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StartpaginaKaartCatalogus
  1. Collectie/
  2. Museum of Modern Art/
  3. Studies for Sculpture
Studies for Sculpture, Henry Moore, c. 1934
Henry Moore, portretHenry MooreEngeland, 1898–1986

Studies for Sculpture

c. 1934 · Drawing

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Museum of Modern Art

New York, Verenigde Staten

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Op de kaartMuseumpagina

Gegevens

c. 1934
18981986
Inventarisnummer
1981.2018

In de catalogus

Tekeningen & aquarellenPotloodModernisme20e eeuw

Bronnen

  • Museum of Modern Art
  • Afbeelding: Museum of Modern Art — © the artist or rights holder

Intussen, in het leven van Henry Moore

Het hele leven
  1. 1924–1932

    Teaching at the Royal College of Art

    From 1924 to 1932 Moore taught at the Royal College of Art, leaving only once, for his trip to Italy; he had to work just two days a week, which left him time for his own work.

  2. 1929–1940

    A studio in Hampstead, “a nest of gentle artists”

    Soon after the wedding the couple moved to a studio at 11a Parkhill Road in Hampstead, joining a colony of avant-garde artists: Hepworth and her husband Ben Nicholson lived around the corner, along with Naum Gabo, Roland Penrose, Cecil Stephenson and the critic Herbert Read, who called the area “a nest of gentle artists”.

  3. 1930s

    Paris: Picasso, Braque, Arp, Giacometti

    Moore, Hepworth and other members of the Seven and Five Society moved steadily towards abstraction, partly through frequent trips to Paris and contact with Picasso, Braque, Jean Arp and Alberto Giacometti.

  4. 1932

    Heads the sculpture department at Chelsea

    In 1932 Moore took up the post of Head of the Department of Sculpture at the Chelsea School of Art.

  5. 1934

    Spain: the cave of Altamira

    In 1934 Moore visited Spain, seeing the cave of Altamira, which he called the “Royal Academy of Cave Painting”, as well as Madrid, Toledo and Pamplona.

  6. 1936

    The London International Surrealist Exhibition

    In 1936 Moore joined the group of surrealist artists founded by Roland Penrose and served as honorary treasurer of the organising committee of the London International Surrealist Exhibition.

Meer van Henry Moore

Alle werken
Helmet Head Number 1, Henry Moore, 1950

Helmet Head Number 1

1950 · Museum of Modern Art

Three Motives Against Wall, Number 1, Henry Moore, 1958

Three Motives Against Wall, Number 1

1958 · National Gallery of Art

Seated Woman, Henry Moore, designed 1958–1959; cast 1975

Seated Woman

designed 1958–1959; cast 1975 · J. Paul Getty Museum

Stone Memorial, Henry Moore, 1961/1969

Stone Memorial

1961/1969 · National Gallery of Art

Knife Edge Mirror Two Piece, Henry Moore, 1976-1978

Knife Edge Mirror Two Piece

1976-1978 · National Gallery of Art

Bronze Form, Henry Moore, 1985

Bronze Form

1985 · J. Paul Getty Museum

Warrior with Shield, Henry Moore, 1953–54

Warrior with Shield

1953–54 · Minneapolis Institute of Art

Helmet Head, Henry Moore, 1952

Helmet Head

1952 · Cleveland Museum of Art

Buren in huis: Museum of Modern Art

Museumpagina
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

De sterrennacht, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950