Peter LelyEngeland, 1618–1680Self-Portrait
Mag men het zien?
Ontvangt momenteel niet
National Gallery of Art
Washington D.C., Verenigde Staten
Het hoort bij de collectie, maar is momenteel niet tentoongesteld.
- Gecontroleerd
- eergisteren
- Ongewijzigd sinds
- 19 aug 2026
- Bron
- De eigen collectiegegevens van het museum
Gegevens
- Inventarisnummer
- 1984.47.1
What it shows
In de catalogus
Bronnen
- National Gallery of Art: the museum's own open data · opgehaald 5 dagen geleden
- Afbeelding: National Gallery of Art — Museum open access
Intussen, in het leven van Peter Lely
Het hele leven1640s
Takes Van Dyck’s place at court
Anthony van Dyck, court painter to Charles I, died in 1641, and Lely succeeded him as the most fashionable portrait artist in England. In the service of Lord Northumberland he copied some of Van Dyck’s paintings.
1641–1680 · Werkzaam in
London
c. 1643
Moves to London in search of commissions
In the 17th century portrait painting in England was still done exclusively by foreign masters, who found patrons at the royal court, and Lely went there looking for commissions. His early English works — mythological and religious scenes and portraits set in a pastoral landscape — show the influence of Van Dyck and the Dutch baroque.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
