Claude MonetFrankrijk, 1840–1926Sunrise (Marine)
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Over het schilderij
In the muted palette of the emerging dawn, Claude Monet portrayed the industrial port of Le Havre on the northern coast of France. The brilliant orange of the rising sun glimmers amid the damp air and dances on the gentle rippling water, lighting up its iridescent blues and greens. Barely discernible through a cool haze, pack boats on the left billow smoke from their stacks. Painted during the spring of 1873 as the country struggled to rebuild following the Franco-Prussian war, this *Sunrise* might also metaphorically suggest a new day dawning in France. *Sunrise* exemplifies Monet's plein air, or "outdoor," approach to painting. The informal and spontaneous brushstrokes establish this picture as one of the first works, along with the famous *Impression: Sunrise* at the Marmottan Museum in Paris, in the Impressionist style that was to make him famous. The ephemeral play of light, water, and air would remain Monet's subject for the rest of his career.
J. Paul Getty Museum
Gegevens
- Inventarisnummer
- 98.PA.164
In de catalogus
Bronnen
- J. Paul Getty Museum
- Afbeelding: J. Paul Getty Museum — Open Content
Intussen, in het leven van Claude Monet
Het hele leven28 juni 1870
Married: Camille Doncieux
28 June 1870
Marriage to Camille Doncieux
Monet married his model Camille Doncieux shortly before the outbreak of the Franco-Prussian War.
1870–1871
London exile
Evading conscription during the Franco-Prussian War, Monet lived in London, where he studied Constable and Turner, met Pissarro and Whistler, and became acquainted with his first and principal dealer, Paul Durand-Ruel — an encounter decisive for his career.
1871
Zaandam: 25 paintings
Leaving London, Monet settled in Zaandam in the Netherlands, where he painted twenty-five pictures (the police suspected him of revolutionary activity). During this period he also made his first visit to Amsterdam.
1874
First Impressionist exhibition
At the exhibition, organized on the initiative of Monet and his associates as an alternative to the Salon, "Impression, Sunrise" was shown. The critic Leroy mockingly dubbed the participants "impressionists" — and so the term Impressionism was born.
