Satyress
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Waar is „Satyress” nu? Cleveland Museum of Art, 117A Italian Renaissance, Cleveland. Ja, nu te zien. Gecontroleerd 29 september 2026.
Publiek tentoongesteld.
- Gecontroleerd
- Ongewijzigd sinds
- Bron
- Het museum
Over de sculptuur
In antiquity, satyrs were lustful woodland deities who delighted in wine and revelry. Renaissance artists adopted them as symbols of vice and carnal love; the female satyr, or satyress, on this bronze plaquette, recently reattributed from Riccio to Mosca, was probably derived from a copper engraving of a Roman sarcophagus by Marcantonio Raimondi (c. 1470/82-1527/34). Both the sarcophagus and subsequent engraving depicted a bacchanalia, or scene of orgiastic carousal; the peculiar objects surrounding the satyress have been added by the artist, possibly in an effort to remove the figure from her lewd original composition and give a more refined meaning. The satyress rests her right hoof upon a plumed helmet. A coiled shape, possibly a snake, winds out of the helmet. To her left, a laurel tree stands with only half of its branches in bloom.
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Two severed animal legs are tied around its trunk and an illegible plaque hangs from one of its branches. A lyre, a pan pipe, an animal jawbone and a bow are gathered at the base of the tree. The highly allegorical nature of the work uses obscure symbols, rather than a distinct narrative, to convey meaning and could possibly be read as an allegory of physical pleasure overcoming virtue.
Cleveland Museum of Art
Gegevens
- Inventarisnummer
- 1947.29
In de catalogus
Bronnen
- Cleveland Museum of Art
- Afbeelding: Cleveland Museum of Art — Museum open access
In het leven van Giovanni Maria Mosca
Het hele leven1515–1530 · Werkzaam in
Padua
1515–1530 · Werkzaam in
Venice
1530–1553 · Werkzaam in
Kraków
