512

    Emperor Maximilian I becomes his chief patron

    From 1512 Emperor Maximilian I was Dürer's chief patron. For him Dürer and his workshop produced the Triumphal Arch, a giant woodcut 295 × 357 cm printed from 192 blocks and modelled on the triumphal arches of ancient Rome.

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