Otto DixDuitsland, 1891–1969Technisches Personal (Technicians)
Mag men het zien?
Ontvangt momenteel niet
National Gallery of Art
Washington D.C., Verenigde Staten
Het hoort bij de collectie, maar is momenteel niet tentoongesteld.
- Gecontroleerd
- eergisteren
- Ongewijzigd sinds
- 19 aug 2026
- Bron
- De eigen collectiegegevens van het museum
Gegevens
- Inventarisnummer
- 2012.92.197
What it shows
In de catalogus
Bronnen
- National Gallery of Art: the museum's own open data · opgehaald 5 dagen geleden
- Afbeelding: National Gallery of Art — © the artist or rights holder
Intussen, in het leven van Otto Dix
Het hele leven1920
The first Dada Fair in Berlin
Dix exhibits some of his collage-influenced works at the first Dada Fair in Berlin.
1920
The German Expressionists exhibition in Darmstadt
In 1920 Dix takes part in the German Expressionists exhibition in Darmstadt.
1920
Meeting George Grosz
Dix meets George Grosz, his friend and fellow veteran, and, influenced by Dada, begins to incorporate collage elements into his works.
1920s
A ruthless chronicle of Weimar Germany
Like Grosz, Dix is extremely critical of contemporary German society, unsparingly depicting prostitution, violence, old age and death and often dwelling on Lustmord, or sexualized murder. His legless and disfigured veterans, a common sight on Berlin's streets in the 1920s, reveal the ugly side of war and the forgotten status of these men in German society.
1921
Meeting Martha Koch
Dix meets the metalsmith Martha Koch; they will marry in 1923 and have three children, and she becomes a frequent subject of his portraits.
1 februari 1923
Married: Martha Dix
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
