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StartpaginaKaartCatalogus
  1. Collectie/
  2. Herzog Anton Ulrich-Museum/
  3. Sitzendes Mädchen
Sitzendes Mädchen, Angelica Kauffmann, 1770
Angelica Kauffmann, portretAngelica KauffmannZwitserland, 1741–1807

Sitzendes Mädchen

1770 · Print

Mag men het zien?

Onbekend

Herzog Anton Ulrich-Museum

Braunschweig, Duitsland

De eigenaar is bekend; of het werk nu te zien is, is onbekend.

Ongewijzigd sinds
27 sep 2026
Bron
Het museum
Op de kaartMuseumpagina

Gegevens

1770 · op 29-jarige leeftijd
17411807

Wat het toont

Eine Frau zeigt sich unbekleidet, (fast) nacktMädchen, junge FrauRockAuf einer Erhebung sitzen (weibliche Figur)MädchenMauerwerkFigure

In de catalogus

PrentenRococoNeoclassicisme18e eeuw

Bronnen

  • Herzog Anton Ulrich-Museum
  • Afbeelding: Herzog Anton Ulrich-Museum — CC BY-NC-SA 4.0

Intussen, in het leven van Angelica Kauffmann

Het hele leven
  1. 1768

    Two pictures at the Society of Artists exhibition

    In 1768, at the exhibition of the Society of Artists in London, Kauffman showed “Hector Taking Leave of Andromache” and “Penelope Taking Down the Bow of Odysseus”.

  2. December 1768

    Founding member of the Royal Academy of Arts

    In December 1768 Kauffman became one of the founding members of the Royal Academy of Arts in London, one of only two women among them.

  3. 1769

    Three pictures at the Royal Academy exhibition

    At the Academy’s exhibition of 1769 Kauffman showed “Hector Taking Leave of Andromache”, “Venus Directing Aeneas and Achates to Carthage” and “Achilles Discovered by Ulysses among the Daughters of Lycomedes”; all three were bought by the patroness Theresa Parker.

  4. 1769–1782

    An annual exhibitor at the Royal Academy

    From 1769 until 1782 Kauffman exhibited at the Royal Academy every year, sometimes sending as many as seven pictures, generally on classical or allegorical subjects.

  5. 1770s

    Engravers reproduce her pictures

    At the same time Kauffman began to work with engravers who copied her pictures for wide distribution, and she became a commercially successful artist.

  6. 1771

    Several months in Ireland

    In 1771 Kauffman spent several months in Ireland as a guest of the Lord Lieutenant, Viscount Townshend, and carried out a number of portrait commissions there; her Irish sitters included Philip Tisdall, the Attorney General for Ireland, and his wife Mary, who became her patron, and Henry Loftus, 1st Earl of Ely, with his family.

Meer van Angelica Kauffmann

Alle werken
Parting of Abelard and Heloise, Angelica Kauffmann, 18th century

Parting of Abelard and Heloise

18th century · Hermitage

The Temptation of Eros, Angelica Kauffmann, 1750–75

The Temptation of Eros

1750–75 · Metropolitan Museum of Art

The Victory of Eros, Angelica Kauffmann, 1750–75

The Victory of Eros

1750–75 · Metropolitan Museum of Art

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

ca. 1776 · Metropolitan Museum of Art

Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

Telemachus and the Nymphs of Calypso

1782 · Metropolitan Museum of Art

The Sorrow of Telemachus, Angelica Kauffmann, 1783

The Sorrow of Telemachus

1783 · Metropolitan Museum of Art

Monsignor Giuseppe Spina (1756–1828), Angelica Kauffmann, 1798

Monsignor Giuseppe Spina (1756–1828)

1798 · Metropolitan Museum of Art

The Three Graces distressing Cupid, Angelica Kauffman, late 18th century

The Three Graces distressing Cupid

late 18th century · Victoria and Albert Museum